Target: 2006 (Parts 1 & 2)

Galvatron Cyclonus and Scourge make their presence felt on 1986 Earth and Ultra Magnus undertakes the perilous journey from Cybertron – on a mission described as ‘critical to the future of the Autobot race’.

Target: 2006 is an exciting title for a story – alliterative and memorable, but for kids growing up the 1980s, also incredibly powerful. Just like 2001: A Space Odyssey and the 2000 AD comic, it conjured up images of the 21st Century, which at time that felt like a very long way away. Would there be flying cars, weather control, hundreds of TV channels – the future seemed filled with possibilities. Best of all, here was our favourite weekly comic promising to give us a glimpse of the future (at least as it applies to the Autobots and Decepticons). However, the action is mostly set in 1986, which at the time of publication was the present day.

In the prologue we met Galvatron and his righthand men, Cyclonus and Scourge, and in parts one and two it will be the turn of Magnus. John Higgins’ cover for Transformers UK #79 announces ‘The New Leaders are here’, with the commanders depicted in front of a fiery galaxy of stars. It looks reminiscent of the Hasbro box art – and if it feels like a toy advert it’s because to an extent it is. The new leaders are Hasbro’s flavour of the moment in summer 1986 and were being widely promoted and hinted at in the comic.

Galvatron’s arrival unleashed a powerful thunderstorm (appropriate as metaphors go) and his talk of ruling Earth and Cybertron in the future certainly sounded ominous. As part one opens, we see the newcomers backing up their claims of all-powerfulness.

Cyclonus is introduced by writer Simon Furman, as a ‘sleek, deadly killer, whose only interest is conquest… whose only pleasure is mayhem’. And Scourge as a ‘remorseless, implacable hunter, without emotion or mercy’. It’s quite a billing! Jeff Anderson’s art, showing the pair in full attack-mode really looks the business.

Their targets – a passenger train and a petrol station – don’t stand a chance. We learn that Cyclonus and Scourge are being given an opportunity to test out their new alt modes. Usually this means a Transformer has adapted to an Earth vehicle mode but not in this case. The reference is likely to be the new forms that Unicron gave them, suggesting their time jump was very soon after their ‘creation’. Galvatron is in the cockpit of Cyclonus in gun form and no seatbelt, so I’m idly wondering why he’s not thrown around with all that ducking and weaving.

With the testing done, it’s time for the trio to announce their arrival to Megatron… who at this moment is briefing the Constructicons at their coal mine base, on a new weapon the Autobots have called – Omega Supreme. Looking at them they certainly appear to be a depleted force, particularly with Ravage also missing and Shockwave off elsewhere. Jazz, Smokescreen, Ironhide and Hound sneak up and observe from the rim of the crater (luckily the perimeter defences are not operational) and they believe the Decepticons must have been behind the shocking disappearance of Prime, Prowl and Ratchet. Though Smokescreen likes the idea of ‘sic’ing Omega on them’ the idea goes no further as ‘reinforcements arrive’.

Galvatron introduces himself and his lieutenants to a sceptical Megatron in what is a very key encounter, with many hints as events that are due to unfold in the story and the upcoming Transformers Movie. Soundwave’s inability to read their minds raises further suspicions. This is one of many improvements made by Unicron, it’s revealed (in what is the first mention in the comic of this god-like being).

In response to Megatron’s question about whether they were sent across the Space Bridge by Straxus, Galvatron appears to question the name briefly, before announcing he remembers him. (Given that Straxus would later attempt to take control of Megatron’s body, he should have left more of an impression you might think).

In what is possibly the most foolish admission he could make, Galvatron boasts of being the Decepticon leader of 2006 and asks Megatron to loan him the Constructicons so that he can put in place a plan to destroy all their enemies in a single move. Megatron immediately sees him as a rival and reacts accordingly – putting Galvatron on the receiving end of his fusion cannon. Cyclonus and Scourge’s comment that Megatron shall die for defying them is met with incredulity by Galvatron, and no wonder.

Instead the pair shoulder charge Megatron and Soundwave and Galvatron, in cannon mode, buries them under rocks. Laserbeak’s quick acceptance of Galvatron and the latter’s observation “appearances may be deceiving to some but not you”, certainly got my school friends and I speculating at the time that Galvatron might be Megatron. All the clues are there in this telling scene.

As the Decepticons depart, Jazz decides that Hound and himself will follow them from a safe distance, while Smokescreen will report back to the Ark.

Meanwhile on Cybertron, Xaaron and Impactor make their way through underground sewers (presumably the liquid they are wading through is not water, which doesn’t exist on Cybertron) and discussing the extinction of the Matrix Flame. This might indicate that Optimus Prime died without passing the Matrix on. They meet Ultra Magnus who declares that, although he dearly wants to Operation: Volcano to succeed, this new emergency requires that he must travel to Earth!

This is of course very exciting news for fans, but it is not clear why Magnus should be the one to undertake the mission. It does of course set up the tantalising possibility of Magnus versus Galvatron!

In part two, Will Simpson takes-up the art duties and the main story shifts location to Northern Oregon where the Constructicons are hard at work building an enormous solar weapon. Jazz and Hound, watching from a distance, are not sure if it’s a weapon or a communications tower. There’s also the question of why Galvatron travelled 20 years into the past to build it. As they prepare to withdraw, they’re attacked by Cyclonus who blasts Jazz full square in the chest. Hound is distraught (with Prime, Prowl and Ratchet gone and now acting leader Jazz downed, it’s not hard to see why). Cyclonus delights in his victim’s despair, naturally.

Nearby, salvation is arriving in the form of a ball of energy in the sky that deposits Magnus to Earth. This very painful mode of travel is based on Spanner’s prototype space bridge. I imagine it would make for an intriguing story of how the Autobots stole the tech, but we’re not to find out. We learn that Magnus has 120 hours to locate Optimus Prime and get back for Operation: Volcano – if not that all important strike against the Cybertron based Decepticon leadership could go badly awry.

As Cyclonus bounces poor Hound off various trees, he drops further hints about his origin. For example, he was once near death and rebuilt from what looks like the remains of an Insecticon. A shot from Magnus disarms Cyclonus, who reels back and momentarily thinks he’s under attack from the Ultra Magnus of 2006 – how could have known of Galvatron’s plan and followed them? Then the penny drops that this is the Magnus of 1986 – still, he isn’t due to arrive on Earth to take command of Autobot City for many years. (It’s another intriguing reference to the Transformers Movie).

With impressive reflexes, Cyclonus hurls Hound into Magnus with and escapes. Evidently, there was enough time for Magnus to get kitted out with an Earthen alt mode, as he’s able to transform into a car transporter and carry the wounded Hound back to the Ark. It’s the beginning of a bit of hero worship on the part of Hound towards the larger Autobot.

Later, Grapple tends to Hound’s injuries (standing-in for the missing Ratchet it seems) and Jetfire appears to have stepped up into the command vacuum left by Jazz. Being relatively young and inexperienced still, though one of the larger more powerful Autobots, he’s keen to lead an assault on Galvatron to recover Jazz. Magnus makes it clear that his priority is to locate Optimus, which causes friction between the pair. Jetfire, somewhat irrationally brands Magnus as part of the weirdness that has been going on lately – the stress is showing.

Galvatron, meanwhile, has concluded that the arrival of Magnus could make the Autobots a threat to his plans. He will lure them into a trap and inflict a defeat so crushing that they will stay out of his way. Jazz is the key – and now flashes up on the Ark’s monitors hooked up to torture equipment and writhing in agony.

In conclusion, the action is already hotting up with Galvatron’s plan advancing at pace and – having dispatched Megatron and Soundwave – he’s quickly establishing himself as a nemesis of the Autobots. In the next issue its Galvatron and his henchmen versus the Autobot army – without Magnus!

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In The National Interest

In August 1986, Marvel UK’s flagship Transformers comic itself ‘transformed’ with a fresh new look and a four-part story starring the Dinobots, taking on the deceitful Triple I and the Decepticons, in order to expose the Robot Master lie.

As much as I enjoyed going on summer holidays as a kid there was a major downside – my parents didn’t own a video recorder until I was mid-teens, so I’d miss my favourite shows and would have to hope the newsagent saved me whatever comics I happened to be collecting. Such things seemed to matter a lot at the time and is very different to today where favourite entertainments are available wherever you go thanks to the internet.

So it was that in August 1986 I was spending the week in a caravan off the southern coast of England, aged 12, when Transformers transformed. I caught a glimpse of the new format (which started in issue #74) in a shop at the campsite but, having asked the newsagent back home to save me a copy, I decided to wait to buy it. I have to say it was well worth the wait.

While outwardly the comic looked the same – Alister Pearson’s cover of the Dinobots ‘cutting loose’ was cool but along familiar lines – the Transformation page had a great new look. The panel was bordered by a circuit board design, with an image from the story appearing in viewscreen-shaped panel (making it feel like you were getting a proper preview of the contents) and brightly coloured new headings. The main strip itself, drawn by Will Simpson (whose work I’ve always liked) appeared more striking and creative in terms of its arrangement. And of course, it helped no end that we were being treated to the first four-part story with the Dinobots in the driving seat (as their normal selves, rather than malfunctioning savages in the Dinobot Hunt). The team were, and would continue to be, firm fan favourites. And, continuing the theme, Grimlock was replacing Soundwave as the letter answerer, as revealed on a full page Robo Capers (it was also great to see this feature getting more prominence – it was always so much better than Matt and the Cat).

The title ‘In the National Interest’ refers to the justification cited by the diabolical clowns in the fictional US intelligence agency Triple I, for their decisions to cover up at the Transformers presence on Earth. They’ve concluded the American public cannot handle the idea of alien robots, so they concocted a fantasy about a terrorist leader called Robot Master who commands the machines. The fact they stole the concept of a comic book and paid its writer (Donny Finkleberg) to put on the Robot Master costume, is real Stan and Ollie stuff. Bob Budiansky, writer of the Marvel US Transformers comic, wrote the Robot Master stuff as a kind of parody, but in this Simon Furman four-parter, Triple I come across as something far more sinister.

The story begins with TV reporter Joy Meadows, hinting that she will blow the lid on the Robot Master hoax. Any half decent reporter would put out their exclusive immediately rather than tip off the competition and risk getting scooped, but Meadows seems happy to wait until next week’s edition of Between the Lines. (Presumably rival stations/programmes will now be scrambling around to find out what she knows and broadcast first.) This buys a little time for Triple I who conclude she must be stopped… permanently if need be… because it’s in the national interest of course. They will need to accelerate the completion of Project Centurion!

In a courtroom in Portland, Oregon, Professor P. Morris stands trial for the murder of a security guard (whom he killed while in control of Swoop in earlier story, The Icarus Theory). The doors are flung open and masked gunmen storm in – gas Morris – and carry him off, making a swift getaway. (This would also be a very big story in media world).

At the Ark, the Dinobots are working out (despite not having muscles to tone). They have been confined to base for weeks due to their conspicuous Earth modes and are pent up and frustrated. Sludge rushes in holding a TV (tiny in his huge hands) with the frozen image of Joy Meadows on it. The ‘beautiful golden human’ who ‘cared’ for him when he was ill still lives!

Meadows is driving along a windy mountain road towards Mount St Hillary, where her contact GB Blackrock had suggested she would find proof of the Robot Master Hoax. Her car looks suspiciously like the Stunticon Dead End and she’s violently rammed into the barrier by Triple I’s masked men. They approach with guns drawn, as the Dinobots arrive from the other direction. (The team had decided to find Meadows and help her, as it is a good enough excuse to get out of the Ark as any). Sludge immediately charges into the hail of bullets and the gunman flee – after giving Meadows’ car a kick over the cliff. Sludge is distraught. Thankfully Swoop had reacting in time and caught the vehicle in mid fall.

Part one ends with Morris being into Triple I’s top security lab, where his mind control equipment has been reassembled by the agency and he is introduced to his new charge… an awesome foot thick titanium titan known as Centurion!

Part two opens in downtown Portland. It’s 5:23pm, the aftermath of chaos. Furman then winds back the clock four hours to the beach at Talon’s Point, where Meadows and the Dinobots confer. Grimlock and Swoop explain about the civil war with the Decepticons, that Robot Master has nothing to do with – Optimus Prime, who Swoop starts to say “our leader” before correcting himself and saying the “Autobots’ leader” (a nice touch that shows how the group considers itself separate from the Autobots) believes he’s a fake, created by the US government. Meadows, initially disbelieving, realises this makes perfect sense. She’ll need an interview on camera, and lovesick Sludge could be the bot for the job. However, first Swoop will need to airlift Meadows’ film crew to the beach.

And what of the Decepticons, who we’ve not seen in the story until now? At their coal mine base, Megatron is anxious about the disappearance of Robot Master (evidently Ravage failed to recapture the human – last issue) and his leadership rival Shockwave will use this as ammunition. Soundwave is monitoring the airwaves and picks-up a call from Meadows to her film crew.

Morris meanwhile has been mind-linked to Centurion. Agent Grady reveals they’d planted evidence to exonerate him, intending to have him work for Triple I all along, but plans had to be brought forward. Morris, presumably, could use Centurion attack Triple I at this point, but he seems to be playing ball, however reluctantly.

3:57pm. The camera crew are waiting for the “unexpected”. A green construction truck is parked opposite them. Naturally, it is no ordinary vehicle, and neither is its occupant – Megatron! The Decepticon leader springs out of Mixmaster’s cab, transforming to robot mode and seizing the humans. Swoop launches a surprise attack but Megatron soon recovers and slams him into a wall. Then Centurion bursts out of the ground – finally an opportunity to repay his past debt to Swoop – and wrestles with the Decepticon leader. Joy’s camera crew figure out the unconscious Swoop had been sent to pick them up and they are in all sorts of trouble!

Issue #76, which contains part three, has an article headlined ‘Hot stuff from Hasbro’ which describes Hot Rod as coming from Earth’s future but “here now in all good toyshops” – and reveals that a 6ft 6ins Hot Rod will be touring British toy shops during the summer. He’ll be talking to customers and organising free giveaways. Exciting stuff for young fans. I remember our local toy store, Zodiac (in Hounslow High Street) was visited by Darth Vader and Skeletor back in the day (separately I might add) so these sorts of promos were a thing. Hot Rod’s tour was presumably done with the Movie and its related toy line in mind. The comic is also dropping hints at this point about the ‘new leaders’ Ultra Magnus and Galvatron who will be featuring in an upcoming epic storyline, tying in with the movie (the epic and still awesome, Target:2006).

Back to the story. Part three opens with Swoop laying buried in the rubble and cameramen Tony and Rick trying to revive him. He casts his mind back over recent events to regain his bearings (and of course bring readers up to speed). We learn that Megatron had given him a thrashing for 10 minutes! All I can say is that Swoop must be tougher than he looks to withstand such a pounding.

He comes to and looks around – yep, that was no dream! Centurion is pitched in battle with Megatron. His arsenal is formidable, but Megatron has firepower of his own and transforms into gun mode, allowing Mixmaster to catch him and open fire. Megatron then punches Centurion so hard that he goes airborne and crashes through the fourth storey of a nearby building. Ouch!

Swoop makes his getaway, airlifting the humans and their van out of Megatron’s reach with seconds to spare. But he’s marked by a tracer dart fired by a Triple I operative from a nearby window. At the agency’s HQ, they are in crisis as Morris has put the lab in lockdown and sealed himself behind impenetrable blast doors. He has control of Centurion and enough supplies in the bunker to last a year! Let’s hope it also has loos!

Poor Swoop becomes an object of ridicule as the tracer causes him to become stuck in mid-transformation. Why is this? I’m thinking perhaps the signal it is broadcasting interferes with the electrical signals in Swoops body. Slag squishes the device but it’s too – they have been tracked down by Megatron, Soundwave and the Constructicons (who sneak up unnoticed!?). It makes for one of the great Grimlock lines: “this is a Dinobot you’re talking to, we don’t walk away from any fight”. Bold words considering Megatron bested all five Dinobots in their last encounter (the 1985 story Repeat Performance) and this time he’s got back-up!

The concluding part is narrated by Professor Morris, now Centurion, recapping recent events and letting us know that he’s decided to redress his past mistakes by aiding the Dinobots and taking down Triple I. He arrives at Talon’s Point to see the Dinobots, to coin a phrase, fighting them on the beaches – as they are in pitched battle with Megatron and the Constructicons.

Megatron and Grimlock are having a private battle, with the Dinobot commander coming off worse. Sludge is holding his own, and Snarl dispatches Scrapper before turning to confront Soundwave. In one of the best moments of the issue, the Decepticon number two again demonstrates his cunning and why he rarely needs to get his hands dirty, by ejecting Laserbeak at close range and clawing Snarl’s face.

Centurion’s intervention on the side of the Dinobots begins to turn the tide. So, Soundwave sticks a blaster in the faces of Meadows and her crew to force them to hand over their incriminating information about the Robot Master hoax. Laserbeak then publicly burns this in front all the combatants, which decisively ends the battle and the Decepticons depart.

Morris notes the Dinobots’ wounded pride and Meadows’ superficial defiance – underneath she has been badly shaken. “Someday perhaps”, he says in a reference to I’m not sure what – possibly that she’ll get the story out in the future, or he’s thinking of a romantic liaison between himself and Joy, which is a bit weird if he’s thinking that. The final words of Triple I’s chief, that they’ve covered up their tracks (as always) and Morris will be dealt with by the law when the time comes, convinces him to use the year to destroy Triple I. In actual fact he’d get torn to bits by Galvatron, rebuilt and then bombed with Megatron and the pair would end up in the Thames. So, Triple I would have a lucky escape in the end.  

In summary, this is another fantastic story in what is becoming a golden age for the Marvel UK’s flagship comic. Simpson’s art is of a high standard throughout. It’s great to see the Dinobots centre stage in their first solo adventure, with more of their distinctive no-nonsense brand of heroism… and Sludge loved-up!! Whatever next?!

Oddly enough, with the comic about to embark on its greatest ever UK story the following week, the comic has sold an extra ad for BMX bike oil and there’s no room for the usual Next Week half page to talk up the big event. Instead there’s a small panel on the Grim Grams page to tell us that our next lead story will take readers on a journey from ‘Cybertron to Earth and 1986 to 2006’. The future is coming.

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Showdown!

Skids returns in a heart-warming ‘robot meets girl’ story with flashes of The Terminator and High Noon thrown in for fun. Can he be the first Autobot to successfully ‘check out’ from the Transformers war?

Showdown! was published in Marvel UK’s weekly Transformers comic in two instalments cover dated August 1986. The tendency was to release the comic about a week before the actual date stated on the cover. I know this, as my copy of issue #72 – with the brilliant Ravage close-up by Geoff Senior – took some battle damage from an apple crumble I made in Home Economics (cookery) class and transported home in the same rucksack. That was on the last week of school in late July, and sadly the comic still bears the scars 34 years later!

The story is from the US team, and is written as brilliantly as ever by Bob Budiansky with art from Herbe Trimpe (who also provides the Skids vs Megatron cover for the second instalment). As mentioned in the intro, it’s a mixed bag of themes – part love story, part facing up to responsibilities, and it’s also a chase thriller. Skids, Charlene and Donny are relentlessly pursued by Ravage and (in Skids’ case) by an unhinged sports car driver.

While not exactly slow, it is a more sedate story than Bob’s recent work which has included the epic Return to Cybertron saga and action-packed Command Performances. Some may not take to it as a result, but for this reviewer Showdown! is one of my favourites, mostly for the core relationship between Skids and Charlene.

Skids is a likeable character, particularly for his curiosity. That was evident from the petrol station comedy scene in Rock and Roll Out, and for me he stood out as the best of the new bunch of Autobots introduced in that story. It’s great to see Skids strike out on his own here, and be given a spotlight in a comic that is getting pretty crowded for characters by this point.

Bob specialises in grounding his Transformers stories with human characters and interactions. He does it well and constantly, so perhaps exploring a romance between a human and a Transformer was inevitable at some point. It’s tastefully done, avoiding suggestions of anything sexual for the most part, with the notable exception of Charlene in hotpants ‘pleasuring’ Skids by polishing his hubcaps!

The story is also a final outing for Ravage. I’m not sure if it was ever Bob’s intention to write him out permanently, but with a constant supply of new characters to be introduced he never got around to bringing Ravage back (though he would reappear courtesy of the UK stories – in issue 200!).

Geoff Senior’s cover, Ravage ripping up Robot Master’s cape with his jaws, sets up the story nicely. The Decepticon jaguar is swiftly crossing the Wyoming wilderness ‘like a midnight breeze’ in pursuit of the escaped Donny Finkleberg, who the Decepticons were using to put out anti-Autobot propaganda, but who legged it last issue.

Not too far ahead, Donny is still wearing the ridiculous Robot Master costume but stumbles across a small camp that is luckily unoccupied at this moment. Even better, there’s spare clothes that he can change into. He leaves money and buries the orange costume. He must contact the Autobots as soon as possible to warn them of Decepticon reinforcements coming over the Space Bridge. Ironically, in his haste to find an Autobot he passes by the injured Autobot Skids, who after toppling from a cliff remains helpless.

Ravage reaches the small camp site, and after incinerating it with a fire blast, checks the debris – there is no seared flesh or charred bones, and no fleshling!! Here it becomes apparent that Ravage’s mission is not to recapture Donny, but to eliminate him – presumably this in order to stop him spilling the beans about the Robot Master hoax but perhaps also for professional pride, after all this human dared to give Ravage the slip and this humiliation must be avenged.

In a small town several miles away, a checkout woman called Charlene is missing her old car. She would often use it to get away from the hum-drum of life. Her co-worker and admirer, Wendell, can see she is down and offers to take her for a drive after work, which she gratefully accepts. Charlene’s thirst for adventure leads the pair to head towards an old gold mine. They encounter the injured Skids, who despite being incapable of speaking, manages to put his radio on to get some attention. It’s like something Bumblebee would do in the Bay films years later.

Charlene assumes the van to be abandoned and is keen to claim it and get it roadworthy again. Money could be a problem, but luckily Wendell’s cousin is a mechanic (and presumably a sucker for a pretty girl with a hard luck story as he does the work for free). I assumed Wendell was a surname, but since his cousin also calls him it, perhaps it’s an unusual first name?

Whatever, in no time the familiar Honda van is fixed in the workshop. A contented Skids stays silent, he finds the idea of being Charlene’s car quite interesting and certainly a lot safer than being part of the never-ending Transformers civil war. As he’s leaving the garage with Charlene, trouble appears in the shape of our old friend Jake Dalrymple (of the pink Lamborghini) and his long-suffering partner Frannie. Recognising Skids as the one who dented him (in issue 70), and apparently causing Skids to tumble down the mountain side wasn’t revenge enough, he takes up the tail.

Skids demonstrates that Autobots have some extraordinary abilities on the road compared to your average car, such as leaping in the air and driving along a fence (how it can support his weight I don’t know). All these things should convince Dalrymple to stay clear, but he is a determined chap it seems. He ends up colliding with a workman’s ladder and getting his beloved car covered in green paint, which serves him right.

Of course, it means that the game is up for Skids. As Charlene flees, he’s forced to transform and reveal himself. He displays holograms of Megatron and the war on Cybertron and tells her how he wants to escape that life and just be her car. In his old life had been an anthropologist, and his natural curiosity about the surroundings dovetails nicely with Charlene’s own interests. He quickly becomes the companion she’s been looking for.

Meanwhile, Donny overhears Jake and Frannie in a bar discussing Skids. He realises there’s an Autobot nearby and sets out to find him. Charlene and Skids develop their friendship over the next few days. He chats to her through the bedroom window and she educates him about the old west, with artefacts, memorabilia and her love for that age of adventure. She shows Skids her favourite film ‘High Noon’, in which the hero marshal is willing to die for what he believes in. Skids is impressed, but also uncomfortable as it’s a reminder that he is essentially an Autobot deserter and running away from his duty to fight the Decepticons.

Skids cuts a tragic figure at times, telling Charlene that his only memories are of war. She is determined to change that, and the pair set out to explore the tranquillity of the unspoilt wilderness. Poor Wendell asks if she is up for a date, but Charlene has no time for him now that she’s got Skids.

Soon enough, the outside world comes crashing in. Charlene is hosing down the ex-Autobot in her driveway when the pair are confronted by Donny (who is hilariously still wearing the borrowed clothes from earlier, even though this is several days later). Skids stays silent, letting Charlene issue denials – he doesn’t want to go back to his old life – but then Ravage attacks and he’s forced to bundle both humans aboard and take off at speed.

Ravage is hot in pursuit, deploying his fire breath, and so is Jake Dalrymple, who was checking the successful paint removal job on his Lamborghini when he Skids thundered past. Now comes the High Noon element as Skids, Donny and Charlene hide out in an old abandoned mining town. Dalrymple, who has followed them, walks up to Skids and smashes his front windscreen with a swing of his tire iron. (This guy has got a serious obsession!) Skids screams in pain, and hallucinates about Megatron holding Charlene and demanding a wild west showdown. Skids doesn’t want to fight anymore and is ripped in two by Megatron’s fusion cannon…

Thankfully, it was all a dream. Charlene is fine, but perhaps not for much longer if Skids cannot stop Ravage. The Decepticon crashes through a wooden building, knocking Skids on to his side. Jake drives his Lamborghini into the charging Decepticon, leaving him momentarily stunned. What happened here exactly? Did Jake have an attack of conscience, or was he just trying to protect his girlfriend? It buys Skids enough time to transform and accept that his fate is to be an Autobot warrior and defend the humans.

Ravage collapses a building on Skids, but he deflects the Decepticon with a piece of debris. Ravage fires a missile which hits Skids hard in the back, but as he pounces to finish him, Skids rolls clear and Ravage plunges down a deep mine shaft. Charlene is just pleased the ordeal is over, but Skids has realised that he cannot escape his fate and must return to the Autobots.

It’s a sad note to end their relationship on, but Skids reminds her that she still has Wendell. I’d like to think they ended up happily ever after, but if Charlene was keen she wouldn’t have side-lined the poor guy for an Autobot. So he’ll have his work cut out. Interestingly, a speech bubble from Skids on the final page has been altered – “I’m going back with Donny, back to my people – the Autobots!” has been altered to – “When my wounds heal, I’m going back to the Autobots”.

In closing, Showdown! is a nice story and a touching, if at times sickly-sweet friendship between Skids and Charlene, with Donny providing the comedy element. With so many characters in the comic these days, it is a rare thing that two can get such a prominent show and prove quite easily that a smaller amount of characters can provide just as good a tale as an epic battle.

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Command Performances

Omega Supreme bests Megatron and seven other Decepticons on his debut, as Optimus Prime takes the fight to the enemy by leading a full-scale assault on the Decepticon base.

Transformers US writer Bob Budiansky continues his recent run of good form with another cracker of a story, and once again it introduces a new character from the toy range – the immensely powerful Omega Supreme. As the cover to TFUS#19 proclaims “You asked for him – you got him!”. I’m not sure there was any great clamour in the UK for Omega to appear, mostly because he was not included in the truncated Hasbro toy range we had over here.

Command Performances was published in TFUK#70 and #71 in July 1986, about a month before its release in the States. Omega Supreme is talked up in the UK comic’s opener ‘Transformation’, as a “rocket and tank rolled into one giant package, making him the Autobots’ most powerful weapon”. He would certainly live up to the billing once we saw him in action. Though, as a friend of mine wryly observed back in the day, Omega Supreme suffered from “diminishing hardness”, which is to say he was unbeatable on his debut but would become more run-of-the-mill regular in subsequent appearances, culminating in his defeat by a super-powered Starscream in a much later issue.

As this one begins, every functioning Autobot is assembled outside the Ark to hear Optimus Prime unveil their newest warrior. Designed and built by Grapple to be the Ark’s last line of defence, he is Omega Supreme. There’s a reference to the previous story Rock and Roll Out where Grapple was side-lined to work on a special project for Optimus – this is it.

Prime explains that with Omega protecting the Ark, the Autobots will launch an assault on the Decepticon base in order to provoke Devastator into battle. They hope to capture his combination sequence and use it to assist in building their own combiner teams, the Aerialbots and Protectobots. Omega Supreme transforms into a huge robot that towers over a sceptical Ratchet and the others. He looks every bit the ultimate Autobot that Prowl wanted to build at the start of the year and Prime refused to sanction. To be fair Prowl was talking at the time about super soldiers to pursue an aggressive strategy of hunting down and destroying the Decepticons, while Omega’s function is defensive.

The disgruntled Dinobots, not seen in the US storyline since their debut (but recently recovered from their psychosis from the Dinobot Hunt in the UK expanded continuity), refuse to take part in the attack. In the US comic their reason is that they are fed up with being locked down in the Ark because their alt-modes are too conspicuous, and finally with some action in the offering they are pissed off to find out that the Autobots will retreat when they have secured Devastator’s codes. The UK version is less coherent, with speech bubbles doctored to have Grimlock dismissing the mission as a fool’s errand.

Prime gives the impression that this mission is a major deal and he has planned for every eventuality, including the Dinobots being difficult. Skids has his doubts about the wisdom of assaulting the no-doubt fortified Decepticon base for something they might not be able to use, in a premonition of trouble to come.

Over at the coal strip mine in Wyoming which serves as an unlikely base for the Decepticons (now under the joint leadership of Shockwave and Megatron) the Constructicons have been hard at work erecting fortifications around the rim. It’s good timing all things considered. In the US version Shockwave mentions that he ‘found and brought them back’. This begs the question of where they wandered off to. The wording is tweaked in the UK version to avoid this.

Once again, we see poor Donny Finkleberg, aka Robot Master, still wisecracking his captors but terrified that his number could be up at any minute. How he can possibly escape these giant megalomaniacs with Ravage constantly breathing down his neck?

To Shockwave, Donny is evidence of Megatron’s unfitness to command. Whereas Megatron takes a blast at the defences out of frustration at their hiding behind fortifications – Decepticons should be free to go where they please and conquer he says, illustrating the two very different leadership styles. Megatron summons Starscream and the seekers, along with Laserbeak, Buzzsaw, Rumble and Frenzy, and they go to greet their Decepticon brethren who should have arrived across the Space Bridge by now (obviously unknowing of last issue’s events).

The Autobot convoy rolls through Wyoming. They are depicted eight abreast which suggests to me a very wide road. Skids watches humans doing things like washing their cars and starts thinking how much nicer it might be to have an Earth vehicle’s life (a clue as to next issue’s plot). While daydreaming he clips a Lamborghini being driven Jake Dalrymple – a massive douche who speaks about himself in the third person, and immediate vows to get revenge on Skids (who left the scene of the accident without stopping, albeit on the orders of Optimus Prime). Jetfire causes a diversion as the Autobots smash through an army barrier to advance on the Decepticon base. Jake and his girlfriend follow and are immediate stopped by the army at gunpoint.

John Stokes’ cover of this issue depicting the Autobot attack, is then mirrored by events in the story as Prime orders his Autobots to charge the Decepticon gun turrets… with predictable results. You might think the Autobots would have spied on the Decepticon base to learn of its fortifications, rather than running blindly towards them – and what if the Decepticons were not even there, this would have been a pointless exercise?!

Megatron meanwhile discovers that the new arrivals they were expecting are not Decepticons at all – they are Autobots: Blaster and the rest of the ‘Cybertron Seven’. He’s about to order the attack, when Shockwave radios the news that the Decepticon base is under siege. Megatron realises that the Ark must be vulnerable, and they head there to capture it.

Part two, opens with Skids snared by a tentacle and a gigantic axe poised to cut him in two. Optimus frees him but takes a hit from the blade. Shockwave decides that it is time for Devastator to turn the tide of the battle. We learn that the combination sequence takes less than 30 seconds – this sounds quite slow in the heat of a battle and lends credence to the claim that the Special Teams are a technological advancement – and the giant soon appears holding a huge bolder. However, the Autobots react faster and destroy it.

Bumblebee has recorded the Constructicons’ combination sequence and with the objective secured, the Autobots retreat. Shockwave is happy to let them go, while Ravage realises that Donny Finkleberg has made a run for it. As the smoke dies down, he picks up the scent, and follows….

Megatron and the other Decepticons approach the Ark and are pleased to see just a tank and rocket booster guarding it. Their overconfidence proves their undoing. Skywarp is blown to pieces with one shot, and when the Decepticons revert to robot modes and advance, they are swiftly repelled by the intense electrical current generating from Omega’s track.

Omega Supreme transforms into his humongous robot mode – and dispatches the Decepticons one-by-one, with a series of wordy but instantly iconic phrases – “I am the guardian of the gates, the planner of your obsolescence, the number you cannot compute”. Megatron reels as his warriors are picked off and left mangled, smoking and crumpled. It is rare to see the Decepticon leader so comprehensively beaten – even his infamous Fusion Cannon has no effect on this opponent. A huge swing then takes Megatron down and he’s about to be reduced to scrap (as we learned from the full-page fact-file on Omega Supreme, he can shatter mountains and pulverise steel) – but Laserbeak swoops in and retrieves his leader. The pair disappear east.

The still satisfying results are transmitted to the Autobot convoy racing away from the Decepticon base. Skids apologises to Optimus for doubting his plan, but they are not home and dry yet. Jake Dalrymple runs out in front of Skids causing him to swerve, and Ravage seizes the opportunity to score a direct missile hit on Skids, sending him tumbling into the ravine. The Autobots cannot afford (can’t think why!) and press on.

But for this late setback Prime’s ‘command performance’ had been exemplary – Megatron’s on the other hand has not. At the Decepticon base, Shockwave is resolved to execute him for gross incompetence. A battered Megatron rises to his feet to accuse Shockwave of allowing a trap to spring up around him. The Decepticon warriors lost “mean nothing and can be replaced” (I love this line, it’s such a Decepticon thing to say – and since the advent of the Space Bridge, very true) and at least with Megatron’s actions the Autobots know that the Decepticons are ready to strike at any time. Shockwave ponders this before accepting his failure and acknowledging Megatron as the leader.

Ever since Megatron was relieved of his command and then beaten in battle by Shockwave, I always expected he would win the leadership back. However, I do have a hard time seeing how Shockwave can logically view Megatron’s approach as the better one, given that his unprepared attack ensured they took a solid beating from the Autobots and six of their warriors have ended up deactivated and put into cold storage. It’s hard to see this as anything other than abject failure.

Overall though, another solid story and very successful in toy advertisement terms, with most readers probably wanting to get Omega Supreme at the earliest opportunity after this (too bad if you lived in the UK though!). There is the first two instalments of the new back-up strip, Hercules, in which the Greek god enjoys intergalactic adventures with his robotic friend, The Recorder. It’s easily the best back-up that the UK comic would have – and a distinct improvement on Rocket Racoon which I found weird (though he’s great in the Guardians of the Galaxy films). There’s a teaser for upcoming stories (I always loved those) hinting at another Dinobot epic and the biggest, most ambitious story the comic has ever attempted. It’ll star Ultra Magnus and Galvatron and tie-in with the hotly anticipated Transformers Movie – we’ll come to know it as Target:2006. The comic feels like its going from strength to strength in this moment. Next issue – Skids versus Ravage (and Jake the douche).

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The Bridge to Nowhere!

Lord Straxus activates his Space Bridge, linking Cybertron to Earth. Unless the Autobots stop them, the Decepticons could send unlimited reinforcements to plunder our world. The stakes are high in the Marvel TF classic by Budiansky and artist Don Perlin.

July 1986. As I entered the final weeks of my first year at secondary school, good things were afoot in the world of Transformers comics (my escape from stresses of everyday life). We’d just had the fantastic Smelting Pool story, introducing a host of new characters from the wider toy range and my new favourite Autobot, Blaster. I’d been blown away by that story, which was (and would remain) one of Bob Budiansky’s finest, and equally delighted that we’d be getting a further instalment – The Bridge to Nowhere. I knew it would struggle to reach the uncommon heights of the Smelting Pool (and would be correct) but Phil Gascoine’s fine cover to TFUK#68, depicting the two planets joined and the faces of Prime, Megatron, Perceptor and Straxus, created the impression of more excitement to come.

The Transformation page sets the scene – after four million years of radio silence, contact is made with Cybertron, but it’s the Decepticons getting in touch. As we saw last issue, Straxus (ruler of the Polyhex province) was overseeing the frantic construction of something epic. It was a project that required the kidnap of a neutral scientist – Spanner – who Blaster, a leading light of the local Autobot resistance, is obsessed with for reasons we never find out. Perhaps there’s a back history there we’re not privy too, or maybe just Blaster’s innate concern for any innocent taken captive by the Decepticons. In this story we find out that the construction project was in fact a Space Bridge, and Spanner is very closely involved (more on that later).

If last issue was unusual for the absence of Earth and humans (save for a glimpse via Soundwave’s message) this issue resumes normal service. It opens on the Columbia River Gorge, home to some of the most spectacular scenery in Northern Oregon. ‘Charlie and Rita’ are driving through a rugged track overlooked by mountains and pine, when they spot a gigantic metal bridge that piques their curiosity. They drive their red Jeep onto it, only to slam on the brakes when they realise to their horror that it stops halfway!

As the couple make a hasty U-turn, a gigantic robot appears from nowhere and explodes spectacularly! They drive away at speed just as the bridge begins to vanish… only to re-materialise on Cybertron, several light years away, where it reconnects to its other half.

Lord Straxus, the badass Decepticon despot, already showed the cruel contempt he holds for his Autobot prisoners. It seems this also extends to his Decepticon lackies as well – as he orders a robot onto the bridge to investigate the malfunction. He promptly explodes as well. Shrapnel contacts Spanner to identify the issue (a faulty fuel line). Blaster is watching and recording from above in his Cybertronian communications device mode. It’s a pretty useless alt mode when it comes to travel or combat, it must be said. Luckily, someone with a more useful alternative form – the plane Powerglide – arrives to collect him and they return to the Autobot secret underground base.

Blaster is keen to rescue Spanner. In some way this would allow him to atone, at least partially, for having to abandon Scrounge last issue. But the news that the bridge is almost operational is top priority for Perceptor, who needs every Autobot to play their part in destroying it. The Decepticons must not be allowed to reach Earth and endanger that distant world.

And what of the Earth? We see it now surrounded by a weird cloud (like Roadrunner has zipped around it). I’m not sure why Don Perlin drew the Earth so strangely. In Wyoming, Megatron and Soundwave are holed up in the coal mine along with the human captive Donny Finkleberg, aka Robot Master. Ravage now arrives with a vending machine full of candy bars for the prisoner’s food. Robot Master has just finished another Autobot-bashing broadcast to North America but tests the limited patience of Megatron even further by complaining about his poor treatment and lack of appreciation.

Shockwave arrives with the other flying Decepticons and the two square-up briefly. Interestingly, three of the panels have been altered in the UK comic to reflect the situation from Transformers #65 where Megatron and Shockwave agreed to try out a joint leadership. In the US none of the UK extras are published, so as far as the American audience is concerned this is the first meeting between the two leaders since Megatron reappeared. The square up for a fight but are interrupted by the holographic form of Lord Straxus. He acknowledges Soundwave’s (sent in issue #36) and offers to help the Decepticons conquer Earth, adding that they have a means of instantaneous travel between the two distant worlds.

The news is enough to restore the truce between Shockwave and Megatron. And in the US version it becomes the reason for the pair agreeing to put their differences and make the necessary preparations. Donny hears about the Earth being drained of its natural resources and realises he must escape and warn the Autobots.

In the second half (published in TFUK#69), Straxus oversees the final stages of the Space Bridge’s activation from viewpoint high up in Darkmount. Little does he realise that Perceptor and his crew have tunnelled underneath the stronghold and are busy planting explosives. Everything Warpath utters seems to be related to shooting or warfare, and his line now “nothing pleases me more than a big blast”, raises a smile. Two ‘extras’, Corkscrew and Borebit, drill an escape tunnel to the surface, where the Autobots come under instant attack. It’s not clear if the pair are the first victims, but as a rule, any character who is not part of the Hasbro toy line is usually guaranteed to die.

Darkmount explodes and crumbles. Straxus falls, transforming into a fearsome-looking flying cannon, and vowing revenge. This little act of destruction is but a diversion to allow Blaster on to the Space Bridge to plant more explosives. He’s busy doing that when the bridge begins to transform. It reveals itself to be none other than the missing Spanner. In a nice twist, which for once I’d not had an inkling about, he’d not only been used by the Decepticons for his physics know how but they built him into the bridge. As punishments go its pretty sadistic, or perhaps it simply works more efficiently with a living Transformer at its heart. Spanner pleads with Blaster to plant the explosives and free him, but Blaster falters.

Straxus, meanwhile, is blasting anything that moves. Shrapnel alerts him to the attack on Darkmount being a ruse – pointing out the Autobot presence on the bridge. If Blaster’s flaw is his compassion which causes him to flinch from what must be done, Straxus’ weakness is surely his impatience. It’s not very sensible to activate the bridge while the battle is raging but he orders Shrapnel to do just that. This allows Blaster a glimpse of the strange world that is Earth.

A Decepticon seeker zapped by Blaster’s disorientating Electro Scrambler spins out of control and into the swirling void at side of the bridge, being destroyed instantly (this is the compressed space that the bridge spans – very deadly). A misplaced blast from Straxus also crosses the bridge, disintegrating trees on the Earth side, which is noticed by a passing Police car. Truly this is a battle between the worlds!

The main event soon arrives as Straxus blasts the Autobots unconscious and squares up the last man standing – Blaster (who has lost his scrambler). Straxus swings his axe furiously at Blaster, who does well to avoid most of the blows until one cuts into his leg. He spots the fuel line he noted earlier (the one that caused the malfunction at the start of the story). A huge swing from Straxus’ axe cuts the line, and, with the bridge now unstable, Blaster boots Straxus towards the Cybertron side of the bridge where he dies immediately (though not in the UK continuity where he’ll be back for a swansong or two).

Blaster is left off balance but saved by Powerglide (not for the first time). The seven remaining Autobots exit the malfunctioning bridge on to the Earth side as it begins to vanish. Although it won’t take the Decepticons long to repair it, they’ve bought a little time to warn the Autobots on Earth. It’s time for ‘Cybertron seven’ to bid greetings to the Earthlings (police and military) who approach them.

And so, we conclude the Return to Cybertron story. A head to head between the main hero and villain was really the only way to end this brief but excellent saga. Straxus ultimately goes the way of all who are not part of the toy range, but as mentioned he’ll appear again in the UK comics. Blaster, Perceptor and the others finish up on Earth, allowing them to eventually be part of the regular characters. However, we won’t learn their fate until issue #90, which is about five months away at the time the comic was published.

The Space Bridge idea has been lifted from the Sunbow Transformers cartoons (along with Energon Cubes previously) and with this now a feature, it will be a highly useful vehicle for bringing new characters into the comic relatively simply as Bob Budiansky would be under constant pressure to do. In the next issue it’s back to the adventures of the Earth-bound Autobots and the debut of Omega Supreme.

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Second Generation

The Autobots and Decepticons are shown a vision of their future – the Special Teams, courtesy of Buster Witwicky’s Matrix-induced nightmares, and Megatron battles Shockwave for the Decepticon leadership once again.

Late May 1986, the big summer event from Hasbro is the release of the new combiner teams – the Aerialbots, Protectobots, Stunticons and Combaticons. Unlike the Constructicons, which are fiddly to combine (and not for sale in the UK anyway) these new teams are more streamlined. A larger ‘team leader’ becomes the body of the combined robot and the other four members easily click into place as arms and legs. All are interchangeable. As a disgruntled Mixmaster wryly observes in the story, suddenly the Constructicons are “yesterday’s news”.

There’s one problem. The new toys are not scheduled to appear in the UK comic until late November. That’s good timing for Christmas sales but not ideal for Hasbro execs looking to give the Special Team toys a push as they go on sale in mid 1986. The solution is this story, Second Generation, where the Special Teams debut in a dream, ahead of their actual debut.

Issue #63’s cover by Alan Stevens is an arrangement of Superion and Menasor from their box art. I can’t be sure whether Stevens is the box artist or the guy who arranged the compilation, but it’s reminder (if any were needed) of some major product placement on the way. There’s the third and final Robot War round-up explaining the saga so far, and then straight into the action from Simon Furman and artist John Stokes.

It starts by delving into Buster’s dream and this time the readers are along for the journey. Buster runs from Shockwave in a strange barren dreamscape with fire and orbiting moons. His legs scream in agony and oxygen-starved lungs beg for release (all told, it reminds me of the first 10k I ever ran). Shockwave is like the Terminator, he’s relentless and unstoppable, making light work of Optimus Prime, Jazz and Ratchet, as you can see above. It’s a great sequence apart from the blunder with Shockwave being drawn with two hands in one panel, rather than his distinctive gun arm, oops.

Buster is saved from certain death by the appearance of Superion, who blows Shockwave to pieces! Then Menasor attacks the giant Autobot and Buster flees the madness again, only to have his path blocked by the Combaticons, who combine into Bruticus.

Buster wakes with a scream – he is safely within the Ark. His father and Jessie are there, along with Prime and Ratchet. Sparkplug complains bitterly that the Autobots and Prime personally have made his son a “walking target” in their civil war. Stokes does a good job of drawing robots and making the dream sequence other-worldly and vivid, but I’m not keen on his humans. Buster like he’s about 12 and in need of a haircut, and Sparkplug like a wrinkly old crone. Not appealing.

Prime correctly interprets Buster’s nightmares as a message from the Matrix. And, in the Wyoming coal mine Soundwave explains the same theory to Megatron. The dynamic with Donny Finkleberg (aka Robot Master) irritating the hell out of Megatron is good fun. Megatron is desperate to blast him to a pulp (a sentiment shared by a fair few readers) but cannot because Donny is integral to the Decepticon propaganda war. Presumably, Ravage is with Megatron full time, guarding their captive.

In flashbacks we’re reminded of Buster’s sacrifices on behalf of the Autobots (for the benefit of new readers presumably, though this feels a bit like filler). He will help the Autobots again, this time by re-entering the dream with Optimus Prime at his side. At the Decepticon base, Shockwave has dusted down the technology he used to plunder Prime’s mind of the Matrix a while back, and will use it to eavesdrop on the visions.

It’s interesting to see how close Soundwave comes to being discovered as a double agent. Luckily for him, Shockwave is more concerned with the bigger picture stuff and tends to ignore trivial details. For all his vast intelligence and logic, he is easily duped.

And so, to issue #64 and chapter two of the saga. It’s the first time I’ve seen Shakespeare quoted in the comic (‘perchance to dream’ being mentioned on the Transformation page – I’m not sure I would have got the reference aged 12) and the first French quotation, with Defensor delivering the “coup de grace” to Bruticus. Barry Kitson is on art duties for the final time (though he’d draw a few more covers).

The story is a re-do of the mini comic that readers were treated to in Transformers #54 except longer and better drawn. The first team they (and we) meet are the Protectobots (this is only fair as they were missing from the opening instalment). They helpfully namecheck themselves for a proper introduction. Their mission is to make sure that the plant is safely evacuated. Blades, in helicopter mode, spots five vehicles approaching, who turn out to be the Stunticons.

Moments later, the Decepticon cars demonstrate their ability to combine “in one fluid move” into Menasor. Shockwave is watching along impressed (hopefully he missed the bit where his rival Megatron was depicted as Decepticon leader in the vision). He thinks Menasor is infinitely superior to the Devastator. Unsurprisingly Mixmaster is less convinced, probably realising the Constructicons are likely to get even less exposure in the comic once the new teams come along.

Buster and Prime observe Defensor wrestling Menasor (possibly the only time in the comic that we see them clash). Three military vehicles pull into the plant along with an army helicopter (Vortex mis-coloured as Blades – whoops), while high in the air, space shuttle Blast-Off dodges five planes (the approaching Aerialbots) to merge with his fellow Combaticons into Bruticus! It is two against one, until Superion arrives to even the odds.

Menasor turns out to have a pretty major weakness – his component parts can’t always agree. Dead End takes exception at being told when to fire and misses the opportunity. Also, embarrassingly he’s been drawn as Dragstrip. With so many new characters being introduced, it’s perhaps not too surprising that Kitson got confused who he was meant to be drawing. The kids will have noticed though.

Superion directs the blast at Bruticus and Defensor stamps on the stunned Decepticon’s head (brutal for a kids comic). Menasor’s retreat is halted by Superion’s Stress Fracture Cannon creating a mini earthquake under his feet. And so the battle ends with Prime and Buster waking up and saying with them the phrase of the moment…. SPECIAL TEAMS!

There’s also no mention of Matrix dreams after this, which suggests that the merger with Prime exorcised the visions from Buster’s mind. For that matter, there’s no explanation why the dream was a coherent story when Prime and Buster accessed it, and a hellish nightmare previously.

Megatron learns about the combiner teams from Soundwave and resolves to challenge Shockwave again for the Decepticon leadership. This is the premise for the third and final instalment (and the best). Though still under the banner of Second Generation its only loosely connected to the previous two parts. As the Transformation page suggests, this is a rematch that has been inevitable and eagerly awaited by readers.

Jeff Anderson takes his turn on the art duties, introducing us to coloured borders around frames to denote flashbacks. It’s a technique that he uses again in the upcoming Target 2006 to good effect.

Donny Finkleberg plays up his Robot Master alter ego, introducing the two challengers and the fact they are fighting for leadership. While it’s great fun to read this presented like a heavyweight boxing bout, it’s totally illogical the Decepticons would have Robot Master do this. His cover is meant to be that he’s the commander of the machines, so why introduce the idea of factions in the public consciousness, or the idea of there being a commander of the Decepticons with rivals contesting the job?

Apart from the doubtful set-up, the fight itself is pretty good. It’s no holds barred using fists, weaponry and discarded army tanks. Though evenly matched, you get the impression that Megatron at full strength (he wasn’t last time around) is the more powerful of the two (and the dirtier fighter). My expectation before reading the issue the first time around was that it would result in a Megatron victory. However, the outcome really isn’t in the hands of Simon Furman, as the UK comic reprints all the Marvel US stories, so any change of leadership would need to marry up with want Bob Budiansky is doing over the pond.

Soundwave cannot believe the Decepticon leaders are scrapping around for the benefit of humans. The scene where he spits at Donny, making the sound PUTTUP answers one of the long-standing questions of the letters page hosted by Soundwave. Every time an Autobot is mentioned on the page, he would accompany it with the word PUTTUP. Now we learn it’s the sound he makes when spitting oil. How Soundwave does this with a plate over his mouth is a whole other matter.

Soundwave hopes that the Autobots aren’t watching the broadcast. They are, but Prime is not too bothered as humans are not in danger. He hopes the pair will destroy one another. Their attention is on creating the Special Teams, with Wheeljack having already created a schematic of Superion. Wheels are in motion for future stories, including the mention that the Autobots do not yet understand the combination process and will need to observe someone. He is interrupted by an alarm before he can finish the sentence, but we know Prime is referring to Devastator. This also dovetails with the upcoming story Command Performances. I assume Furman got quite a bit of advanced warning of what Budiansky was planning State-side.

That alarm is the Dinobots waking up. The madness which caused their earlier rampage is now gone (as evidenced by the return of their usual bad attitude) and there’s the intriguing hint of more about their recovery in the 1986 Transformers Annual. This is a reference to the superb Furman/Senior story, Victory. With the Dinobots also due to appear in Command Performances, Furman has taken the opportunity to revive them here.

Soundwave, ever the grown up, intervenes to bring the fight to a close by offending both Megatron and Shockwave in unison. He cites their very different approaches – one logical and patient, the other action orientated – and proposes that they work together as joint leaders. The one who’s approach results in the most Autobot casualties will lead. Surprisingly, both agree, perhaps sensing that they are more evenly matched as fighters than they care to admit.

Remember what I said about the result needing to concur with the US storyline? This joint leadership is what results when the two leaders meet in the upcoming story Bridge To Nowhere, except in the UK the panels are edited to refer to an existing situation. It’s much better in my opinion that we’ve had this issue establishing the set-up instead of Bob’s approach which feels rushed and perhaps a bit underwhelming given the anticipation of a rematch.

And so the story ends, with Prime feeling confident that with Dinobots active and the secrets of the Special Teams solely in Autobot hands, they are finally on the front foot. If only they knew. Then finally we see the message that Soundwave transmitted to Cybertron in issue #36 finally reaching its target.

The blurb for next week’s return to Cybertron epic sounds amazing! There the war is over and the Decepticons have won. Plus, Ramjet, Dirge and Thrust and the Insecticons will appear, along with someone called Lord Straxus! And there’s fact files on Soundwave and Blaster. In hindsight it’s a hint of Blaster’s imminent debut in the comic. Onwards to one of the best Transformers stories of all time… The Smelting Pool.

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I, Robot Master

Desperate for fuel, Megatron attacks a coal mining plant and becomes rooted to the spot! And a washed-up comic book writer is recruited by the US government to claim to be the terrorist mastermind behind the Transformers.

April 1986. Bob Budiansky’s most offbeat story since… well, his last two where Megatron was controlled by a small-time hoodlum, and Hoist stole the show at a rock concert, arrives on UK shores. The Marvel UK Transformers comic is mid-way through an eight-week run of US stories at this point. Don Perlin is once again on art duties.

After taking his leave of Joey Slick, Megatron apparently spent weeks walking through the American North West in search of fuel. I say apparently because it seems somewhat unfathomable that a giant Decepticon with a hair-trigger temper such as he, could possibly wander around and not attract an awful lot of attention. Particularly when you consider that he can’t exactly convert into a vehicle and blend in.

His sensors have bought him to a coal mine which is high in hydrocarbons. Megatron attacks the huge machinery and in his desperation, showers himself in coals. He finds these black rocks indigestible in their current form. Suddenly, he stops dead in his tracks, drained of fuel, paralysed and helpless! A worker notes that he “just ran out of gas”. We’ve previously seen Transformers dangerously low on fuel but this is a new situation.

Walter Barnett, the Triple I agent we met in the last story, arrives at a restricted government building at the behest of his boss, Forest Forsythe. Along with the rest of the board, they are shown footage of recent high-profile robot incidents (Megatron and Shockwave’s battle, the capture of G.B. Blackrock’s aerospace plant, Hoist at the Springhorn concert and the incident with Megatron at the coal mine in Wyoming).  

Blackrock has been invited to give his insight to the group and attempts to persuade them that the Transformers are two factions, one good and one evil. It’s a huge waste of time as Forsythe is not interested in hearing this and after showing Blackrock out, tells Triple I that the policy will be to treat all robots as a threat. For a group called the Intelligence and Information Institute they really are lacking in basic intelligence. Despite acknowledging that there is evidence to back-up Blackrock’s claims they are willing to throw away the chance of an alliance with the Autobots that might solve their Decepticon problem. Instead they’ve decided to invest in a cover-up. I suppose this will have been only a dozen years after Watergate and cynical government cover-ups will have been in the public consciousness, including Bob’s. This feels like a spoof of the government cover-up cliché.

Barnett comes across like a real deadbeat dad and husband as he arrives home. His young son is excited to see him but all Walt does is tell him to tidy up his toys. He then spots the boy’s Robot Master comic, about a guy who controls an army of robots, and before you can say co-incidence he rushes off to catch a plane to New York. You have to wonder if his family see much of him. I’m not sure if his destination, 387 Park Ave, might be another in-joke, perhaps it was Marvel’s address in the day. He’s in time to catch the writer of the Robot Master comic, Donny Finkleberg, on his way out of the building, having had his book cancelled.

According to TFWiki and other knowledgeable fans, Donny is based on an actual comic book writer called Danny Fingeroth, who worked with Bob on Marvel’s Avengers in 1981. It’s not clear whether Bob or Don Perlin created Robot Master in his likeness as a hilarious office in-joke or whether Bob’s getting his own back. Certainly, Donny Finkleberg is not presented as a great guy. Instead he’s greedy, unscrupulous, a geeky loser and has a rather incessant smoking habit to boot.

Barnett takes Donny to lunch and offers him $25,000 if he can help come up with a Robot Master story to hoodwink the American public. Naturally he suggests bringing to life the character he created (Barnett could have saved £25k by simply reading the comic). They could say the Transformers are being controlled by a human terrorist mastermind, which apparently is less likely to result in a public scare that giant alien robots. If Donny would like to play Robot Master, he can double his money (and best of all, no acting experience appears to be necessary).

The idea is loopy on several levels. When Donny appears on TV he’s likely to be recognised by someone (like his old boss perhaps) and outed, and it wouldn’t take the media very long to discover the similarity to the Robot Master comic and expose the whole hoax. Triple I are playing with fire and it’s a wonder and it’s a wonder that Barnett he was not laughed out of the agency for coming up with such a foolhardy plan.

Nevertheless, the next day Donny is broadcasting as Robot Master and claiming to be the human leader of a robotic army. Optimus Prime is alerted as is Mr Blackrock, who realises that Triple I must be behind this.

He suggests to the media that the whole thing might be a hoax. Triple I are furious but it shows what a house of cards their plan is – it really could fall apart in a moment. Blackrock shuns his limo to drive away in a VW Beetle, which is hilarious (though his calling Bumblebee ‘Bum’ is not really the sort of nickname you’d want).

A photo of frozen Megatron makes the news, much to the horror of Barnett and Forsythe (honestly, how was that ever going to stay private seeing as Megatron attacked a mine full of workers). They decide to offer Donny a way to double his money, with another broadcast.

In part two, the Autobots have been monitoring the TV news and Optimus Prime sets out to capture his old nemesis with assistance from Skids, Tracks and Bumblebee (once again the comic is showcasing its recently introduced characters, and Hoist also appears earlier in the issue making a nuisance of himself by taking charge of Autobots maintenance schedules). This small band, albeit including Optimus, seems decidedly light to capture a Transformer as powerful as Megatron. Even if he is currently immobilised, why take the chance? So much better to go in overwhelming numbers.

In downtown Portland, Soundwave is hanging out at a TV and video store in his cassette deck mode for some totally inexplicable reason. When the shop worker/owner (who oddly enough has been drawn exactly like G.B. Blackrock before they started forgetting his moustache) tests whether it is working, apparently intending to sell this equipment he found on the doorstep. There’s a deafening sound, followed by Ravage transforming and escaping with Soundwave, who are picked up and flown away by Laserbeak and Buzzsaw. They all head off in the direction of Wyoming, some 1,022 miles away. The sequence doesn’t add-up. Why not hang out a store more local to Megatron, or monitor TV from the Decepticon base?

There’s a nice scene however, where Barnett and Donny (in his Robot Master threads) arrive at the mine and Megatron’s eyes burn as Donny refers to him as “old junkpile” and strikes a match on his foot. Apparently with Robot Master broadcasting next to a giant robot, the story’s credibility will be bolstered by a thousand percent! Blackrock arrives (minus tache) to make a final attempt to persuade Barnet to drop the crazy plan, pointing out that Triple I are lumping potential allies (the Autobots) in with the enemy – and inviting Decepticon attack.

The Autobots arrive and are promptly fired upon by the US military and of course they can’t return fire. Barnett’s comment about them coming to free a comrade is ridiculous, given that the Autobots are clearly not being hostile even under extreme provocation. However, it’s all too late as Soundwave and his cassettes arrive with a casket of fuel (and a petrol hose) and quickly restore Megatron to working order. The Decepticons make very short work of the army and the Autobots, in their weakened state are forced to withdraw. It’s odd seeing them leave humans to the mercy of Megatron (even if it’s the army’s own silly fault) it seems to run contrary to Autobot principles.

Laserbeak retrieves Donny and plonks him in front of Megatron for termination. Donny’s quick talking saves his own neck. He offers the Decepticons his assistance in continuing the dark propaganda so that they can continue to cast fear and suspicion about the Autobots. At this point Megatron really should’ve blasted him into oblivion but with Soundwave thinking it’s a good idea, he also agrees. A second broadcast occurs, with Robot Master backed up Megatron’s raw power (crushing huge boulders for effect). Afterwards Donny very stupidly strikes another match on Megatron’s foot (does he not have a matchbox?) and gets hoisted by the cape (if not his own petard) and warned by Megatron, in full-on public health warning mode, never to presume his value to the Decepticons or he may discover that smoking is hazardous to his health!

So, there you have it kids, smoking is not cool – as Donny’s habit gets him in trouble with Megatron! Overall, it’s a fun, slightly camp and off the wall story from Bob Budiansky that helps keep momentum with the Decepticons and the Autobots on the backfoot, which is important for the drama and tension. Robot Master is a rather ridiculous figure. He looks more like a bloke going to a comic convention in a silly outfit than a potential world dominator or terrorist mastermind. If you think about the concept seriously it quickly unravels – people will know Donny Finkleberg from his regular life and it wouldn’t take the cops or the media long to find out he’s a struggling comic book writer. I guess the story is meant to be enjoyed but not taken too seriously.

Interestingly, Shockwave won’t learn of Megatron’s return until TFUK#65 in another nine issues, which is strange since the ex-Decepticon leader has appeared on every TV channel with Robot Master.

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Shooting Star!

Small time crook Joey Slick gets a ticket to the big league when he stumbles across a malfunctioning Megatron, in this homage to the gangster movie genre.

The Autobots have been wracking-up casualties of late, thanks to their Dinobot Hunt going awry, and the preview for Shooting Star – by Bob Budiansky and the US team, and published in the UK in March 1986 – suggests things are about to get a lot worse with the return of one of the most powerful Decepticons of all, Megatron!

Apart from a tiny mention of Ratchet in one panel, this is the only Marvel US Transformers story not to feature an Autobot (or any other Transformer). It takes a big beast to carry the title single handed and they don’t come much bigger than Megatron.

We last saw him in the 1985 story Repeat Performance, disappearing over a cliff following his showdown with Ratchet and the Dinobots. Those events occurred just five monthly comics previous for US readers, but in the UK 22 weekly issues have passed, and it feels like Megatron has been away longer and therefore his return is more of a big deal.

The story begins with Joey Slick legging it through a half-dried up stream as two sunglasses-and-suit-wearing guys, looking every inch the gangsters they are, take pot shots at him (missing naturally, this being a kid’s comic). They are henchmen for a local kingpin called Jake Lomax – who Joey unwisely ripped off. He finds a Walther P-38 in the water – the familiar alt-mode of Megatron – and attempts to shoot his pursuers. Nothing happens, that is until the two guys goad the gun to fire at them and it promptly unleashes a bolt of energy!

Joey retreats to a barn and asks to know what the gun is. It promptly transforms and enlarges into the ex-Decepticon leader, in robot form. Joey describes Megatron as his “weird angel” which is not far off the mark as things turn out. The cliff fall had disconnected Megatron’s higher brain circuits and he can no longer think for himself, only follow orders!

This makes for an intriguing set-up – a human in control of a Transformer (and it is much more entertainingly executed than The Icarus Factor which explored the same theme) but it’s also a really major weakness if a jolt to the head can make the Decepticon leader a compliant automaton. It’s a wonder the Autobots have never tried to bring about this situation and enlist Megatron’s help on their side.

The other slightly daft thing is that the two guys Megatron blasted turn up dishevelled but very much alive, to report their failure to Lomax. They really should have been incinerated, but the fact that everyone makes it out of the story alive tells you that Budiansky is looking to keep things light-hearted and entertaining, and not push grisly deaths at the young readers. The UK comic is more daring in this regard and is often credited with treating its readers more like grown-ups. Personally, I never minded the light-hearted, slightly tongue in cheek style of Budiansky.

If Joey Slick, with his wide collars and long face, brings to mind Al Pacino in Scarface then Lomax bears a passing resemblance to the moustache and medallion-wearing Frank Lopez of the same film. He’s got a nice mansion in Oregon complete with a private pool and young bikini wearing girlfriend at his side. But he’s not happy at Joey making a fool of him and sends four heavies to go and finish the job.

Joey’s neighbourhood is considerably less affluent, if richer in sincerity. He receives many kind comments and offers of soup and fruits from the locals who all know him. He also joins in a football game with street kids. It’s apparent that he’s not a bad guy but has lost his way and got in with a bad crowd in his desire to stop being a “loser”. Seeing cars outside that are too classy for the neighbour, and hearing footsteps on the stairs he skips out the window and up the fire escape, on to the roof.

Megatron saves Joey’s bacon by blasting a huge water tank and knocking all four mobsters unconscious! Taking to the road, he stops at a motel but is a couple of dollars short on the bill. Incidentally the headline in the newspaper being read by the unsympathetic hotel owner is ‘Robots Leave Plane Plant’ alluding the Decepticons’ recent abandonment of the Blackrock aerospace plant following the demise of Shockwave and the human slave revolt. The obvious course of action for a petty crook is to rob the local convenience store, which nets him cash but brings the police after him. However, a blast from Megatron stops them.

Just to mention, there’s an odd printing fault in issue #51 which Robo Capers is missing the black lines, consequently there are no words and its impossible to read. The rest of the page is fine. So bizarre. The comic launches Robotix in the back-up strip, which feels like an early forerunner of the Headmasters and Targetmasters concept, and the next week section trails three weeks of free gifts – starting with a free Transformers sticker album from panini, followed by free stickers and, in issue #54, a pull out poster of the new combiner teams. Heady days!

Part two of the of story sees Joey taking out a bridge and causing more police cars to crash. Over the next few weeks he creates a one-man crime wave using Megatron’s amazing power and is soon making the headlines. Megatron never misses a shot as bank after bank is robbed, bringing Joey wealth, women and power! After one such robbery he is confronted by the army itself – but walks away unscathed leaving them in ruins.

He’s soon living in a luxury penthouse apartment with his own entourage. However, he feels like they are using him as a wallet and Megatron is the only one he can really trust (and he’s “as brainless as a beer can”, which is a great line). The floor must be incredibly strong for it to take Megatron’s weight!

Joey goes back to his old neighbourhood, finding the fruit stall guy is now terrified of him and the kids he played ball with now want to see his ‘super gun’ and think robbing banks are life goals to aspire to. Joey starts to realise that his new life is not all its cracked up to be, and for reason concludes that having it out with Lomax is the way to put his life in order.

He rings the buzzer at the gates of the Lomax compound and is invited in.  Making short work of the welcoming committee, Joey puts holes all over the mansion before Lomax surrenders. He tosses Megatron to the ground before knocking Lomax over with one punch, showering him with the money he originally owed – plus interest.

Joey turns around to see Megatron in robot mode, the heavy fall had reconnected his brain functions. Megatron prepares to destroy this impudent human and Joey agrees that it’s no more than he deserves. However, Megatron respects his audacity and decides to spare him. As Megatron walks off with a war to win, the police arrive to pick up the not so super criminal. We never see Joey Slick again, but we can safely assume he does a long stretch behind bars, hopefully turning his life around in the end. Who would have thought Megatron capable of showing mercy, and to a ‘lower lifeform’ of all people?!

Final thoughts. It turns out that all Joey owed Lomax was $600, which hardly seems worth him getting so worked up! This story is also notable for it being artist Don Perlin’s debut Transformers story. He would draw a creditable 18 regular issues of Transformers as well as all three instalments of the Transformers the Movie comic adaptation.

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And There Shall Come a Leader

Two decades before Simon Furman’s War Within prequels made Cybertron’s early years cool – came this first attempt in the 1985 Transformers Annual. It marks a turning point in the Transformers’ civil war, where one individual stepped forward to make a difference.

And There Shall Come a Leader, written by Simon Furman and with John Stokes on art duties, is the second strip in the 1985 annual. Though 10 pages shorter than Plague of the Insecticons, it is in my opinion the better story. Partly this is because it doesn’t upset the apple cart by messing with current stories (introducing characters that shouldn’t be there etc) but mainly because its setting is on the Transformers home world in the early years of their civil war. This is an undiscovered country of stories, rich in potential that would be largely untapped until Furman returned to the theme in his three War Within mini-series (published by Dreamwave from 2002-04).

The narrative informs readers that the story is set millions of years before the Transformers began their exile on Earth. In this time, Cybertron’s capital city Iacon is under siege and on the brink of falling to Megatron’s invading Decepticons. The council of Autobot Elders meets to discuss the dire situation. It’s suggested that their ineptness in trying to exert central control over the fightback is what has hastened the end.

This is our first introduction to Emirate Xaaron, a wily Autobot leader who Furman invented for this story and would continue to feature almost throughout the comic’s seven-year run. Xaaron alone has the foresight to see that they must entrust command to a warrior general and empower him to make the decisions that are required to defeat the Decepticons. He has someone in mind – a natural born leader (and if you said Optimus Prime go to the top of the class!).

Xaaron refuses to accept defeat – his leaping from his chair and exclaiming “never” is reminiscent of Megatron’s defiant reaction to being given an ultimatum to surrender – both characters are similar in nature, if worlds apart in their values. He persuades High Councillor Traachon (another never before-seen character with double a in his name) to use his veto to “free the Autobots” according to Xaaron’s plan.

On the battlefield, Optimus is issuing orders to a host of unfamiliar names – Pulsar, Tempest – and some we do know such as Hound and Ratchet. Interestingly, he’s already called Prime, suggesting that this is not a title which was bestowed upon him being given leadership of the Autobots. Does he have the Matrix yet or is that received after he becomes leader? We don’t know.

Prime suggests that, thanks to the Council, his hands are tied, and he must watch his comrades fall, however we also learn that Bluestreak and (another new character) Fusion are engaged in a race against time to bring them a supply of shatter bombs. Cut to the aforementioned duo, who are racing towards the Autobot lines across one of Cybertron’s many high-elevated bridges. They are under aerial attack from Decepticons resembling Earth jets (rather than the triangular forms that appeared in the cartoon’s origin story). If this seems a little unimaginative, it’s also disappointing that Bluestreak looks an Earth car except with a rocket booster rear. Fusion, on the other hand, is at least more alien – we only see him in vehicle form, which resembles to the mobile cannon that Optimus Prime transformed into in the first issue of Transformers.

There’s an unwritten rule that any character who is not part of the Hasbro toy range is expendable and likely to suffer some grisly fate in short order (it’s like the Transformers equivalent of the red-shirted extra beaming down on Star Trek). In this case poor Fusion can see the writing on the wall. Bluestreak clears a missing section of bridge with panache, while Fusion provides covering fire. He takes out one of the jets before being blown to bits. Bluestreak (who thankfully is in the toy range) can do nothing but swear revenge and go full speed ahead.

In Iacon, Prime is called away from the battle to receives word from Xaaron he has been granted control of the Autobot army and the war effort is now in his hands. He’s relieved, also hearing that Bluestreak is back with the bombs they’ve been waiting for.

Megatron, arriving in Iacon is briefed by Soundwave (who seems to have a very different head than usual – either intentionally or by mistake) informs him that the defeated Autobots are regrouping. Soon enough his passage is blocked by Optimus Prime, in what is possibly the earliest meeting of the two leaders in a Marvel Transformers comic. A fierce battle ensues with casualties on all sides. Below, Gears prepares to use Bluestreak’s bombs to detonate the bridge where the battle is raging. The Decepticons triumph by virtue of superior numbers and Prime finds Megatron standing over him preparing to savour his victory. He orders his troops to retreat moments before the bridge explodes – causing the Decepticons to come crashing down together with the debris (clearly, they don’t have flying abilities in robot mode, unlike the cartoons). Meanwhile, Prime is plucked to safety thanks to Windcharger’s legendary magnetic abilities. No-one could have survived they think, but of course Megatron does and, emerging from the rubble, he vows to have his revenge. Thus, the stage is set for the rivalry between Prime and Megatron that is central to the Transformers story.

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Plague of the Insecticons

What do Ronald Reagan, Roller and the Insecticons have in common? Answer, they all make their Transformers comic debut in the 1985 annual story, Plague of the Insecticons – a UK exclusive by Simon Furman with art from Mike Collins and Jeff Anderson.

Annuals are something of a tradition in the UK. Growing up in the 1980s it seemed that every popular children’s TV show or comic had one. I remember receiving the Knight Rider, Spider-Man, Metal Mickey, Roland Rat and Thundercats annuals at various Christmases, and probably more books that have since faded from memory.

These tended to hardbacked, containing text stories and comic strips (my favourites) plus puzzles, interviews and anything else they could think of. So, a real mixed bag and of varying qualities. If they were connected to an ongoing comic there was no guarantee that the stories would actually fit into any established continuity, and so it was with the first Transformers Annual, released to popular demand in the UK in late 1985.

Of the four stories, arguably only There Shall Come a Leader, a prequel, gelled with the weekly Transformers comic. The rest simply jarred. So, we had Hunted which featured Topspin and Twin Twist as part of the Ark’s crew; Missing in Action in which Tracks, Inferno, Grapple and Hoist were also part of the set-up. Though three of those would be introduced in early 1986, Inferno doesn’t make his debut until issue #188. So, these stories are mainly there to showcase new Transformer toys but not to sweat it about where they fit into the overall picture.

The Insecticon story is the biggest muddle of all. Kickback, Shrapnel and Bombshell are not due to join the Earthbound Decepticons until TFUK#89 in late 1986, and by this time Ravage is out of the picture (having disappeared down a mineshaft, so they could not appear together). On the other hand the Insecticons in the story appeared to have been hatched in a lab and perhaps they are clones of the actual Insecticons. This might explain why it is necessary for Ravage to control them remotely. Warpath’s presence is similarly problematic (he won’t join the Earth setup until after Ravage is written out and the genuine Insecticons are on Earth).

Putting that aside, Collins and Anderson have done a good job in capturing Reagan’s likeness and capturing the drama and carnage caused by the Insecticon attack. Their depiction of Warpath with his feet joined together is accurate to the toy design but in practical terms, if this is not a serious weakness in battle, I don’t know what is.

The story sets out to answer the question of why the Autobots haven’t announced their presence to humanity and forged a common alliance against the Decepticons (after all the Autobots are sworn to protect mankind from the Decepticon tyranny). The scene opens at nightfall over Washington DC, and troops sweating it out as they await the arrival of actual aliens – the Autobots! Optimus Prime, Prowl and Warpath drive on to the White House lawn where Ronald Reagan strolls out to greet them.

The meeting is presumably secret, hence the absence of the world’s media at this historic moment, so you wonder why it’s in the very public location of the President’s front lawn?! I also question the wisdom of Prime bringing Warpath along as a tank doesn’t exactly convey ‘we come in peace’. Reagan extends the hand of peace and friendship, while wryly observing it’s the first time he’s conversed with a truck. Optimus transforms to echo the president’s wishes for peaceful relations.

At that moment, the ground shakes and our three Insecticons spring up and declare they will “kill all the humans in the name of the Autobots”. The phrase ‘public relations disaster’ doesn’t quite cut it. Prime is shocked and surprised – he had instructed Jazz to reach out to the US government and talks were held under the tightest security to stop the enemy from finding out. In flashback, we see a military man making a careless call without a scrambler, allowing Soundwave to pick it up in one of his routine sweeps. Megatron responded by releasing the Insecticons from booths where they had been in suspended animation, or perhaps growing.

At the White House, Prime and his warriors return fire. Bombshell declares “Great Optimus we hear your command” and withdraws to attack the Capital. Despite seeing the Autobots fighting these Decepticons, the military fall for the ruse and turn their anger against the Autobots.

As Optimus sets out to discover who is remote controlling the trio of saboteurs, Prowl and Warpath hit the streets to track down the Insecticons. They find the city ablaze and people fleeing for their lives. The trio are introduced along with a short summary of their main abilities: Bombshell can control minds; Kickback is a master of espionage, and Shrapnel is a master of electricity.

Prowl takes out Kickback with a missile but succumbs to Shrapnel’s splinter grenade. Warpath rams Shrapnel, looking like he destroys the Insecticon, but evidently not, for when Prime dispatches his drone Roller from his trailer, it arrives to engulf Shrapnel in a ball of fire.

We know that Prime’s trailer and Roller are extensions of him, so much so that he feels any pain inflicted on to his other components. As Optimus confronts Ravage (who has been operating the Insecticons) he’s unaware of Bombshell swooping down to inject him with one of his mind-controlling cerebro shell. Conveniently, at the crucial moment Kickback blows up Roller and causes the Autobot leader to lurch forward in pain. Bombshell completely misses him and injects Ravage instead. This leaves the controller mindless and the Insecticons inert.

At this point the way is clear for Prime, Prowl and Warpath to explain the situation to the President. Instead they return to the Ark convinced the humans would not believe them and lamenting a lost opportunity. I suppose Furman couldn’t realistically plot a major game-changer like the Autobots joining forces with the US government, tension in the story demands that the Autobots are typically on the backfoot.

However, as mentioned this story is far removed from the comics continuity and therefore it allows Furman more creative licence. As a reader it is a little frustrating that Prime just accepted the smear on the Autobots’ name and didn’t try to explain. It’s nice to see Roller used in a story (this being his only appearance outside of the cartoon series) even if questions are unanswered such as Ravage how recovers from the surprisingly creepy and horrific depiction of his invaded mind.

All in all, not a bad story if you’re willing to overlook the jarring conflicts with the US and UK comics continuities, and a nice showcase for Roller, Warpath and the Insecticons.

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