Target:2006 Prologue

Possibly Simon Furman’s finest story for the Marvel Transformers comic – Target:2006 spans the future and the present, Cybertron and Earth, tying in with the eagerly anticipated Transformers Movie and introducing a host of new characters. It begins with a shocking departure and an arrival.

“G’day cobbers!” announces the Transformation/welcome page for issue #78 of the Marvel UK Transformers comic. It’s early September 1986 and the UK’s premier comic has just gone on sale in Australia too. Whether Aussie readers would have appreciated the cliched and slightly patronising references to ‘cobbers’ and ‘sports’, I’m not sure. Perhaps people were less sensitive then? In any case it’s a good jumping on point for readers of whatever nationality. The comic has been enjoying a fine run of form in both its US and homegrown stories of late, and Target:2006 is about as good as it gets.

I have a vague memory of walking back from my local newsagent with this issue in my eager hands. It will have been the last week of the summer holidays, just before my second year at ‘big school’ and I remember being surprised and concerned by Alister Pearson’s cover (Prime, Prowl and Ratchet engulfed in entropy) and corresponding scenes inside. It felt like the comic was delving into unfamiliar territory, which can turn out either good or bad, and I was concerned that Optimus Prime might not feature in this much-promised epic 11 issue storyline. As it happened, Prime would be absent, but this would add to the sense of desperation and drama in the Autobot camp – and certainly made things more interesting – while also creating an opening for Ultra Magnus to step in as a new leader (as he’s described in the toy ads).

Jeff Anderson, who would illustrate some of the great T:2006 moments, is on board for the prologue. It opens with Optimus barging his way through woodland, felling trees and sending squirrels scurrying for safety. Prowl orders the Autobot leader to stop and take note of the damage he is causing. Prime is instantly remorseful about losing his temper. He doesn’t do it often but in flashbacks we find out that the Dinobots had wound up the pair of them by refusing to explain the battle they had just been involved in (and lost) or the presence of a non-Transformer mechanoid (Centurion).

Grimlock is drawn quite a bit larger than Optimus, which feels like a mistake (unless Prime is stood further away). I get the impression that the Dinobots are frustrated at taking a pasting by Megatron, Soundwave and the Constructicons and are feeling a bit embarrassed. They particularly don’t like losing face in front of Optimus Prime.  It’s interesting to see the Dinobots are now a faction within a faction – fighting for the Autobot cause but on their own terms. They’ll be off goodness knows where for the next few months, resurfacing in issue #101 in time for Galvatron’s second visit.

On Cybertron – recently reintroduced to readers via the US stories The Smelting Pool and Bridge to Nowhere – Emirate Xaaron wanders through the devastated ruins of Iacon, at one time the planet’s capital city. The Autobot elder previously appeared in the 1985 annual and is making his debut in the main comic here. He activates a lift that descends him into a secret Autobot base deep underground. There are shades of Perceptor’s resistance cell and their subterranean hideout here. He is met by Skater, a green an orange robot with a blue face that now reminds me of an Andorian from Star Trek. He warns Xaaron that Impactor (another made-for-comics character) is being difficult.

When we meet Impactor, he’s just as prickly as we’ve been led to expect. On behalf of his elite squadron, the Wreckers (great name), he wants assurances that Ultra Magnus will be ready to assist them in something called Operation Volcano. We can assume that this is a major strike being planned by the resistance against Cybertron’s Decepticon rulers. There’s no sign of Magnus himself yet, which adds to his mistique.

In Polyhex, the province we were introduced to in The Smelting Pool, an Autobot suffers at the hands of Shrapnel. To save himself he offers information in exchange for sparing his life. Shrapnel agrees and learns of plans for a secret meeting of Xaaron and other Autobot resistance leaders in Iacon. Shrapnel is pleased – his superiors will reward him handsomely for the information (presumably they are more grateful than his old boss Straxus?!) – and now for the Autobot’s reward – a fatal dose of electricity!

There’s a great line from the unfortunate wretch, “Wha – ? Noo! You Promised!” and Shrapnel’s gleeful retort, “I lied!”. In recent years there’s been a blurring of the lines in Transformers, making Decepticons not altogether bad and Autobots not all good. For example, Thundercracker befriending a dog in IDW’s Optimus Prime title and the ultimate expression of that being Megatron joining the Autobots in More Than Meets the Eye/The Lost Light. As good as those characterisations are (and Megatron was written extremely well) – I’m a bit of a traditionalist in the sense that I like my Autobots to be heroic and my Decepticons to be evil. I find one-dimensional bad guys like Megatron and Straxus quite fun, and therefore Shrapnel’s ruthlessness in this moment also raises a smile – what a bastard he is! Lol.

Roadbuster, another debutant, is watching from the side lines. He’d leaked the information to the deceased robot and, though he is sickened at the sight of even a traitorous colleague dying at the hands of “scum” like Shrapnel, it means that Operation Volcano is on. Evidently a trap of some kind for the Decepticons with Xaaron providing the bait. Intriguing.

Back on Earth the Autobots gather in the Ark for a pep talk from their leader, Optimus Prime, flanked by his two lieutenants Prowl and Ratchet. He’s interrupted in mid-flow by sudden pain and becoming engulfed in antimatter. There’s a burst of light and all three are gone. The Autobots are shell shocked, and on Cybertron the Matrix Flame (described as the living embodiment of the Matrix) flickers and dies. What is the Matrix Flame and what does it do? Can it be used to give life to new Transformers like the actual Matrix? We don’t find out. Suffice to say it’s a device to ensure that the Cybertron-based Autobots are clued in that something has happened to Optimus.

On a cereal farm in Oregon the stillness is broke as three unknown Transformers materialise, provoking a sudden and violent thunderstorm. We only see a glimpse of their feet and various body parts, but any fans who know their toys (which will have been the serious readers) know this is Galvatron, Cyclonus and Scourge. Three humans in rain coats arrive with torches expecting to find a plane crash or worse. Instead they are confronted with three powerful Decepticons. Galvatron demands to know the year and is pleased to learn it is 1986 and within their target date. Galvatron reveals they have travelled from 20 years in the future – a future where humans and Autobot kneel before him… As it is in 2006 so shall it be in this time.

In summary, it’s an intriguing opening part that poses many questions – the whereabouts of Prime, Prowl and Ratchet (are they now in 2006 having traded places with the three Decepticons?), what will happen with Operation Volcano, and why has Galvatron travelled to present day Earth? Anticipation is building for the Transformers Movie and T:2006 will link into it in a major way we’re told. Galvatron looks a bit too close to his toy model on the splash page but is drawn better later and I’m not sure I quite realised at the time, what a significant character he would become. At this point fans had no idea of his origin as Megatron so there would be some surprises in store.

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Robot Buster!

Buster Witwicky sets out to prove to Optimus Prime that he has what it takes to be honorary Autobot, courtesy of the robotic suit designed especially for him – but he ends up taking on more trouble than he can handle.

May 1986. The Marvel UK Transformers comic begins a seven-week run of homegrown stories starting with Robot Buster, a two-parter from regular writer Simon Furman which is based on an idea by Barry Kitson (who is also the artist on this story). Furman later acknowledged that the story was ‘done for Barry’ as an attempt to keep him involved with the Transformers title. It didn’t work – he would do one more story (Second Generation part 2) and pop back for the occasional cover but that would be it.

In my remarks about Plight of the Bumblebee, I observed that Autobots tend to regard humans as weaker lifeforms in need of protection, kind in the same way a parent or guardian views children. It’s well-meant if a tad condescending. That sentiment is in play in this story, which we could almost call Plight of the Buster. It stars of course, the Autobots’ human friend Buster Witwicky who makes a return after a four-month absence.

One thing I never quite appreciated about Buster is how little he features in the US Transformers comic after the early stories. Literally, on returning the Matrix to Optimus at the end of the story Prime Time (published in the US in early 1986) Buster vanishes for the best part of two and a half years, only appearing once in that time, in the infamous Buster Witwicky and the Car Wash of Doom story. In the UK he would appear in this story, Devastation Derby and Second Generation, as well as the 1985 and 1986 Christmas issues.

Robot Buster opens with Prime advancing on Repair Bay 2 within the Ark, irked that his engineer Wheeljack is not working on the ship’s propulsion and Chief Medical Officer Ratchet is not focused on repairing those injured in the Dinobot Hunt. They had better have a good reason for neglecting their duties.

When he gets there, he discovers what has preoccupied his team – it’s Buster Witwicky sitting in the cockpit of a Transformer-sized robotic suit (this being before the 1986 Transformers Movie introduced us to the concept of the exo-suit). Buster is delighted and Wheeljack and Ratchet suggest the body could provide Buster with protection in the event of a Decepticon attack.

Prime blows his top – he can forgive Buster’s foolishness on grounds of his youth and inexperience (that parental view again) – but his warriors must have “lost their minds” to think it is acceptable to expose a human to danger in this way. The suit will be destroyed. Buster hits back, reminding that he kept the Matrix safe and saved Prime’s ass during the events of the Matrix saga. Then he utters the memorable phrase of whole story, “You stink Prime”. Ratchet and Wheeljack recoil in visuals that look like somebody may indeed have let off a stinker. It’s quite a moment.

Buster storms off to a human-sized bedroom that the Autobots have provided for him in the Ark, as Ratchet and Wheeljack agree to dismantle the suit in the morning. However, that night Buster is feeling back about the outburst and resolves to demonstrate the suit’s worth to Prime. He uses its flying capabilities to travel to the abandoned former Decepticon base, Fortress Sinister, where, as coincidence would have it, Shockwave and Frenzy are carrying out a salvage operation.

I always enjoy Decepticon inter dynamics – very few of them are friends, more like colleagues joined together by fear and adherence to a common cause and code. In this case Frenzy takes pleasure in thinking that Shockwave is terrified by the prospect of Megatron’s rumoured return and is destroying anything the former leader had a hand in just to feel better. It’s a very emotional reaction for the normally logical and emotionless Shockwave. As revealed in the previous story, the Decepticons are currently in a makeshift base, we don’t know where. It would have made sense to regroup at Fortress Sinister. As they have abandoned the place, I wonder why the US army isn’t crawling all over the castle to learn what they can about the alien invaders in their country.

Buster sneaks up on Frenzy, reasoning that he’s one of the least powerful Decepticons and could be taken prisoner. That would really demonstrate his usefulness to the Autobot cause. A powerful plasma bolt takes the Decepticon down, but not for long. Frenzy retaliates by unleashing his sonic power and threatening to make Buster suffer a horrible death. By total fluke, Buster activates the suit’s ability to jam Frenzy’s broadcast and play it back at him (via an echo cell). Frenzy is beaten but Buster realises he is out of his depth and got lucky, he needs to go before he runs into one of the more powerful Decepticons. Sure enough, part one ends on the cliff-hanger of the Decepticons leader arriving and noting that, while humans are usually beneath his notice, Buster has earned his right to “die at the hands” of Shockwave! (or should that be hand?!

Geoff senior does a great job with the cover of issue #59 and its striking how similar Buster’s seating pose and the helmet look reminiscent of Professor Morris’ robot-control technology from The Icarus Theory story. Buster does look exposed though as an opponent is likely to aim straight for the glass that shields him. There’s a Human Who’s Who feature on the back cover which includes prominent persons who have appeared in the story to date, arranged as friends/allies and enemies/antagonists. Soundwave stars in the Robo Capers strip blasting the Marvel staff for the printing error in issue #51 – it was a matter that preoccupied the previous week’s Transformation page. I can only assume the readers have been writing in about it.

In part two, Buster flees Shockwave, setting falling rocks against his pursuers and engulfing him in fire, but to no avail. A phone call to the Autobots would be a good idea about now, so we must assume this isn’t an option, perhaps a result of damage from the encounter with Frenzy. As Shockwave – who Kitson depicts with a ridiculously oversized head throughout the issue – closes in for the kill, Buster throws a fist full of sand in the Decepticon leader’s single eye. This exposes a weakness – his eye – that we’ve not seen before. It inflicts a temporary blindness and causes Shockwave to shoot at random, allowing Buster to make a run for it.

There’s an interesting flashback from Shockwave’s perspective, a resurfacing of suppressed trauma of his being buried beneath rock (following his pre-historic battle with the Dinobots) and then cast into the swamp by Optimus Prime. In the US continuity he returned almost straight away, but in the UK we had a period where Soundwave became interim leader in the absence of Shockwave and Megatron. This requires more explanation about how Shockwave escaped his murky fate, which Furman provides here, describing how ‘days or months’ passed before Shockwave was able to get a foothold on solid ground. Seeing as he’s 30 feet or so tall, that must be one deep swamp!

Buster has done well to make it to sunrise. Shockwave tears up a mountain in his search, until finally the two are face to face. Buster channels all power into one blast – inflicting pain on both. Shockwave falls but the exo-suit is a smoking wreck. Buster climbs out of the cockpit, only to be seized by Shockwave’s gigantic hand. As he prepares to crush the life out of the youth, Optimus Prime and the Autobots arrive with weapons trained on Shockwave. Prime offer him a logical choice – release Buster and he can go free.

Shockwave accepts, leaving with the obligatory threats about their next encounter. As Buster jokingly resigns from Autobot frontline duty, we see Shockwave contemplating how he can exploit the Autobots’ fondness for Buster to the Decepticons’ advantage.

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Dinobot Hunt

One of the most eagerly anticipated Simon Furman stories of the early Marvel UK Transformers. The Dinobots have reverted to primal states – their brains addled by millions of years spent in a tar pit. It’s up to the Autobots to bring them in before they unleash havoc, but the Decepticons are determined to exploit the situation for maximum advantage.

Bob Budiansky said that one of the challenges he faced as the writer of the American Transformers comic was the constant requirement to introduce new characters. This was to ensure the comic kept pace with Hasbro’s ever-expanding toy line – but with only 12 monthly issues per year it inevitably meant that characters would be introduced and then vanish for long periods (the Constructicons for example).

The Dinobots were criminally under-used in the US comic for two years after their introduction. However, this created an opportunity for Simon Furman to utilise them in the weekly UK Transformers comic without conflicting with anything Bob was doing. So, in 1985/6 we had the Wrath of Guardian/Grimlock, Dinobot Hunt, Victory and In the National Interest.

Dinobot Hunt, published in February 1986 (with Will Simpson and Barry Kitson alternating on the art), was our first meaty Dinobot story. It follows on from The Icarus Theory which reintroduced Swoop and alerted the Autobots to the fact that the Dinobots had reverted to their baser instincts. Optimus Prime declared that their top priority was now to track down and subdue the Dinobots before human lives were lost.

Issue #47 kicks off the hunt in the Nevada Black Rock desert where three human soldiers venture into a sandstorm to investigate giant spikes protruding from the ground. These solar collectors are attached the missing Dinobot Snarl, who is submerged in the sand. One of the men uses a laser saw (standard issue for the US army in the 80s?) and tries to cut into a spike. The predicable result is that the sleeping Dinobot roars into life and attacks the humans. They are saved only by the arrival of Mirage, Brawn and Trailbreaker.

In flashback, we see Optimus Prime and Prowl briefing the hunter teams of situation and their targets – Grimlock, whose jaws that can cut an opponent in two; Snarl, whose strength increases ten-fold in sunlight; Slag, fast, ferocious and fire-breathing; and Sludge, deadly in water.

Snarl’s vision appears to be severely pixelated. Whether this is due to his condition is unclear, but if not then he really should go to Specsavers. He makes out the three enemy forms and charges, injuring Mirage before escaping into the storm. Prowl, who is coordinating via a shuttle, tracks the Dinobot heading west – where he runs into a secret military base (literally), taking out the fence and coming under heavy fire.

General Carl Thompson, commanding, finds the alarms a welcome relief from the boredom. On seeing Snarl, he realises that “only a nuclear strike” will do – this sounds incredibly like ‘sledgehammer to crack a nut’, but their weapon alters molecular structure and in this case is useful for making Snarl revert to his robot mode and collapse.

Simpson does a solid job on the art, but it’s a slow start to the story. Unfortunately, neither Snarl or the hunters get up-to much and we’re missing the involvement of the Decepticons. With Laserbeak spying on the Autobots at the end though, it’s an indication that they are about to enter the fray.

Things hot up in the second part as we head to Little Wood, a “vast inland waterway” in Northern California. It’s popular with tourists apparently (despite looking like a midgie-filled swamp) and three newcomers have shown up today – trouble is they are Decepticons! We don’t see who until the end of the story, leading to speculation from my comic reading schoolfriends back in the day that it might be the Insecticons – no such luck. They bully a couple of locals to spill the beans about a monster sighting in the swamp, before blowing their home to bits. Harsh!

The Autobots have sent A-Team (no not that A-Team) of Gears, Cliffjumper and team leader Windcharger to track-down the Dinobot Sludge, who they think is in the area. In those pre-google days I imagine Furman having to pour over an atlas of North America to identify swamps and deserts that can feature in the story. Interestingly, according to Mr Google, only Black Rock Desert which is a real location.

Sludge is not far away, quietly munching on vegetation (his condition having turned him docile) and has been befriended by a TV reporter named Joy Meadows who eyes him as her ticket to the big time.

After some mirth with Gears getting pulled out of the swamp by Windcharger’s magnetic powers, the Autobots are confronted by the river police who are responding to all the local destruction caused by the Decepticons and decide these three robots are the culprits. It’s a nice opportunity for Cliffjumper to deploy his glass-gas gun (not seen for a long while) against one of the vessels.

The Autobots see blaster fire in a clearing and run towards it. They find poor Joy Meadows “dealt with” (though she’ll survive and return) and Sludge unconscious. The trio are cut down by a volley of fire, as Soundwave, Skywarp, and the Scavenger (yay!) reveal themselves. I’m genuinely excited to see Scavenger reappearing (although annoyingly drawn with a regular face instead of his distinctive ‘gas mask’ in one panel) as the Constructicons have been is conspicuous by their absence.

You have to wonder how Sludge made it as far as Northern California without being noticed by anyone. Or Grimlock all the way to Canada for that matter! The issue features a ‘Who’s Who’ flowchart about the Decepticons which also provides a reminder of previous stories.

From the muddy swamps of California, we’re off to Cowboy country for part 3. Slag, amusingly described in the blurb as “as mean a critter as you’ll ever come across” is causing havoc by trampling a ranch and gets pursued by hot-headed human Greg and his brother. I’m quite fond of this instalment, partly for the ridiculousness of cowboys lassoing Slag and for Jetfire showing up still wearing his Decepticon badge.

Soundwave, Skywarp and Scavanger arrive in Idaho to discover a buckled Decepticon insignia and evidence of a recent battle. They find Laserbeak in bad shape but still able to transform and deliver his report (interestingly he makes bird like noises while in robot/bird mode but can ‘speak’ while delivering playback. Perhaps it’s like Bumblebee in the Bay films being unable to speak and communicating through his radio).

Laserbeak had observed two “suicidal” human brothers on horseback pursuing Slag and one of them unloading a rifle on him at close range. The crude weapon only served to get his attention. D-Team, consisting of Jazz, Ironhide and the Decepticon defector Jetfire came to their rescue.

The bad attitude Jetfire gets from Ironhide over his Decepticon badge shows that things must be uncomfortable for him at the moment. Jazz alludes to there having been no time to perform the ‘Rite of Autobrand’ (giving him his badge) which rather pre-empts the upcoming US story Rock and Roll-out. Slag might be a triceratops, not a bull, but that’s close enough for Furman who has him ‘see red’ and charge at Ironhide. This allows Jetfire to swoop down, transform and wrestle the Dinobot to the ground.

Jazz gets Greg safely out of the way but pays the price with a fireball at close range. We’ve always known that Transformers have the ability to grow or shrink in transformation, but the rule also applies to their weaponry. We see Jazz remove a gun from a compartment in his mid-section, and it promptly enlarges to actual size. It’s a nice detail.

Jetfire got pierced by Slag’s horn, explaining the amputated badge that would later be found by Scavenger, and Laserbeak was rendered unconscious by being thrown into Slag’s maw by the Autobots. This turned Slag’s flame inwards and he overheated. Laserbeak proves himself amazingly durable.

His offer to take responsibility for the failure to apprehend Slag shows a certain honour among thieves, while Soundwave’s refusal to apportion blame is perhaps indicative of his respect for Laserbeak, loyalty towards one of his cassettes and good leadership skills (better to keep the troops on side). We learn that Soundwave hopes to set their captured and manacled Sludge against any other Dinobots they can find – and having lit a fuse they’ll sit back and watch the Autobot casualties mount. Soundwave may only be interim Decepticon leader, but he’s demonstrating a flair for exploiting the weaknesses of his enemy in order to make quick gains.

So, to the concluding part, which also happens to be Transformers UK’s landmark 50th edition. To mark the occasion readers are promised a clash between two frenzied Dinobots and the issue doesn’t disappoint.

The Decepticons have travelled to Doonstown in Canada where the last remaining Dinobot, Grimlock, is located. They rigged up a device in their captured Autobot shuttle (the one used by A-Team, who are manacled inside) to broadcast a signal to Sludge, keeping him in a fighting mad state, then set him against Grimlock. The result was explosive – the destruction of the town and C-Team also down. Bluestreak and Huffer are unconscious and a wounded Sideswipe was radioing Prime for reinforcements when the Dinobots rampaged through the shuttle.

The splash page shows the Dinobots fighting each other over a cliff. It actually looks like Grimlock would have no trouble biting Sludge’s head off, but they plunge down a scope and into a frozen lake, where Sludge is the stronger in water. Scavenger and Soundwave watch with satisfaction and Skywarp announces the arrival of Prime’s shuttle as well as the discovery of an oil rig nearby which they can plunder. All in all, a successful little mission.

As Ratchet recovers C-Team and Bumblebee scouts investigates how Sludge came to be there, it falls to Prime to engage the Dinobots and prevent them from getting out of the lake. His gun overheats and explodes in his hands. Luckily, he buys enough time for Prowl to arrive in a shuttle, electrify the hull and bail out as it hits the lake. The charge is enough to knock out Grimlock. However, Sludge recovers and turns his aggression towards Optimus.

Bumblebee using a piece of kit we haven’t seen before (a Portable Energy Tracer – PET) locates their missing shuttle, finding it cloaked. This wouldn’t be the first time Furman would use a Star Trek concept. He drags Windcharger and co. to safety before triggering Scavenger’s booby-trap and exploding the shuttle. This immediately renders Sludge unconscious. The hunt is over, but it is Soundwave who declares victory!

That’s it for Dinobots for a while, though they do return in TFUK#65 and in the scarily good 1986 Annual story ‘Victory’, which delves into their dreams while they recover in Ratchet’s medical bay. On the Transformations page we hear the buzzword for the next 50 issues – ‘Special Teams’. We’d soon find out that this meant more combiners on the way. This were heady days for young Transformers fans.

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The Icarus Theory

The Autobots have a run-in with Professor P Morris, a brilliant but embittered scientist who has invented a machine that enables him to control Transformers. The story sees the return of a character thought dead, and the emergence of a major new problem for the Autobots.

‘This man is mad. And he also has the power to control Transformers’. So declared the teaser for The Icarus Theory. It’s fair to say that if this were published now, rather than January 1986, the comic would probably be in trouble for propagating ‘negative stereotypes of mental ill health’. In fact, Morris, the main protagonist in Simon Furman’s story, is not insane he’s just obsessed with the Transformers in an unhealthy way (unlike we fans of course!). He is angry, bitter and resentful at the world because he isn’t getting any respect from his employers.

The story opens with Morris fishing at Lake Dena, a man-made reservoir with no fish (!). He thinks over events from the previous day, where he’d presented to a room of Roxxon Oil executives, setting out in breathless fashion his wild theory that G.B. Blackrock is controlling the ‘robots’ who recently attacked his plants. These well publicised incidents were merely a cover to throw others off the scent, he claims. However, with funding Morris can take control of the Transformers.

The cigar smoking Mister Hemmings has heard enough (strangely enough all the rest of the execs are smoking too which is another 80s anachronism). Hemmings calls Morris a crackpot and throws him out. The professor is desperate to prove himself and get even, and an object he snags in the lake may be the answer.

In another flashback we see Morris seated in a chair with various equipment attached to his body. He is using the apparatus to control a robot that is beating the crap out of a dummy, which helps to relieve his frustrations at the recent turn of events.

Five days later, at the Ark, Optimus Prime checks in on Bumblebee, who is recovering under Ratchet’s auspices and both have apologies to make over the mini-Autobot’s capture by the Decepticons. The scene is pleasant enough but doesn’t serve much purpose, other than perhaps to point out that everyone has the capacity for error (whether we’re supposed to relate this to Morris, I’m not sure). Prime has also been drawn in a weirdly overdramatic pose by Kitson as he’s walking down the corridor. I imagine he’d have got some funny looks from the other Autobots strolling around like that!

In the skies above Oregon we see the tip of a plane’s nose, or is it a beak, with an Autobot insignia. Most fans will have clicked immediately who this Transformer was. Morris controls it and sees the world below, he’s enjoying the sensation of flight. However, a security guard hears sounds coming from the lab and stumbles across Morris. The guard, being a massive dick, points a gun in the professor’s face and suggests he Morris gives him a little hush money if he wants to avoid being ruined.

It’s strange, because the professor could surely could have come up with a perfectly plausible excuse for why he is working on the equipment (after all he was hired to work on it). I’m not sure why would the guard automatically assume he’s up to no good. However, Morris is enraged by the blackmail attempt and before he can stop himself the robot under his control strikes the guard with a huge claw, killing him! Morris didn’t mean for this to happen and considers turning himself in, then resolves to see his mission through. He might need his flying robot to do a spot of body disposal (perhaps at the lake with no fish).

Later, at the Ark, in a scene reminiscent of Crisis of Command part 2, Huffer detects an airborne Transformer signal heading their way. It’s apparently too small to be a Decepticon seeker jet and too big for Laserbeak or Buzzsaw. The Autobots take-up defensive positions outside. Suddenly two rockets fly in, clouding the area with a ton of dust. Moments later their attacker shows himself – it is the missing Dinobot Swoop! If you guessed it, well done.

This issue has fact files on Cosmos and Beachcomber (two characters due to be introduced in TFUK#66) and a mini-Autobots poster. A kid called Kevin Wootton has created a pretty good drawing of Soundwave on computer which takes up half of the letters page. With only two letters this is one of the shortest in a while.

Following the big reveal, part 2 begins with a tale of two beings – Swoop and Morris. Swoop had flown “too close to the sun” we’re told (actually it was the exploding Guardian) and had plunged into Lake Dena. Morris, who was trapped in the prison of his life, had created a machine that set him free – he found Swoop and a way to fly.

Now he’s using the Dinobot (who appears heat scarred but still deadly) to attack the Autobots. He flies Trailbreaker into a rockface but Hound blinds Swoop momentarily. Morris covers his human eyes in reflex. The Autobots pile on Swoop but he breaks free.

Prime tries a different tack. Standing firm, he orders Swoop to transform and halt. A fury stirs within and Swoop, who appears to be getting his mind back. He takes to the air and the Autobots follow on the ground, tracking him by radar. Prime reveals an interesting vignette, of how Swoop had been Divebomb, a member of the Elite Flying Corps on Cybertron, and had despised his authority. It’s no doubt meant to be a throw-away piece of back story from Furman but would require a remedy around a year later when the Predacon Divebomb was released by Hasbro. The result would be ‘What’s in a Name?’, a story in the 1987 annual which reveals how the Predacon and Swoop fought for the use of the Divebomb name. Here’s a spoiler – Swoop lost.

Meanwhile, Swoop transforms and puts a blaster to Morris’ head. The professor pleads for mercy, saying he had no idea the Transformers were living beings, but then concedes that he killed a man and deserves whatever punishment Swoop is about to dish out.  

When the Autobots arrive, Swoop brings the professor out, who confesses his sins to Optimus while comparing himself to Icarus who flew with wings made of wax (why he would assume alien robots know the story of Icarus, I don’t know). Prime declares that human justice must decide what happens to Morris – he must turn himself in after he has destroyed the machine. Then comes a twist. Swoop goes vacant before attacking Ratchet, transforming and going berserk again! Morris protests that it is not his doing, and Prime agrees. Nevertheless, they can use the mind control device to bring the attack to an end.

Back at HQ, Ratchet diagnoses Swoop as suffering from corrosion brought about by the millions of years he spent buried in tar. This has caused him to revert to a primal state, and if anything, Morris’ device probably stopped it happening sooner. Prime is aghast – he knows that out there are four more Dinobots, probably also succumbed to madness and who are now a threat to any human life they encounter. There is only one thing for it, they must find the Dinobots without delay!

In conclusion, it’s an okay story which is not too spectacular but is elevated somewhat by the return of Swoop (though most will have guessed before the big reveal) and the mouth-watering prospect of the Autobots versus the Dinobots in conclusion. However, it’s really just a prelude for the main event starting in issue #47 and which takes us to the comic’s exciting half centenary milestone.

One final thought: did Morris stumble upon Swoop by accident in Lake Dena? It looks that way, but the editorial makes it clear there are no fish in the lake, so Morris had to be looking for something else. Although it’s not stated, it’s likely he had a means of tracking down Transformers, which also explains how he knew to attack the Ark.

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Dis-integrated Circuits

Autobots, Decepticons and now Humans! Josie Beller ‘transforms’ from paralysed victim of Shockwave to a robot-busting avenger known as Circuit Breaker! Unfortunately, her wrath is not reserved only for the Decepticons. It’s Dis-integrated Circuits, by Bob Budiansky.

After a four-week interlude of homegrown material, the Transformers UK comic returned to another run of reprinting stories from its US parent. Bob Budiansky continues on writing duties, accompanied by artist and one hit wonder Mike Manley (this being his only outing on Transformers).

There’s been quite a bit of build up to this issue on both sides of the pond. In the earlier story ‘The Worse of Two Evils’, Bob went to pains to put a human face on Shockwave’s attack on the oil drilling platform. We were introduced the industrialist GB Blackrock (owner of the platform) and his brilliant young engineering talent, Josie Beller. Ultimately, she got fried during the attack and has been in her boss’s private hospital ever since – severely paralysed but using the equipment he provided to plot her next move. Blackrock received a second kick in the proverbials when his aerospace plant was taken over by the Decepticons. It is now their new base.

At last its time for Bob to show us where he’s been going with these characters. Transformers has always been about humanity alongside Transformers and Bob’s stories more than most, so it’s perhaps inevitable that we would eventually see a human on equal terms to the giant robots (arguably two, if we consider Buster Witwicky who now holds the power of the Creation Matrix). As this is a Marvel publication, we shouldn’t be surprised to see a superhero/villain feature.

The story begins at Blackrock’s racetrack (yes, he owns a racetrack too!) where’s he interrupted five minutes before the end of the session. He’s not happy but it’s due to the arrival of General Capshaw of the US military. He’s heard about Blackrock’s intention to unveil a new “weapon” capable of destroying Transformers, and feels it will needlessly publicise the robot presence. The army want to avoid this until it can work out who is responsible for the Transformer menace (they assume it’s an enemy nation).

Blackrock is a bit of dick at this point. He’s testy with his staff and not used to hearing no for an answer. He gives Capshaw short shrift and explains he has shareholders to keep happy – and the giant robots have been bad for business. Oddly, considering he got out of the car dripping in sweat, Blackrock puts his suit on while he talks to the general! We know he’s got a tight schedule but surely there’s time for a shower? Particularly as his next port of call is to the hospital where Josie is being looked after. She shows him a flying device she has created which becomes airborne by using electro-magnetics to repel from metal objects. Blackrock is impressed but he gets a bad vibe about Josie’s obsession with getting back to work and helping in his fight against the Transformers.

Sadly, the two pages where the Autobots make their re-entrance and another page have been mis-coloured in the UK version (the page above is from the US comic). I’m vaguely aware that colouring is achieved by transposing the primary colours over each other and I suspect that those pages one of the three are missing. It’s a shame because this is a big moment – the Autobots once again in the land of the living and back as a fighting force. All had seemed lost only a few weeks earlier. That said, things are not back to normal. The presence of Optimus Prime’s headless body is a reminder to all that their leader is a prisoner of the Decepticons, and they cannot rest until he has been recovered.

The matter of how the Autobots can function without a securing fuel is explained on page seven – they are using the limited supplies very considerately left behind by the Decepticons. In the US version of page 7 Ratchet refers to himself as being in command. In the UK the words have been changed to “and no matter who’s in command”. I suspect the explanation is that, in the next story, Prowl is established as stand-in leader. Perhaps the UK team just felt it was less confusing to leave out the mention of Ratchet commanding.

It’s apparent that Jazz is going to feature as a main character in the story. He’s the only one not to transform on command (because he’s listening to Madonna’s ‘Material Girl’). His radio picks up a news item of Blackrock boasting about his anti-robot weapon. Jazz wants to educate him that not all Transformers are the enemy and thinks an alliance would solve the Autobots ongoing fuel needs. In return they can offer Blackrock protection from the Decepticons. It’s a good plan and Prowl gives permission, providing Wheeljack accompanies Jazz.

Over at the aerospace plant Starscream informs Commander Shockwave that the Autobots are free and have regained the Ark – all because of the “incompetence” of the “fool Megatron”. Shockwave is surprisingly nonchalant. This should be a massive disaster for the Decepticons and his leadership – they had utterly defeated the Autobots and now the situation is reversed, and their mortal enemy has been allowed to recover. They even left a handy fuel reserve behind.

Perhaps it is a sign of Shockwave’s preoccupation with his grand plan of creating a new Decepticon army, but he dismisses the Autobot threat, saying they are unwilling to take the fuel the need through misguided ethics. And he calculates that Megatron will not return to be defeated by him again. This hubris is astounding in one so calculating and logical.

Frenzy having a tantrum in reaction to Blackrock’s public threats is good fun – also the ruthless way Buzzsaw instinctively understands his commander’s wish and silences Frenzy by slicing the metal he holds into ribbons. Next time Buzzsaw will aim for Frenzy’s body! Gulp! Interestingly, the mini-Decepticon’s emotionally-charged response is completely the opposite that of his boss. Shockwave dismisses human threats as too trivial to be concerned about, however he agrees to Starscream’s suggestion that destroying the weapon would be a good way to exercise the troops and a bit of mayhem at Blackrock’s expense is no bad thing. Also enjoyable is Starscream’s treacherous thoughts of stealing the weapon to use against Shockwave. It’s this type of thing that makes the Decepticon camp much more entertaining to read about.

For the first time, US readers are shown the six brain modules which Shockwave has nurtured and Prime’s mind has breathed life into (thanks to the last vestiges of the Creation Matrix in his mind), and for the first time we see how small a Transformer brain is, fitting on to the top of Shockwave’s finger (incidentally here they are round, whereas they were drawn as larger boxes in the last UK issue).

The rest of the Matrix is of course in the mind of Buster Witwicky who is growing in his understanding of it. While failing miserably to fill in for his father (recovering in hospital from a Transformer induced heart attack) he suddenly sees the faulty engine with total clarity and is able to reassemble it using the power of his mind (now that’s using the Force!).

Elsewhere, Blackrock is working late at this office penthouse. He takes a call from the Josie Beller’s doctors saying the patient has escaped via a fifth storey window. At that moment a shadowy figure enters the building, disabling security cameras on the way. She flies up several floors and strips off her coat to reveal her body sans clothing and coated in circuitry – Josie Beller has become Circuit Breaker!

In part two, Beller reveals that while she wears the Circuit Breaker costume she is no longer paralysed. What’s more she can assess computer files and reprogram them with a thought (such as Blackrock’s giant laser project). She can fly and emit powerful bursts of electricity. Blackrock is awed by her abilities but has no wish to involve her further in his private battle. He orders her to go back to the hospital, but she refuses and walks out.

The next day Blackrock is back at his racetrack dodging the media. Jazz, in Porsche mode forces him inside and speeds off – he already has proven credentials as a kidnapper (see Man of Iron) and attempts to explain to a very confused GB that he is looking to partner-up against the Decepticons. The police give chase and Jazz crashes through a barrier, plunging over a cliff. He transforms and catches Blackrock as they fall. A Decepticon would have let him bounce, he explains. Despite this odd way to start a partnership, it seems they have a deal.

Later, Blackrock unveils his huge anti-robot cannon (with Jazz and Wheeljack parked discretely nearby). The weapon is a dud and fizzles out. There’s raucous laughter and further humiliation for Blackrock. As Circuit Breaker steps up, she reveals she sabotaged the gun and now Blackrock will have to unveil her as his secret weapon.

Suddenly, Starscream and Frenzy attack. Jazz transforms to defend Blackrock from Frenzy but Circuit Breaker zaps his gun and then unleashes a powerful burst of electricity against him! Blackrock pleads with her that Jazz is one of the good guys. Wheeljack blasts Frenzy with his magnetic weapon that causes vehicles to attract on to the Decepticon’s body and encase him. It’s a neat attack that makes a change from the standard laser blasts (and arguably not enough is made of Transformers’ weapons, which are distinct and personal).

Circuit Breaker attacks Starscream (possibly the one and only time in this part of the comic’s run where we see her attack a Decepticon) and majorly fries Wheeljack (after he thanks her for the helping hand – harsh). Starscream flees with the smouldering Frenzy, and Blackrock pleads for the lives of his Autobot friends. Circuit Breaker destroys the target the canon was supposed to obliterate and then flounces off. She won’t allow any loyalty to Blackrock to get in the way next time.

In summary, it’s an issue of mixed fortunes for the Autobots. They have a powerful ally and a source of fuel at last, but a new adversary too. Readers will find Circuit Breaker pretty infuriating in upcoming stories while she keeps attacking the good guys. Ironically, she has become the very thing she seeks to destroy: a cold, unfeeling machine!

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The Wrath of Grimlock

As Ratchet labours to reactivate the fallen Autobots, there’s a rogue battle droid on the loose, stuffed full of explosives, and the Dinobots are about to blow him to bits! It’s the second part of the Wrath story from Simon Furman and drawn by Barry Kitson.

There’s a sense of counting down to disaster which kicks in right at the off in Transformers UK #32 (published 26 October 1985). When we last left the Dinobots they had Guardian at their mercy (the ‘rouge’ battle droid as the narrative misspells it). Trouble is, if Grimlock pulls the trigger he’ll detonate the thermo nuclear charge and wipe out the Ark and everyone in it and probably the whole mountainside too!

Conveniently (for the drama) if not the protagonists, communications are down in that part of the Ark. So being unable to raise the alarm, Wheeljack does the next best thing by using remote control to commandeer the headless body of Optimus Prime and seize Grimlock’s arm. This is a nice surprise because when Ratchet ran into Prime last issue, it seemed like his body was incidental to the plot and merely reminding readers of Prime’s current predicament. Just like last issue where Grimlock’s head was drawn at the size of Ratchet’s chest, Kitson’s got the dimensions wrong again, with Prime towering over Grimlock.

The Dinobots go from being pumped-up aggressive to finding Grimlock’s helpless situation rather funny. While larking around they forget that Guardian is down but not out and he’s able to engage power reserves and punch his way loose. Prime and Grimlock are physically separated, with the Dinobot leader suffering a severed hand. He’s in a foul mood by now and later, once Ratchet reconnects the hand, he tests it by punching the medic in the face! As last week’s teaser pre-empted, it’s the ‘Wrath of Grimlock and look who’s on the receiving end’.

Ratchet dismisses the assault as a case of the terminal sulks. There are more important things to worry about like repairing the other Autobots, starting with Windcharger as his magnetic abilities were so useful against Guardian the last time around. Though Grimlock’s attitude is dismissed, its an early indication of the Dinobots being loose canons in future.

As Guardian recharges we get a flashback to Soundwave and Shockwave referring to the nuclear charge as a failsafe should Megatron or the Autobots return. I wonder if this means they also saw the TV footage of Megatron’s ski-slope battle with the Dinobots. Rather than send a search party for Megatron, Shockwave seems to be content to think he was either destroyed or has gone AWOL. Guardian calculates that, with fourteen Autobots active, the odds are now against him and therefore he activates his detonation sequence… one hundred seconds and counting! He seeks out the largest concentration of the enemy, which as it turns out is quite handy.

As Ratchet puts the final touches to Swoop, with Grimlock looking over his shoulder. Guardian bursts in and attacks. The Dinobots lay waste to him and Grimlock bites his arm – not so much an eye for an eye than an arm for an arm. Windcharger is denied another moment of glory, as Swoop revives, attempts to shoot Guardian and blows a hole in the roof, after Ratchet throws his aim off. Hearing that Guardian is packed with explosives, Swoop transforms into pteranadon mode and flies Guardian outside. He reaches a decent height and distance and he lets go only to get caught up in the blast as Guardian explodes!

I like how Furman is able to revisit the opening narrative about so much being possible in so few seconds, but in Swoop’s case not quite enough. He saved the Ark but apparently paid the ultimate price (chances are that most readers will expect him to return at some point, as nobody ever really dies in comics – well except Guardian, he looks toast). In epilogue, the Autobots hold a memorial service for Swoop and afterwards the Dinobots leave to go their own way. We wonder what will become of them. Ratchet is able to complete repairs on all but one of his fallen comrades (Sunstreaker being the unlucky one) and in a hospital bed Josie Beller, now reborn as Circuit Breaker, is preparing to undo all of his hard work!

In summary, it’s an ending to the saga of the Autobots being dead/captive which began with The Last Stand some months ago. It’s a moment of tragedy and optimism. Things are back to approaching the status quo, with Autobot and Decepticon armies back in situ, except with obvious absence of Optimus Prime from the Autobot ranks. That’s a big loose end for them to tie up!

On the Soundwaves page the mystery of why Shockwave’s toy is not available in the UK is solved. In response to a letter from Paul Sherwood of Loughborough, we’re told Shockwave forbid Hasbro from making a toy replica because they could not possibly capture his true greatness! There’s also a welcome Factfile on Inferno – a character who will not feature for another two and a half years.

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The Wrath of Guardian

Ratchet and the Dinobots reclaim the Ark, only to run into a Guardian unit who’s been reprogrammed to kill anything wearing an Autobot badge. It’s a classic Transformers UK early years story from Simon Furman.

The Dinobots ‘no more mister nice guys’ teases the front cover strip of Transformers UK #31 (from October 1985), alongside with artwork of Snarl, Slag, Sludge and Grimlock looking like they mean business – and usually, they are depicted in their robot modes. Unless I’m mistaken this could be Will Simpson’s artist debut (one of my favourites).

The Wrath of Guardian picks up directly from where the previous issue left off, with the Dinobots arriving at the Ark to find Guardian cradling the battered body of their team-mate Swoop. It’s a strong return for Guardian, who despite looking menacing in UK issues #19 and #20 was largely wasted as a threat. This time he’s back as a more formidable foe and ready to give the comic’s new stars a run for their money. Plus, Swoop’s treatment at Guardian’s hands has given them a powerful motivation for revenge!

Even at this point Swoop is showing an unlucky streak. He was the first to be cast into the tar pit, the one who fell victim to Guardian and there is more to come.

This story and the next are actually a standard two parter but are regarded as two stories due their separate titles. Once again Simon Furman has found a way to weave a tale from the loose threads of the US storyline (the main canon) and Wrath of Guardian really gives added value. In the US, following the destruction of Megatron in Repeat Performance, the Ark had been reclaimed and the Autobots reactivated by the next issue. UK readers got to find out what happened in between and more importantly to see the hugely popular Dinobots in action (in the US comic they vanished until Command Performances in July 1986, and even then as a cameo appearance. I’ve always said that the US got the better deal where the toys were concerned and Brits did better out of the comics (enjoying a weekly not a monthly).

And so to this instalment. It begins with the five ton powerhouse,  Guardian, an Autobot omega class battle droid now reprogrammed by the Decepticons to kill any Autobots who try to enter the Ark! Swoop was the first to feel those clunking great fists and now it’s the other turn of his Dinobot comrades, who launch a four-against one attack. Just a thought, if Transformers have battle droids, why not fight the war through these proxies rather than endangering themselves?

Guardian holds his own, even swinging Snarl by the tail to knock down the others. Ratchet knows brute force won’t be enough, but if he can just fire a beam down a recharging port on Guardian’s neck – which he does, and sends the droid into overload and retreating into the Ark.

Up till now relations between Ratchet and the Dinobots have been congenial, with the team regarding him as a guide and mentor in this new environment. However, we get a glimpse of what will become long standing tensions between the Dinobots and the Autobots as Ratchet insists that Swoop will have to wait his turn for repairs. He says its because others must take precedence but there’s probably also an element of Swoop having ignored warnings and been foolhardy in flying ahead to the Ark and having brought his current predicament on himself.

In the meantime, the four Dinobots can help by tracking down Guardian. Ratchet enters the deserted Ark and finds Optimus Prime’s headless body standing there. It’s all a bit creepy – Prime’s head now safely away in the Decepticon’s captured aerospace plant – and oddly enough Prime has two arms. In the battle where he fell (The Last Stand) Optimus lost his forearm to a blast from Megatron’s fusion canon. This seems to been conveniently forgotten, or if not then the Decepticons repaired Prime’s arm for some reason.

At the Decepticon base Shockwave has succeeded in accessing the Creation Matrix programme in Prime’s mind to give life to six Decepticon brain modules (more from them in the upcoming story The Next Best Thing to Being There). Soon the group will have bodies and become the first of a new generation of warriors born on Earth. Little does Shockwave realise that Prime has transferred the rest of Matrix to Buster Witwicky, leaving only these vestiges that have now been used up. We’re then shown Buster Witwicky toiling over his dismantled stereo. He has an attack of headache and discovers the stereo fixed and playing Springsteen (not Brick Springhorn thank goodness – a little joke for a later story).

Ratchet has reactivated several Autobots including Wheeljack who is losing concentration. Prowl tells him feeling “sluggish and disconnected” is an after effect of their long period offline. I like that Furman has put some thought into this and the Autobots would take some time to warm up. The reason for the Autobots being offline, let’s not forget, is that they donated all their remaining power to Prime and four others, so we have to assume that the Decepticons had left some fuel at the Ark that Ratchet is using to recharge (as well as repair) them.

Guardian is not the smartest. He thinks he’s sneaking up on the Dinobots but they are aware and turn around hit him with their energo swords while Sludge opens fire. They prepare to finish him. Trouble is, as Wheeljack has discovered, Guardian is a walking bomb – he’s been booby-trapped full of explosives by the Decepticons and the Dinobots, in taking him out, could blow Mount St Hillary off the face of the Earth!

It’s a solid cliff-hanger to end on and the issue also features an unexpected treat in the form of a fact file on Bombshell. Robo Capers, Matt and the Cat and Machine Man – now reawakened in a futuristic looking 2020 – provide the back-up strips.

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Decepticon Dambusters

The Dinobots encounter human life for the first time, and it doesn’t go well! Ratchet decides to tell them a story of when the Autobots saved ungrateful townsfolk from a Decepticon attack on their dam, in this comic adaptation of a cartoon classic.

In the 1980s the Transformers were a global toy phenomenon first and foremost but also a hugely successful Sunbow cartoon and Marvel comic. Aside from adhering to a common origin story and character profiles, the cartoons and comics then went in completely different directions.

Both would develop the characters and introduce new ones in their own ways. To my mind the comics were more tightly woven and coherent but there are others who will argue for the cartoon being the official canon. Transformers the Movie in 1986 was something of an exception. It was such a massive event that the UK comic embraced it into its timeline, while the US comic continued its policy of ignoring the cartoons (with one notable exception being the awful 1988 story ‘The Big Broadcast of 2006’, so bad it makes me shudder to think of it.

Decepticon Dambusters is something of a rarity as it incorporates a storyline from a cartoon episode (More Than Meets The Eye part 2). It’s top and tailed by current events in the form of a story told to the Dinobots by Ratchet. This is only Simon Furman’s third Transformers story for Marvel UK and follows on from seven weeks of major US stories. By comparison it feels a little underwhelming and personally I find the top and tailed events more interesting that the main segment, which is basically a reinterpretation of a cartoon story I’ve (and most readers at the time) was already familiar with.

The story opens in bar where the TV news is showing scenes of Megatron’s battle with the Dinobots in a ski resort (in last issue’s story Repeat Performance). One grumpy patron wants the “rubbish” turned off. He’s far from convinced by claims of a giant robot invasion and steps out into the night… only to be confronted in the parking lot by Grimlock! Artist John Stokes draws the Dinobot leader, probably the closest to his toy form as I’ve seen in the comic, though smaller than he ought to be.

The incredulous bar-goer runs face-first into the leg of another Dinobot. All in all the team isn’t very impressed with their first specimen of carbon-based life and are not quite sure how this is the dominant lifeform. The man runs towards an approaching ambulance thinking he’s saved, only for it to transform into an apologetic Ratchet. Seconds later he’s running for his life in the opposite direction!

As the Dinobots continue their long march back to the Ark, Ratchet attempts to explain the complicated relationship between the Autobots and humanity. He flashes back to the early days of the Transformers war on Earth when Megatron was still Decepticon leader and their base was Fortress Sinister. The Autobots had been “monitoring” the base, whatever that means. It’s hard to imagine that a listening device would not have been detected by Soundwave as it transmitted.

The Decepticon are interested in Sherman Dam and in particular forcing water through it to generate an electrical surge that they could harness as a crude fuel substitute. Megatron blasts his way into the control centre (the ceilings are high enough for him to fit inside, luckily) and reveals that he is the reason the dam is about to burst – or rather Rumble is. He’s on the riverbed using his pile drivers to generate a tidal wave.

The Autobots assembled, led by Optimus Prime. Hound was dispatched into the water while Prime and Megatron engaged in hand-to-hand combat. Both leaders revealed an ability to substitute their hand for a weapon, in Megatron’s case a ball and chain, while Prime wields an axe. Starscream leads a bunch of anonymous looking Decepticons in a counter attack while other non-descripts are loading energon cubes into Thundercracker under Soundwave’s supervision. Again, who were these foot soldiers? The first part ends on not so much a cliff hanger but a fall – as Prime (distracted by Hound being propelled out of the water by Rumble’s powerful piledriver arms) is sent flying over the dam by Megatron!

The conclusion is billed as a ‘tidal wave of terror’ on the cover to TFUK#30. Furman has got his dams confused and now refers to it as Boulder Dam (rather than Sherman). Prime survives his plunge and is quickly fished out, but Megatron transforms to gun mode and blows the dam wide open. Prowl leads Jazz, Mirage, Ironhide, Bumblebee and Sideswipe to the human settlement below, while the other Autobots collapse rocks and carve out trenches with their blasters in order to halt the coming tsunami. Bumblebee, despite being ordered to leave with Prowl, is present with Optimus (and gets swept away by the water) and on the following page he’s back with Prowl’s group again. This is sloppy stuff and makes me wonder whether the story was rushed, or perhaps writer or artist felt a bit half hearted about it (like this reader).

Ironhide outruns the coming water with Bumblebee in the back blasting a trench in the road behind. Finally, the water calms down leaving no more than ankle deep flooding. They’ve saved the town but residents have heard that giant robots were responsible for destroying the dam and they turn their anger on the Autobots. Mirage has an outburst but Prime orders him to control himself. Optimus decided they had best leave, and so all the hard work had gained no appreciation – only more hate.

And so, back to current events. We see Josie Beller/Circuit Breaker with her arm coated in circuitry and thirsting for revenge, and GB Blackrock examining a huge laser gun that he plans to deploy against the Transformers. In my favourite scene in the story, Swoop flies ahead to Mount St Hillary, eager to see the mountain again after four million years; it is after all the nearest thing the Transformers have to a home on Earth. Ratchet is worried – there could be Decepticons guarding the Ark. Grimlock reassures him about Swoop: he can look after himself, he’s fast and real strong… famous last words, they arrive to Swoop having been battered by the huge muscle-bound menace that is Guardian!

In closing, many wonder where Decepticon Dambusters actually fits into continuity. This is finally mentioned in TFUK#63’s Robot War round-up. We’re told it happened right after the Transformers returned from searching for the Man of Iron in England. So that means that Sparkplug’s time as a Decepticon prisoner lasted much longer than we thought. Even worse the Autobots had taken their sweet time about rescuing him.

Another thought, how come Ratchet and the Dinobots are walking to the Ark anyway? What happened to the shuttle craft he used to travel to Antarctica and presumably back?

Stokes’ art gives the sense of this being a throwback to the early days as we’ve got Ironhide and others drawn true to their toys rather than their better-established cartoon forms. Last time Guardian had been squandered as a character as he was easily defeated by Windcharger and Ravage but now he’s back, having been reprogrammed to target and destroy anyone wearing an Autobot badge and it looks like he means business. From the largely irrelevant flashback to the dam we’re now back in the thick of the action the stage is set for an epic showdown next issue.

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Repeat Performance!

Transformers UK celebrates one year in print by going weekly and full colour! In the main story, Ratchet journeys to the Savage Land to locate the Dinobots and hopes they can assist him in defeating Megatron.

Issue #27 of the Marvel UK Transformers comic heralds some big changes for the book. After a successful 12 months as a fortnightly publication the team has taken the major step of going weekly. This reflects the growing confidence in the title (it would quickly become Marvel UK’s flagship) but also in the team’s abilities to generate the flow of home-grown material that will now be needed with even more issues to fill in between reprinting the American stories. I’m sure the presence of Simon Furman on the UK team will have encouraged them to think a weekly could work.

For now, Simon has a bit of breathing space while the UK comic runs the Marvel US story ‘Repeat Performace!’ by Bob Budiansky and artist William Johnson in its issues #27 and #28. It begins in one of the most improbable places, a hidden pocket of prehistoric jungle on the continent of Antarctica. I remember being aware of the Savage Land from other Marvel comics but I didn’t quite appreciate at the time that Antarctica is actually a frozen waste land and certainly not a place where lifeforms dependent on a hot climate would last very long.

For those who are interested, the explanation for the Savage Land is that it was created by technologically advanced aliens who set up game reserves on a number of worlds in order to observe the evolution of the wildlife. The Savage Land was one such reserve, and even though it has long been abandoned by the alien observers, the technology which maintains the tropical climate in the zone continues to function. So there we are. Incidentally this will be the last time that Transformers and the wider Marvel universe continue to co-exist. After this it isn’t stated that they are separate but in practice those paths never cross.

The story opens with Ratchet navigate swampland atop his M.A.R.B (Mobile Autobot Repair Bay). He’s forced to use a surgical weapon on a huge snake which attaches itself to his neck. Under normal circumstances the ever curious Ratchet would pause to learn more about this tubular life form (just as he was fascinated by a log fire last issue) but he has work to do. Cue a flashback to his discovery of the Autobots laying deactivated and captive in the Ark and Prime’s words that he must learn to think like a warrior. He bought himself time by striking a bargain with Megatron that he will defeat Shockwave for him in return for reclaiming the Ark. But the possibility of betrayal is high.

Shockwave travels to the Ark to check in on Megatron. I like that, walking computer that he is, Shockwave has calculated the odds of having to terminate his rival for insubordination. So far, he’s adjusting well to “taking orders not giving them” and has prepared Optimus Prime’s head for transport as instructed. As we’ll soon see, Prime’s head will be relocating to the recently captured aerospace plant where Shockwave intends to manufacture the next generation of Decepticon warriors.

Ratchet, meanwhile, detects Transformers life signals in a tar pit and uses a power hose to unearth the Dinobot Slag in unexpectedly quick time. He taps into Slag’s memory banks with the MARB and finally we’re privy to the origin of the Dinobots (and their fateful encounter with Shockwave). The account is narrated by Slag in a gruff but coherent way (he certainly doesn’t sound like the dumb dino of the Transformers cartoon).

Readers had been led to believe that the Ark and all aboard where rendered inoperative when the ship crashed into Mount St Hilary four million years ago. Apparently not. The ship still functioned, but rather than repair the fallen Autobots it had dispatched a probe to the Savage Land to spy on Shockwave and then revived five Autobots to take him on. They had been invested with the ability to change into dinosaurs in order to blend in. Oddly the Ark was able to recognise ‘organic life’ (dinosaurs) in this case, but when it reactivated again in 1984 it ignored humans and animals and instead mistook vehicles, planes and machines as the planet’s life forms!

So, we see the Dinobots tackle Shockwave, five against one. He is repels them all, sending them crashing down a cliff alongside the tar pit where Ratchet now is. Shockwave had cast Swoop into the tar, causing him to sink – “a bad way to go” Slag says – and Snarl brought down the cliff with a swish of his powerful tail. The result was the Dinobots falling into the tar and Shockwave getting buried under tons of rubble. The Decepticon would eventually be reawakened by the probe Ratchet dispatched in the original mini-series. The rest is history as they say. Annoyingly Nel Yomtov has coloured Shockwave in white and blue, obviously confusing him with Megatron which is all a bit amateur hour.

In a nice moment, Slag revives and charges at Ratchet, but the doc peels back tar to reveal his Autobot insignia. Slag transforms for a proper introduction, and on hearing that Shockwave lives again, he’s determined to finish the job.

Part 2 begins with GB Blackrock and the military speaking to reporters outside his imprisoned aerospace plant. Shockwave soars overhead in robot mode carrying equipment that looks like a tank but could well be a container of some sort carrying the head of Optimus Prime. He opens fire on the military and makes short work of them. Further humiliation for Blackrock who really should stop doing these media engagements.

Elsewhere, his paralysed employee Josie Beller has succeeded in coating her right arm in circuitry. For some reason the words ‘she cannot move of lift it on her own’ have been substituted in the UK version with ‘moving it causes her great pain’. She’ll feature again on the last page, tooled up and ready to ‘check out’ from the hospital, but only in the US version of the story. The UK reprint will substitute that half page for a fact file on Snarl (it being a month before we’ll see Josie Beller reborn as Circuit Breaker).

Megatron is ruing the day he allowed Ratchet to go free. He’s sure he’s fled like a coward and the attack on Shockwave won’t happen, despite his obligations under Cybertronian custom. But then Ratchet gets in touch with images of Shockwave being brought down. Little does Megatron realise that this is old footage from Slag’s memories, and even though it would be startlingly simple to contact Shockwave and check whether he’s still around or not, amazingly he does not and believes he’s been shown a genuine take-down.

The stage is set for one of the greatest Ratchet moments in the comic. He is confronted by Megatron on a snow-coated mountain (skiers fleeing in fright) and told by the Decepticon that he never had any intention of upholding their bargain (quell surprise). Megatron goes on to mock Ratchet as failed warrior – he should have found a way to fight his enemy not trust him, he says – but suddenly the Dinobots rise from under the snow and the tables are turned. I think on some level Megatron is actually impressed.

He’s quickly attacked by the Dinobots, but their time in the tar pit has dulled their effectiveness and they are easily repelled. It falls to Ratchet to remember Optimus Prime’s words and prove himself as a warrior. He charges Megatron, hoping to carry them both over a cliff to their doom. Megatron absorbs the impact and is set to grant Ratchet an honourable death, when the ground beneath him crumbles and he falls hundreds of feet, transforming and shrinking into his gun mode until he is swallowed up by the snow (he’s gone, but obviously not for good – we’ll see him again in TFUK #51). The way is now clear for Ratchet and the Dinobots to reclaim the Ark and revive the fallen Autobots.

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Warrior School

Ratchet is the last Autobot standing and must learn to become a warrior if he is to survive and rescue his comrades. Meanwhile the Decepticons continue to target installations owned by GB Blackrock and the UK comic announces some exciting changes going forwards.

Warrior School. 35 years after it was first published it remains in my mind one of the standout stories of the original Marvel G1 and one I have an abiding affection for. Essentially it is a coming of age story – Chief Medical Officer Ratchet stepping out his comfort zone in a major way and learning the ways of the warrior. His stepping up to the plate shows real, genuine courage and is an example to all of us, young impressionable readers as we were at the time. The scale of his challenge is enormous, and the stakes incredibly high. This is a classic success against impossible odds story that great comics (and fiction generally) are made of and, together with the second instalment ‘Repeat Performance’ cements Ratchet’s reputation and standing as a major character in Transformers.

I can still remember stepping out of my local newsagent with a copy of TFUK#26 in my eager 11-year-old hands, being blown away by the usual 11 page story being increased to an incredible 23 pages. And the full-page announcement on page 30 that the comic is celebrating its first year in print by GOING WEEKLY and full colour was tremendous news! Of course, it would mean having to swallow a 3p increase, but in view of what we were getting in I considered this to be no hardship.

Once again, it’s Bob Budiansky writing the script (as he would until US issue #55) and joined on the art by a new credit, William Johnson. He had worked on a bunch of Marvel superhero titles but would only illustrate this Transformers story and the next. I wondered why and his entry in TFWiki provides a clue. It mentions a comment Budiansky made to a fansite, that Johnson was “a very nice guy with a lot of talent” but struggled to meet the deadlines of a monthly comic book. So perhaps that was the reason for his short association, but his art on Warrior School is emotive and enjoyable.

The story begins in the woods near the Ark, with a romantic narration of “the sweet scent of Douglas Fir and a dome of stars in the indigo sky” – I wondered whether Budiansky was a fan of camping? Four college students are around a camp fire when a falling tree causes them to scatter. The cause of the interruption is the Autobot Ratchet, who had collided with the “brown pipe” while looking for the road. Buster Witwicky, his teenage friend and ally is on Ratchet’s shoulder and is happy to interpret for the young people. He knows from experience that a giant talking robot can be a difficult concept to come to terms with.

Ratchet is fascinated by the concept of burning wood to generate fire (there’s nothing like it on Cybertron) and demonstrates how his laser scalpel can cook hotdogs more efficiently. The gentle way Ratchet interacts with humanity is a real contrast to what we’re used to seeing from the Decepticons at this time. When Buster recoils in sudden, inexplicable pain we’re reminded that Optimus Prime did something to him when the pair were mind-linked recently.

It’s agreed that the students will take Buster home and Ratchet is reminded that he has more important problems. Never a truer word spoken, he is the last Autobot and the burden of stopping the Decepticons rests entirely on his shoulders. The encounter with the students was an enjoyable distraction but he can’t put off his responsibilities much longer.

‘Hey, what about GB Blackrock?’ I hear nobody ask. Well, he’s about to become possibly the unluckiest CEO in America as first his oil drilling platform was annexed by the Decepticons and now his aerospace plant is in the crosshairs too. In a slapstick moment, two workers, Gabe and Ferdy stop to claim an abandoned cassette deck that’s been left in the parking lot, then proceed to walk it passed the wall mounted gun defences. It is of course the Decepticon Soundwave, who transforms and bursts out of the locker in which he’s been placed. It’s obviously a room with very high ceilings as Soundwave is able to stand at full height while ejecting Laserbeak skywarps to assist in putting down any resistance. The plant was clearly unprepared for an attack from within and quickly falls. Blackrock is crestfallen and humiliated, particularly as Soundwave has been broadcasting the footage far and wide. Clearly some good PR for the Decepticons to advertise their menace and that they have hostages.

We’re briefly shown Blackrock visiting his paralysed employee Josie Beller and delivering equipment she asked for. Josie has use of one arm and hints to the reader that she is determined to take her revenge. This is clearly a developing situation and she and Blackrock are being established as ongoing characters. I’m a little indifferent to them at this point.

And so to the main events of the issue. Ratchet has sneaked into the Ark and finds it deserted. The Decepticons are elsewhere at their temporary new base, the Blackrock rig, and Commander Shockwave has left Megatron on Ark guard duty. Ratchet is horrified to discover the Autobots all inoperative and suspended from the ceiling like some macabre nightmare. He then finds the head of Optimus Prime descends into despair – could everything be lost?

Amazingly Prime speaks, uttering one of the truly memorable lines: “Put aside your grief Ratchet, now is time for valour”. He explains that the Decepticons intend to extract the Matrix from him and he has taken steps to thwart them (clearly in reference to Buster). But just as Ratchet trained to be a medic on Cybertron, on Earth he must become a warrior and use his guile and cunning to find a way to defeat Megatron. His own survival will be his ultimate test. All well and good but Prime is surely placing unrealistic expectations on his Chief Medical Officer here – there is no way Ratchet can best Megatron in one-to-one combat and to put himself in that position is surely suicidal.

There’s an interlude where Buster is joined at his dad’s repair shop by friends Jessie and ‘O’. He’s under a lot of stress, worrying about his dad, the Autobots and keeping the family business going when he knows next to nothing about repairing cars. He snaps at his friends, causing them to leave. In O’s case this will be permanent as this issue turns out to be his last appearance. No sooner is he alone, Buster feels the pains again the various tools around him start levitating! Interesting.

Ratchet goes looking for Megatron (you immediately know this is a bad idea) and fails to notice the Decepticon ex-leader sneaking up. Megatron’s giant hand grasps Ratchet’s shoulder and partially crushes it. He wants to add the medic to his “collection of scrapped Autobots” and will alleviate the boredom by taking his time over it! Ratchet punches Megatron as hard as he can and zaps him with his hold and cold medical tools but to no effect. With brute force not an option, he will need to outsmart Megatron. And so, Ratchet offers to help Megatron regain his command by locating the Dinobots and setting them against Shockwave. In return Megatron will hand back custody of the Ark to Ratchet.

Megatron treats the readers to a brief history of his rivalry. On Cybertron Shockwave had been supreme Decepticon military operations officer and the strategist who had plotted their ambush of the Ark. Shockwave had stayed behind on the Decepticon ship as a back-up. Megatron perceived this as self-serving and was already making plans to destroy this rival.

We then learn (through Megatron’s continuing narration) that Shockwave travelled to Earth to investigate the disappearance of the Ark (which had collided with the planet) and the radiation belt effected his navigation systems, causing him to touch down in timeless region of Antarctica where dinosaurs still roamed (Marvel Comics’ Savage Land). The Ark had revived five Autobots and gave them the dinosaur alt-modes, and the team had battled Shockwave. It is not known what happened next or why they or Shockwave disappeared for four million years.

While helpful for the readers, I’m unclear as to how Megatron has learned about the Dinobots. It’s unlikely Shockwave has revealed anything more to him, so perhaps Megatron has accessed the Ark’s databanks similar to Ratchet did some issues ago?

He agrees to Ratchet’s suggestion – mainly to provide an amusing distraction, rather than an expectation of success – and the two seal the deal by contributing fuel to beaker and setting it alight. We’re told this is an ancient Cybertron ritual and no about has broken such a pact. Megatron, of course, is no Autobot! And so, the stage is set for the dramatic debut of the Dinobots. With the sequel arriving in just seven (not 14) days these were exciting times for the UK Transformers comic.

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