Decepticon Graffiti!

The Battlechargers, Runabout and Runamuck, arrive from Cybertron intent on causing a bit of mayhem – and embark on a graffiti spree across America!

Marvel’s UK weekly Transformers comic enters 1987 brimming with confidence. The title and its creative team are riding high following the success of its recent epic Target: 2006 and basking in the glow of the amazing Transformers the Movie, and its coming off the back of a year of (mostly) strong stories and looking ahead to its landmark one hundredth issue and another solid year. The comic’s devoted fanbase which included my twelve-year-old self at the time also knew we were on to a very good thing.

Just prior to the Christmas edition we’d seen the Aerialbot gestalt Superion squaring off with the Stunticons combined as Menasor – coming off worse after Circuit Breaker intervened. Then insult was added to injury when Donny Finkleberg betrayed the Autobot Skids to Walter Barnett and RAAT.

US writer Bob Budiansky picks up where this cliff-hanger left off and takes the opportunity to spice things up by introducing a pair of newcomers from ever expanding Hasbro toy range in the shape of the Decepticon Battlechargers, Runabout and Runamuck. This was an exciting development for me as I’d recently invested in a Runabout toy. Rather like the less appealing Jump Starters (who the US comic ignored) their gimmick was that you can pull them back and they would release and transform in mid-drive. In the comics universe this translated as them being the ‘fastest Transformers on Earth’.

The first impression is of course the cover. Herbe Trimpe’s cover for issue #23 of the US Transformers comic, the infamous ‘Humans are Wimps’ Statue of Liberty cover appears on TFUK #95. For issue #94, where the story kicks off, we’re treated to a fantastic cover by Lee Sullivan. Now, Lee’s style hasn’t always hit the spot for me, but I really love his work on this cover! The story is about graffiti and the Battlechargers literally look like they’ve been spray painted. There’s a metallic shine that looks fab (whether Lee is responsible for the colouring I don’t know) but it brings the art to life and I remember picking up the issue and thinking that TF had lifted its game even further for the new year.

The title is of course a spoof of the 1973 cult movie American Graffiti. Except here the title is interpreted literally as the Battlechargers go on a spray paint wrecking spree. It wouldn’t be the last time Budiansky would reference a film in his story title… the infamous Buster Witwicky and the Car Wash of Doom comes to mind. Could it be that Bob is a Harrison Ford fan? The actor stars in both American Graffiti and Indiana Jones and the Temple of Doom, and of course both are directed by the one and only George Lucas.

The story begins at RAAT headquarters where an unusually sedate and gentle looking Circuit Breaker holds a tiny Transformer brain module on the tip of her finger. By generating electrical pulses, she can stimulate movement in the deactivated body of the Autobot Skids. To her this is research, but to Donny Finkleberg it looks like she’s dissecting his erstwhile partner and he’s starting to regret selling out Skids for $50,000. He protests that Skids looks in pain, but Circuit Breaker snaps that this is a machine not a person. Poor Skids is not the only RAAT captive – the hanger wall is adorned with the face plates of twelve other Autobot hunting trophies which includes the Aerialbots and the Cybertron seven. Donny realises that their captivity is leaving the Decepticons with even greater freedom to do what they want on Earth… and he helped – great! We’re starting to see the redemption of Donny at this point.

Over at the Decepticon coal mine base in Eastern Wyoming, one of the themes of the year is starting to emerge: that of Megatron’s mental instability. He is seated on a throne made of the cab of a truck and greeting his latest recruits from Cybertron, the two Battlechargers. They have been summonsed across the galaxy via the Space Bridge for the purpose of taking a challenge to Optimus Prime. When Soundwave helpfully suggests a simple phone call, he is bashed in the face by his boss using a car exhaust! Having seen how Megatron deals with insubordination, neither Runabout nor Runamuck are inclined to argue and promptly roll out. When you consider that Soundwave has been a stand-in leader and very loyally stuck by Megatron against Shockwave, it really is a very poor way to treat him and perhaps a sign of Megatron losing his grip.

Once on the open highway the Battlechargers voice their displeasure at working for this bully. They decide to blow off this rather ridiculous mission and have a good time on their new world. Given that Megatron will probably tear them limb from limb for disobeying him this is either very brave or stupid. It speaks to the childish, fun-seeking natures of the pair.

With no plan of action, they pull up at a service station to look for a bit of inspiration. A typical American nuclear family is taking a break on their cross-country road trip vacation. While the mother wipes a young girl’s face (the daughter, Leah has been eating chocolate coated sushi which sounds positively vile) and her badly behaved older sibling Noah has a bad habit of scrawling graffiti wherever he goes, earning him a severe telling-off from his father. The Battlechargers rather like this defiant little fellow and decide to follow the family. (Re-reading now I’ve noticed that young Noah has a Spider-Man face on the front AND the back of his t-shirt which is a bit odd!)

Three days later at RAAT headquarters, Triple I agent Walter Barnett draws Circuit Breaker’s attention to news reports about weird markings that are appearing on several US landmarks. First it was a Football stadium in Wyoming, then Mount Rushmore in South Dakota, and finally the Gateway arch in St. Louis. Barnett thinks they have been left by Transformers and Circuit Breaker is to investigate. Donny suggests that Skids could help but Circuit Breaker is not amused – no human can trust a robot, she says ironically!

In Washington D.C. the next morning, Noah Acton and his family are visiting the Washington Monument. Two cars across the grass and transform into Runabout and Runamuck, now armed with a barrel of spray paint (one wonders how they came by these). Unusually for a couple of land-based vehicles, they possess the ability to fly while in robot mode and soar to the top of monument and spray graffiti, taking delight in the comedic phrase the other is daubing. Since the human crowds are unable to decipher Transformers writing (or the comic’s readers for that matter) nobody is any the wiser what they are writing. However, I like that they make a point of adding punctuation.

Circuit Breaker arrives on the scene along with Barnett and Donny. They are introduced to the Acton family and learn of the strange co-incidence, that the graffiti attacks seem to follow them. Circuit Breaker tells them to travel as normal and her troops will lay in wait at the next stop, Independence Hall in Philadelphia.

The Decepticon vandals propel themselves airborne towards the monument, where a squadron of RAAT aerial assault craft swarm around them. The Decepticons are unphased and rain debris on to the innocent bystanders below. RAAT stage a swift withdrawal, but Circuit Breaker refuses to back-off and attacks the robots. Noah is almost hit by falling concrete until Circuit Breaker moves and gets knocked her to the ground. Runabout and Runamuck decide to find safer targets and transform and blend into the traffic.

Circuit Breaker is seen by a doctor and confined to RAAT headquarters, which is incredibly frustrating for her knowing that there is a robot menace on the loose. Donny suggests that if she really wants to stop the Battlechargers she must make use of the ‘help’ around her – namely the deactivated Autobots!  Circuit Breaker is adamant they cannot be trusted but starts to succumb to the idea of fashioning them together in a robot body she could interface with and control. And so, the next day as RAAT commandos take up positions inside the Statue of Liberty, Circuit Breaker and Donny make their way towards the island on commandeered trawler. She’s connected herself to the torso of a bizarre amalgam of Transformer parts and rockets towards the statue.

Runabout and Runamuck unleash their latest bit of graffiti this time in English! It’s unclear how they’ve downloaded the lingo but its an exciting development for the pair as now they are finally able to wind-up the ‘fleshlings’. They deface the noble statue with the words ‘Humans are Wimps!’ before coming under attack by Circuit Breaker’s robotic monstrosity.

The conglomerated creature disintegrates Runamuck’s shoulder mounting and when the Decepticon retaliates with a blast of his own, the amalgam’s giant hand moves to protect Circuit Breaker of its own free will! At last a glimmer of hope that she might finally be seeing the light and recognising that the Autobots are the good guys. Runabout severs the Statue of Liberty torch which threatens to land on the ferry below. Circuit Breaker detaches the hand from her robotic host which catches the torch. She and her ally then emit a blast of full power to frazzle the Battlechargers and their smoking wrecks are last seen plunging into New York harbour!

They’ll certainly be gone a while… Bob Budiansky never brought the duo back in the rest of his tenure (they were literally one issue wonders) but his successor as US writer, Simon Furman, would recover them as part of Shockwave’s group during the Decepticon civil war of 1991.

The story ends with Walter Barnett discovering the hanger empty of the thirteen captive Transformers and firing Circuit Breaker and Donny. Circuit Breaker confesses that she had no choice in order to get their co-operation. The Aerialbots weren’t in there so they were presumably allowed to go free. This issue holds out the hope that Circuit Breaker has mended her attitude towards the Autobots, and we won’t see her for a long while, but when we do, she is still busting away without too much thought for good or bad.

Donny bows out from the franchise. As a support character he’s had a good run, but now he returns home thinking about spending his big pay cheque. He sees a TV news item about the Statue of Liberty and in a fit of conscience writes out a $50,000 cheque to the statue repair fund.

Years later Bob Budiansky would cite this story as one of his favourites (he obviously had a lot of fun writing it) and he even got a fan-mail letter about it from the great Stan Lee! That’s praise indeed.

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“Victory!”

In their dream state the comatose Dinobots battle their enemies and experience victory and defeat… can they wake up before it’s too late?

In the 1986 Transformers Annual there is one story that stands head and shoulders above the rest: the aptly named Victory. It is a coda to one of the biggest story triumphs of the year, that timeless classic Dinobot Hunt. And it is more accurately five mini tales in one as the each Dinobot in turn battles with the demons of their own minds in their own vignette.

Simon Furman at the height of his powers in this story and he’s assisted by a superb creative team: the great Geoff Senior on art duties – his dynamic style bringing each page to life; and regular hands Annie Halfacree on lettering and Gina Hart doing the colours (she captures the yellow tinge which the Megatron toy displays over time, which is a nice touch – though let’s not mention the panel where Starscream is part yellow) and Sheila Cranna as editor bows out from Transformers on a high note with this story.

From the first panel the reader is hooked… “he thinks I’m dead” says Grimlock. “His mistake”. How can you not read on to find out what has happened and what happens next? Grimlock is our narrator – he’s a Furman favourite and its evident in these four pages how well Simon knows this character he’s done so much to build.

The scene is one of devastation, of an Earth city in ruins. A bomb had taken out several of the Autobots including Optimus Prime. The sight of Prime “out of the fight permanently” is jarring and because main characters rarely die it’s a big hint early on that things are not what they seem. The next clue is writ large – it’s Grimlock armed with his Energo Sword and slicing Megatron down the middle! It’s an instantly iconic moment.

Grimlock screams his triumph to the Decepticons! This is pure Grimlock fantasy. He’s the powerful one and he alone among the Autobots can turn the course of the war. In reality of course, the last two times Grimlock has gone toe to toe with Megatron (in Repeat Performance and In the National Interest) he’s taken a pasting. His jealousy towards Optimus Prime which is at the root of his dislike for the Autobot leader and grudging respect is present alongside Grimock’s arrogance – Prime “was good but I’m the best”, he says.

As Grimlock transforming to T-Rex mode and takes full advantage of the Decepticons’ shock and disarray, Starscream still has the wherewithal to see the opportunity in the situation. With Megatron dead the path to leadership is finally open to him. He straps his former leader’s fusion cannon onto his own arm, and fakes being hurt, luring Grimlock closer and then at close range Starscream whips out the fusion cannon and blows a massive hole in Grimlock’s chest. He slips into darkness and voices…

Next it is Swoop’s turn to dream. He has Soundwave in his talons and parades his capture in front of the Autobots and Decepticons. Optimus Prime orders Swoop to release the prisoner but his age-old animosity towards Optimus won’t allow him to obey the request. His mistake is fatal, as Soundwave self-destructs to end his humiliation. Swoop is engulfed in a ball of flame.

Again, the voices continue… it is the outside world intruding on the dream.

Sludge charges through the jungle scape, he’s in Brontosaurus mode and in his element. He encounters Joy Meadows, the ‘shining’ human who nursed him through his illness, she’s come back to him. Joy hugs Sludge before ripping off her face to reveal a horrific robotic skeleton! Truly this is the stuff of nightmares and I reckon there’ll have been a few kids who got pretty freaked out at this point. Android Joy unleashes beams from her eyes that take down Sludge. The last thing he sees before the darkness is Megatron holding a remote control.

Snarl faces up to a bogeyman from his own past – the rogue battle droid Guardian. This time the other Autobots have fallen and only he can save the day. With a mighty whip of his tail, he beheads Guardian and pauses to savour the victory. He foolishly lets his guard down just long enough for the headless Guardian to get to his feet and pummel poor Snarl into unconsciousness!

Finally, Slag relives the confrontation with Shockwave at the Savage Land million years ago. In this version he runs the Decepticon, off a cliff, but in doing so lands in the swamp and is swallowed up by the darkness…

And back in the present, Optimus and Chief Medical Officer Ratchet survey the deactivated Dinobots in the Ark’s repair bay. The damage to their minds has been repaired but they remain comatose. Something is preventing the Dinobots from making the final leap and returning to consciousness. Prime orders Ratchet to make sure they survive – he needs the Dinobots in their fight against the Decepticons. As Prime departs, Ratchet surmises that his monstrous patients will need to take that final step themselves. And in their dream state the Dinobots go to war once more… they will have either victory or death.

Why can’t the Dinobots wake up? Could it be that for all their bravado and arrogance they are masking an insecurity and they don’t believe they can be winners? Perhaps this explains why in each dream they come close to victory, but their mind can’t quite accept it and throws a spanner in works. As we know they did wake eventually, in Second Generation (issue 65).

In summary, the story is undiminished nearly 35 years after it first appeared. It’s among Furman’s best works, perhaps because he’s writing about the Dinobots and Grimlock who he clearly has a lot of affection for, but also because it the pages are exploding with action. The device of dreams allows for stories where the usual limits don’t need to apply. Who could fail to be blown away by sight of Grimlock slicing Megatron in two, or Starscream exploding the Dinobot’s at close range? Grimlock’s sequence is the most attention grabbing, but the other Dinos meet their end in imaginative ways too.

And so we reach the end of 1986, a very fine year for the Transformers comic and enter 1987 full of excitement and expectation… and there’s lots more to come.

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To a Power Unknown

A prototype weapon designed to reverse the direction of missiles, causes a dramatic change in the Transformers’ personalities. Plus, other stories from the 1986 Transformers Annual.

Growing up in Britain in the 1980s, annual were a Christmas staple. These hardback books carried text and comic stories, posters, fact files, interviews, quizzes and anything and every else. All the popular TV shows of the day had an annual and I recall my bookshelf being stocked with Knight Rider, Buck Rogers, Roland Rat, Spider-Man… and of course The Transformers.

The first annual was released in 1985 and was pretty good, even if it jarred quite annoyingly with the comic continuity (the Plague of the Insecticons story being a case in point) and the 1986 book sets out to eclipse the previous years. Overall, it succeeds but mostly due to Simon Furman’s amazing Dinobot story Victory (which we’ll come to next) and text stories like State Games which aren’t too shabby either. The book is edited and compiled by Sheila Cranna who was the original editor of the UK Transformers comic. No offence to her, but I tend to think things really improved after she departed.

To a Power Unknown offers the intriguing concept of Evil Autobots and Heroic Decepticons long before the 2008 Shattered Glass story set in a parallel universe. The spectacle of a super polite Megatron and Shockwave complimenting the other’s leadership abilities is a hilarious moment but all in all the story is let down by poor execution, jarring dialogue and some questionable colouring (Seekers all being coloured like Starscream for example). The reversal of the Transformers personalities is well explained though by way of a computer virus that infiltrates and reprograms hardware.

The story is by the unfamiliar pairing of Ian Mennell and Wilf Prigmore with semi regular artist Will Simpson on pencil duty. I like Simpson’s work and he has some good moments here, like when Starscream is hit by Jazz’s missile in mid-air – and he draws a realistic Bet Lynch and Ken Barlow from Coronation Street in a bizarre sequence later in the story. Then there are the scenes in Pinewoodsville where Prowl appears in two places and you can make out Mirage’s back wheel but not what he’s doing, that are crammed and confusing.

The story begins with Optimus Prime thundering along a British motorway with several of his Autobots huddled in the trailer. For the explanation of why they are on the other side of the Atlantic, we’re shown a flashback to recent events where the Autobots were the honoured guests of the citizens of Pinewoodsville, USA. All had been going well until a freak malfunction caused the Autobots to attack the humans and one another. All the goodwill they had built up with the townsfolk evaporated. Once the madness passed, Optimus Prime had ordered Prowl, Jazz, Mirage and Sideswipe, to accompany him to Britain where the signal which altered their behaviour originated.

At the same time the Decepticons had also been affected. In their case the signal made them friendly and docile; they even started apologising to humans for trashing their town! Afterwards Megatron was furious and ordered his Decepticons to locate the ‘Autobot’ device that they thought must be responsible for the hack.

We learn that trigger for these personality changes is a top-secret prototype called PARD – the Purnel Auto-Reverse Defence system. It has been invented by one Professor Purnel to reprogram missiles and turn them against their sender. Its waves had literally covered the globe even being felt in the US. Purnel’s Nazi sounding assistant Zeke Heilmann turns out to be a spy who intends to steal the PARD technology.

Prime is injured by a direct hit from Starscream’s missile and is then attacked by his fellow Autobots as another wave from PARD hits them. After it wears off Starscream tries to press the advantage against the wounded Optimus, but his circuits are still scrambled and he starts picking up errant TV broadcasts, including Coronation Street (!!). This is an even weirder cameo than when Richard Branson featured in the TFUK story Salvage a couple of years later.

Jazz arrives at Purnel’s headquarters to find it on fire and Heilmann escaping with the computer core. He hops into Jazz, believing the Porsche to be a getaway vehicle supplied by his employers and is captured by Starscream. Jazz can’t allow the technology to fall into Decepticon hands, so he lobs a rocket at the Decepticon. Starscream transforms in mid-air, narrowly avoiding the heat seeker and Heilmann is blown up along with the computer chip.

Later the Autobots are driving home with the injured Optimus on their roofs. A passing family think Prime is an art sculpture until he waves at them!

The story shows that the Transformers are little more than machines that can be reprogrammed. It’s a serious vulnerability as super advanced robots should be easily capable of replicating anything the Professor has come up with and that’s a weakness of the story. This is also the first and only time we see the Autobots able to fly in their robot modes.

Also, in the annual is the text story The Beginning. Teenager Adam Reynolds tries to hack into Portland National Bank but instead accesses the Decepticon mainframe and uncovers a history of the Transformers war on Earth. It’s a more creative way than a straightforward ‘story so far’ and with a sting in the tail as Adam triggers a security protocol which sends one million volts coursing through his home PC, blowing it to bits!

The Return of the Transformers concerns Danny Philips, the boy rescued from an exploding bank by Inferno a year ago (that’s the same Inferno who isn’t destined to arrive on Earth for another two years in the main comic). He stumbles into a Decepticon-captured power plant and is rescued by Fireflight. Later, Superion demolishes his hotel to get to Starscream. The experience makes Danny realise that the Transformers are not the perfect beings he thought they were, and he throws his scrapbook about them into the sea. Superion as a liability has echoes of the Marvel US story Aerialbots Over America.

The third text story is State Games which is a nice prequel showing Megatron as a gladiator in the Cybertron province of Tarn. Sunstreaker is thrashed by him and is saved by another fighter, Optimus Prime. The games are a public distraction from a serious fuel shortage. However, war breaks out between rival cities. Optimus tries to get Overlord (who in this story is an ageing Autobot ex-ruler rather than a formidable Decepticon) and is guarded by Ravage and his brother Nightstalker. Nightstalker self-destructs when he comes under attack and Ravage switches sides to join Megatron’s new world order. As Megatron builds an army he is hailed, just as he was in the arena.

State Games is also a good read and fills in some of the back history to the civil war. It attempts to portray Megatron as more than a self-centred, power-hungry bully. He is a popular charismatic who’s able to sway hearts and minds and has a justification in trying to overthrow a corrupt and tired world order. In many ways this story is a precursor to 21st Century tales such as Eric Holmes’ 2007 Megatron Origin mini-series for IDW.

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The Gift

It’s the festive season but Jetfire is having trouble fitting in with the other Autobots and visits their human friend Buster Witwicky seeking advice.

As 1986 draws to a close, the Marvel UK Transformers comic sees the welcome return of James Hill for one of his rare appearances, standing in for regular writer Simon Furman. James bookends the year, having written the first story (Crisis of Command) and now the last, with The Gift. This is his second festive Transformers story, having penned the quintessential yuletide tale Christmas Breaker! the previous year, and his last story for the Marvel TF comic.

On art duties is Martin Griffiths, who is best known for his work of the Marvel UK Thundercats comic. Issue #93’s story is his only strip for Transformers UK, although he would later illustrate the cover for issues #103 and #143.

The first thing that strikes you about the comic is the Robin Smith cover. Rather than illustrating the story within, there’s a surprise appearance from Galvatron, exclaiming “I’ll be back!” while taking aim at a metallic looking Christmas fern. Those Terminator-style words are a hint of what’s to come if ever there was one. Naturally none of us will have thought we’d seen the last of Galvatron when he scuttled off back to his own time in issue #87, but to be talking about bringing him back already (barely five weeks later) feels like indecent haste. In fact, his actual return to the 1980s would be in issue #101 – and he’d be staying for good!

The issue’s Transformation page, complete with festive snow coating and Xmas wrapping, explains that the cover hint is part of the production team’s attempts at pulling out the stops to produce the ultimate Christmas present for their loyal readers. There’s also 20 of the Sunbow Transformers videos to be given away in a competition and an AtoZ entry (always appreciated) on Beachcomber and Blades.

The Gift is two mini-stories in one, knitted together through the device of Jetfire’s narration. It being almost Christmas, the small Oregon town of Portland is enjoying a coating of snow. Buster Witwicky is in his room weighed down with his college history project and wandering if future kids will be studying the Transformers war on earth.

The TV news details a recent incident at a chemical plant concerning the giant robots, and Buster hears a knocking at the window – it’s Jetfire.

Buster’s décor is a bit odd. There’s a banner up saying ‘Happy Christmas 86’ which I’m guessing can’t be used again, and a framed photo of a bare-chested guy (should Jessie be worried?) but it’s nice to see the scale of Transformers compared to humans, with Jetfire’s face filling the entire window frame. I also notice that Griffiths has a style of drawing circuitry within the mouths of his Transformers, giving them a more machine-like appearance than we see from many of his contemporaries.

Jetfire’s timing is not ideal as Buster has imminent exams to revise for. Nevertheless, it is clear he has come in need of advice that only the Autobots’ closest human ally can provide. He tells Buster he is feeling alienated from the other Autobots, because they are from Cybertron while he was created on Earth. He knows nothing of the Primal program and has never seen the celestial spires etc and come to that, he has never even been to the Transformers’ home planet. This seems immediately at odds with his mention of Basketrek games on Cybertron in his conversation with Donny Finkleberg recently (though a possible explanation is that Jetfire had been studying Cybertron culture to try to fit in).

He narrates a recent encounter with the Decepticons to illustrate his point. It had been just after the ‘business with Galvatron’ he says (suggesting that Buster in the loop about such things) and Wheeljack had been monitoring news bulletins. The Decepticons had taken control of a NASA facility and Prowl quickly suggested that he and the recently repaired Trailbreaker should slip past the police cordon and assess the situation. Prime accepted the plan requesting that Jetfire go as back-up. They came under attack from Dirge, Kickback and Soundwave, who were attempting to magnify the power of a NASA radio telescope to send another message to Cybertron.

The Insecticons and ‘coneheads’ Ramjet, Dirge and Thrust have only recently been introduced into the ranks of the Earth based Decepticons at this point, and their appearance here helps cement them as mainstay characters.

Jetfire had ignored Prowl’s orders to attack Soundwave and instead targeted Kickback, who promptly shrunk into insect mode and vanished, causing Jetfire to crash. Dirge took advantage of the calamity to topple Trailbreaker, scoop up Soundwave and escape. Jetfire claimed Prowl’s order had been drowned out by the noise of laser fire, but this was not true.

Buster listens to the story and reminds Jetfire that Prowl always overreacts. Jetfire expels a frustrated thud that shakes Buster’s house, a comical moment (and probably as well that Sparkplug is not around – he thinks the Autobots are trouble at the best of times).

Jetfire tells of another recent skirmish, this time involving himself and Jazz, another Target:2006 victim who has now recovered. They had been overseeing fuel production at a Blackrock chemical plant when Thrust and Bombshell attacked. The surprise left the two Autobots reeling, and as the base became a flaming battle zone G.B. Blackrock warned that toxic fumes could poison the area if the plant went up. Thousands might die! Jetfire saw red. He punched out Thrust (a cool moment) and blasted Bombshell. Then he jetted to a huge water tank, lifted it and threw it in the direction of the fire – using it to douse the flames. Buster is ecstatic to hear of his friend’s heroics!

Jetfire’s problem is that he reacts fine when humans are in danger but is not so capable when it comes to helping his fellow Autobots. He worries about being forced to choose between saving Autobots and humans. Buster reminds him that he is the first of a generation of Terran Transformers and it is natural that he should feel closer to Earth than the others. These words of comfort are his Christmas gift. As Buster returns to his revision, Jetfire sits outside the window and thinks things over, then smiles, transforms and takes to the sky.

And there we have it – another nice Christmas tales which ties up some of the loose ends of Target:2006 but of no major significance to the ongoing story. A festive Robo Capers finishes off the Xmas edition and then there’s a look ahead to the new year and the continuation of Circuit Breaker’s vendetta. But first, the 1986 Transformers Annual.

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Heavy Traffic!

This 1986 Marvel classic sees the Stunticons take to the road and do battle as Menasor with the Aerialbot combined form, Superion – with Circuit Breaker in the mix, hunting down Transformers for her trophy wall.

December 1986. The Marvel Transformers comic enters the final furlong of a remarkable year where it has grown in confidence and reputation thanks to stunning original material like Target 2006. And at the same time fans are being to be blown away by Transformers the Movie – which opened in the UK 12th December. It was the first big screen outing for the franchise and after 35 years is in my opinion still the best.

To mark the occasion, Grimlock’s regular letters page is dropped for issue #91 with him reviewing the Movie instead, LOL. His verdict: “Kids – let’s not mince words… this movie’s utterly, utterly brilliant!”

Transformers #91 & #92 features the Marvel US story Heavy Traffic! Writer Bob Budiansky properly reintroduces Circuit Breaker as an existential threat and provides a neat debut for Stunticons. I should declare an interest; Motormaster was the first Special Team toy I bought back in the day and the Stunticons have always been personal favourites. It’s great to see them finally taking to the road, rather than as a Matrix-induced dream (see issues 63-65).

Equally brilliant is the long-awaited return of Blaster and the rest of the ‘Cybertron Seven’ – though its fair to say they’ve seen better days. The story begins with the unsuspecting septet examining military vehicles for signs of sentient life. It’s that favourite old stich about Transformers not recognising organics and mistaking vehicles as Earth’s dominant species. The Ark’s computer core AUNTIE made the same error after it awoke in 1984 of course, but you’d like to think Cybertron has encountered many diverse worlds during its four million years traversing the stars – surely Transformers would have encountered organic life in that time? Or perhaps Blaster and company were holed up in their resistance cell throughout?

The account of what proceeded their arrival on Earth via the Space Bridge in issue #69 is revealed by Circuit Breaker in a briefing to her government sponsor, Walter Barnett of Triple I. She’s been hired to head-up a crack squad called RAAT (short for Rapid Anti-robot Assault Team). This must be the least comfortable team acronym to work under since Richard Nixon’s Committee to RE-Elect the President (CREEP) and the boss is just a tad obsessive about her work!

She tells Barnett the robots were ‘moments away from crushing’ the vehicles before RAAT intervened. Even he can see that isn’t the case but probably realises that CB has a major mental blackspot where Transformers are concerned. RAAT helicopters and released electrical foil above the Autobots which disrupted their circuits, allowing troops to abseil down and affix a pad on to each robot’s head. Circuit Breaker then personally intervened, unleashing 300,000 volts upon the disorientated Cybertron Seven and rendering them inoperative. After loading them on to flatbed trucks they were on their way to RAAT headquarters, all in 46 minutes!

Barnett thinks the use of force may have been unnecessary but the results speak for themselves. How would Circuit Breaker appreciate a cash bonus, he asks? Naturally, she’s appalled – money is certainly not her motivator, she lives for the destruction of all robots! Though you have to wonder how she earns money for her food and board when not working as a government hired gun.

As she departs to continue her work, she passes the mounted faces of the Cybertron seven – a grim reminder of her personal vendetta against Transformers.

A world away at the Ark, Ratchet treats Optimus Prime for an open wound he sustained in the Limbo dimension (see issue 100). Unknown to the pair the tiny insect form of Bombshell is watching (having sneaked into the Ark on Silverbolt’s wing last issue). He sees Prime’s wound as the perfect opportunity to plant one of his mind-controlling ‘cerebro shells’ and manoeuvres unnoticed. The shell makes its way up to Prime’s brain module and takes root – but for some unexplained reason it fails to take control and can only monitor the Autobot leader’s thoughts.

With his wound repaired, Prime heads to Wheeljack’s lab where the technician is fitting a chemical tracker to Skids. The device will allow him to follow the fuel trail left behind by Blaster, and hopefully lead to the Cybertron Seven. It’s interesting to see how Prime and the Autobots have nearly as much disdain for Donny Finkleberg (the human who supplied the intel) as his former Decepticon captors. Perhaps that’s understandable given that Donny was ‘Robot Master’ a Decepticon stooge for several weeks/months. Optimus will know that Megatron is easily capable of coercing a human, so the Autobots’ mistrust of Donny probably runs a little deeper. They’ve concluded he’s a greedy weasel who would sell his granny for a Walter Barnett $25,000 cheque. This being the case, what happens later with Skids trusting Donny makes little sense.

As it happens, Donny is carrying one of those Triple I cheques in his wallet. All the Autobots have to do is hold on to that to secure his cooperation. So Prime assigns Donny to accompany Skids to track down the Cybertron seven. Bombshell uses the opportunity to plant a homing device inside Donny’s wallet, hoping to lead the Decepticons to him.

Skids and Donny depart and Prime turns his attention to the Aerialbots. Following the near disaster at Hoover Dam their minds have been blanked, ready to be reprogrammed and given life by Prime’s Creation Matrix. Unbeknown to the Autobot leader, Soundwave is eavesdropping via Bombshell’s cerebro shell and the Decepticons are ready to steal away the Matrix when it is released. It’s the Transformer equivalent of piggy backing on to a neighbour’s unsecured WIFI signal perhaps?

Since the opportunity for the Decepticons to ‘hack the Matrix’ was entirely fortuitous and unexpected, it’s rather difficult to believe (as readers of the US comics are expected to) that the Decepticons were able to rapidly engineer the five Stunticon bodies, program them and design their combination ability in the short time between Prime instructing Wheeljack to prepare the Aerialbots for Matrixing and him actually carrying out the action. In the UK continuity this makes a little more sense, as the Decepticons had also been privy to Buster’s dream and had time to begin constructing their Special Teams.

Meanwhile, Skids has a fix on the Cybertron Autobots but is forced into an impromptu rescue when a woman careers off the road in the rain and crashes into an electric pylon. Skids transforms and goes to her aid – leaving Donny to whine about getting soaked. His noble act makes the TV news and is seen by Walter Barnett, who starts to believe there could be some truth in the theory that not all robots are evil, and Circuit Breaker who decides there’s another robot loose that she has to hunt down! Megatron has also been watching the tele and sends the Stunticons to rendezvous with Skids and undo his good work.

Skids succumbs to Donny’s weary protests that he needs to stop at a motel and sleep. They find a suitable establishment and the Autobot, very unwisely asks Donny to press his ‘shutdown button’ that puts Skids in his own recharging mode. The off switch is a very suspect idea and it appears that Skids cannot activate it himself. When morning comes, the Stunticons are quietly waiting in vehicle modes at the motel car park.

Skids and Donny resume their journey and spot a commotion in the rear mirror. It’s Motormaster taking road rage to new levels by ramming cars aide and telling the traffic to ‘get out of the way or die’ – ha!

Issue #92, which carries the second part, continues the Transformers the Movie love-in with a full page advert for the film’s (excellent) soundtrack and a reader offer to win copies of the album if you can answer such questions as who Megatron is transformed into and the Mr Spock actor who provides a voiceover! Grim Grams also plugs the film fairly remorselessly but what caught my eye was the reply to one Michael Blagg of Blackpool. He’s told in reply to comments about the Wreckers, that Impactor can switch his right arm for a variety of weapons – the harpoon being his favourite. That sounds an awful lot like the Death’s Head character which Furman would be introducing around 20 issues after this one.

But getting back to the story… as the Stunticons transform and close in on Skids, they come under attack from RAAT helicopters who deploy their electrical interference foil. Deadend considers the human attack beneath their notice, but Motormaster is more canny and warns his men never to underestimate an enemy.

Deadend promptly disperses the foil using his compressed air gun and Breakdown blasts one of the choppers out of the sky (presumably with the four abseiling RAAT troopers meeting a sticky end?).

Circuit Breaker realises that this group of robots are far more aggressive than the last and unleashes on Dragstrip and Wildrider. It’s one of the rare occasions she attacks Decepticons! Motormaster (got to love him) uses his huge sword as a golf club to swipe the cab clean off a truck and send it skywards into Circuit Breaker, who hovers back to the ground. It’s a cool moment and at this point I’m practically rooting for the Stunticons, since CB is such a pain in the rear end and is finally getting what she deserves!

Donny runs over to see if CB is okay. Their exchange, with him saying “they must be paying you a ton” and her reply, speaks volumes about the characters and motives. Barnett also arrives to confront Donny – they have a lot to discuss! To be fair to Donny he does his best to defend Skids and the arriving Aerialbots, even succeeding in persuading Barnett. Then the Stunticons surround Skids and pretend to protect him. This Decepticon trick appears to work as both Circuit Breaker and Barnett now accuse Donny of being in league with the bad robots and CB goes to re-join the fight.

At last the moment arrives that fans have been waiting for, as the two teams combine into Superion and Menasor respectively. The behemoths square off. Menasor uses a section of flyover as a shield and Superion shattering it with a single punch. They seem pretty evenly matched, until Circuit Breaker flies alongside Superion’s head and unleashes a mighty burst of electricity, stunning the Autobot and allowing Menasor to steal the advantage and blast Superion at close range. He falls and Menasor hails his victory, moving to crush the weakened Circuit Breaker.

Barnett, in an amazing display of strength it has to be said, clings to a rope dangled from a RAAT chopper and swings into action, rescuing CB in mid-air from Menasor’s clenching fist. In the distraction, Skids and Donny flee the scene. There’s nothing they can do to help Superion.

Later that night, Donny puts Skids to bed via his deactivation button, and goes into a motel. He places a call to Walter Barnett… asking how much a Transformer would be worth to him, no fuss, sleeping like a baby. It is the quickest 50 grand he has ever made!

I’m tempted to say ‘what a creep’ but Donny is not all bad, just weak. His desire to get out of the situation financial enhanced gets the better of him and he takes advantage of Skids’ trusting nature. The Cybertron Seven captured, plus the Aerialbots and shortly Skids. Things are not looking good for the Autobots at this point.

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Aerialbots Over America!

The Aerialbots take to the skies in their debut-proper, but after the heady heights of Target: 2006 the UK comic is back to Earth with a bump in this largely run-of-the-mill tale from over the pond.

Target: 2006 was such a blockbuster that whatever followed was always likely to feel second best, and that’s the case with Aerialbots Over America. Written by US mainstay Bob Budiansky and published in October 1986 (the UK reprint coming out in the November) it is an okayish story that has some good moments, but which mostly fails to ignite. The story is really a vehicle to introduce recent Hasbro toy releases into the comic – so we get the Insecticons, Ramjet, Dirge and Thrust embedded within the ranks of the Earth-based Decepticons at last, and of course the launch of the Autobots’ first combiner team, the Aerialbots.

Surprisingly enough, the Insecticons play almost as large a role in the story as the titular Aerialbots. As this issue begins, Bombshell is in his tiny insect form, perched on a leaf and watching his human target Ricky Vasquez. It feels like he’s finally in his proper element – there being no insects on Cybertron (that we’re aware of) the Insecticons were literally made for an Earth existence.

Budiansky regularly grounds his Transformers with a human character. Ricky, our guest this issue, is a devoted family man – husband to Carmen and dad to little Maria, who he promises to take to fourth of July celebrations on his return from work. It’s his job that makes him of interest to the Decepticons – he’s assistant chief-engineer at Hoover Dam, the huge facility in Nevada which provides electricity to 20 million Americans. To the bad guys, it’s a source of energy which they can use to replenish stocks on Cybertron.

Bombshell injects Ricky with one of his mind-controlling ‘Cerebral Shells’ which quickly takes root in his brain and renders him a helpless puppet of the Decepticons. He turns his car off the main highway and on to a desolate dirt road, where Megatron and the other Insecticons (Kickback and Shrapnel) are waiting. Bombshell demonstrates the effectiveness of his shells by sadistically making Ricky remove a grease spot from his foot with his tongue.

Shortly afterwards, Ricky is strolling past Dam security zombielike as a jolly cop wishes him a happy fourth of July. This guy should have gone to Specsavers, as he completely misses the stonking great gun (Megatron in his gun mode) that Ricky is casually carrying. And minutes later they’re in the control room and Ricky is holding the staff hostage, demanding the dam be switched off!

At this point it might be worth mentioning the strange chronology of this story. Though published in October 1986 its set on American Independence Day in July, which means that all of the stories that have taken place previously that year (from the crisis of command to the Dinobot Hunt, the advent of the Special Teams, Megatron’s return, Target: 2006 and more…) all of it would have had to have happened in the first six months of the year!

And since we’re practically at Christmas, we’re meant to believe that nothing whatever of note is occurring in the second half of the year. It’s a jarring discrepancy and I can’t help thinking that Bob should have set this story at Thanksgiving in November where the timing would have made more sense, but he probably didn’t anyone who notice or care too much.

Meanwhile, Skids has returned to the Ark (having been lost for dead as far as the Autobots were concerned) and bringing with him Donny Finkleberg, aka Robot Master. Ratchet is on unusually cantankerous form for him. He’s repairing a wound Optimus Prime picked up in the Limbo dimension during Target: 2006 (though in the US continuity it was inflicted by a huge swinging axe during the Autobot assault on the Decepticon base) and is concerned about a human perspiring and causing a rust infection. I’m amused by his offer to perform a little surgery on the untrustworthy Donny to get the truth out of him about his claim of seven Autobots having travelled across the Decepticon space bridge. Instead, Prime assigns Jetfire to escort Donny to the location.

Bumblebee notifies Optimus of the siege underway at Hoover Dam. On hearing this, Prime postpones repairs and rushes outside where Wheeljack is testing the five newly constructed Aerialbots. They are now instilled with life, but only Silverbolt has been properly programmed. Their lack of battle readiness is a worry, particularly as Prime is convinced that the Decepticons are involved in the Dam siege but dispatches the Aerialbots anyway with instructions to thwart the enemy plan and defend human life.

Back at the Dam a large police presence and the media have assembled. The gunman is soon identified as Ricky and his family (now at the scene) can only watch in horror. Within moments the space bridge materialises and Ramjet, Dirge and Thrust – fly out and transform. A giant drill follows in their wake and begins to grind away at the Dam’s cement exterior…

The second half begins with Jetfire soaring above the Columbia river gorge with Donny Finkleberg onboard. They are right above where the seven Autobots arrived but there’s no sign of anyone. Jetfire transforms in mid-air and catches the screaming Donny as he falls, noting that humans don’t bounce particularly well. Jetfire’s refers to the Cybertron sport ‘Basketrek’ that they used to play but of course he has never been to Transformers’ home world as he was created on Earth! Perhaps he’s been studying his heritage or didn’t want to let on to Donny about his origins. It seems neither Autobot nor Decepticon has much regard for Mr Finkleberg, or trust.

However, Jetfire does find a puddle of fuel which suggests that Transformers have been in this region, and one of them was leaking! This is of course the gaping leg wound Blaster received when he took a blow from Lord Straxus’ axe in their fateful battle. More on the Cybertron Seven shortly…

The Aerialbots’ arrival at Hoover Dam is announced by the TV reporter at the scene, as clearly not the US Air Force as they are led by an SST (supersonic transport)! This gives Ramjet, Dirge and Thrust an opportunity to showcase their abilities to the reader. Thrust uses his engine roar to deafen Skydive and play havoc with his internal systems, forcing him to land. Ramjet crashes head-first into Slingshot and Dirge fires missiles at Fireflight – they miss the target but reign rocks and debris on to the crowd below. Silverbolt, uniquely, recognises the danger and orders Fireflight to stop the rocks (which he does by melting them) but clearly the rest of the team’s incomplete programming is rendering them a liability to the humans. In fact, Dirge congratulates his opponent on his disregard for the humans who “get in the way”, and taps into Silverbolt’s hidden fear of heights, causing the Aerialbot leader to panic and dive for the ground. So far, the team’s debut is far from successful.

Megatron orders the Insecticons to assist their Decepticon comrades outside. We learn that they are intent on transferring water to Cybertron to ‘generate enough energy to power the planet for years. A human hostage protests that the missing water would devastate the American Southwest, but as far as Megatron is concerned, all of Earth will be a wasteland once he’s finished any way! Ricky’s subconscious starts to struggle against the shell’s effects.

Outside, Thrust and Dirge congratulate themselves on a job well done, when Air Raid dives between them and transforms. He shoots Ramjet’s fuselage severely damaging him, as Kickback sneaks up in insect mode and gives the Aerialbot a massive wallop! In order to save the dam, the Aerialbots combine into their eight-storey sized alter-ego, Superion and begin to demolish the drill. Ricky arrives, holding Megatron, who orders him to fire upon the giant Autobot. (It always surprises me that Megatron needs someone to pull his own trigger!)

Superion notices the threat and manoeuvres a giant hand to crush Ricky! The part of their unified mind that is Silverbolt protests, and for a moment Ricky and Superion are frozen as they fight the confusion within their minds. Suddenly, young Maria Vasquez, Ricky’s daughter, runs from the crowd calling out to her father. Ricky overpowers the shell controlling him and blasts the drill instead. The space bridge instantly begins to dematerialise back to Cybertron, while Megatron retreats with all but one of his Decepticons.

As the Aerialbots return to the Ark, Silverbolt thinks the mission went well all things considered: the drill was destroyed, and despite Superion’s problems, the humans they sought to protect were saved. He doesn’t realise that Bombshell is secretly stowing away on his wing for a free ride into the Autobot base! Ricky, meanwhile, apologises to his daughter about being unable to take her to the fireworks, but she does not mind – she’s seen enough of those today.

Finally, what about the Cybertron Seven? This issue’s epilogue holds the answers to that long-running question. We see flatbed trucks arrive at a disused aircraft hangar in New Jersey that is serving as the secret headquarters of RAAT (Rapid Anti-robot Assault Team) – a creature of the United States government. Seven cargoes are quickly unloaded and uncovered to reveal the deactivated Cybertron Seven. Each Autobot is placed under precision machinery and has its face plating removed and mounted on to the hanger wall, as hunting trophies! A RAAT worker announces to his boss that this is the ‘last of the heads’ and she corrects him – this is only the beginning, so swears Circuit Breaker!! RAAT are set to be a major thorn in the side of the Transformers but – as we soon see – they seem to have an annoying habit of only attacking the Autobots!

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Target: 2006 (Part 9 & Epilogue)

Simon Furman’s Transformers masterpiece reaches its dramatic conclusion – will Galvatron return to the future defeated or as master of all he surveys? And tragedy strikes on Cybertron as Operation: Volcano begins without Magnus.

Simon Furman has written some great Transformers stories during his now 35-year association with the franchise, but I think Target: 2006 may still be his finest. Whether he would agree with that, or prefer more recognition to be afforded to his later works is something I’d like to ask him one day.

One thing that is apparent to me on re-reading issues #87 and #88 of Marvel UK Transformers, is that here we have a writer and a title that are at the top of their game and riding the crest of a wave. November 1986 was a fortnight before the release of that other classic Transformers: The Movie and so these were truly halcyon days for the TF fans in the UK. Issue #87’s Transformation page references the Movie, apologising for the delayed release but promising fans that it would be worth the extra two week wait: “We’ve seen the movie, so take it from us – it’s absolutely superb!” It sure was (and still is).

As warm-up acts for a film go, they don’t come much better or more epic than Target: 2006. So far we’ve seen the Autobots rendered leaderless and in disarray, the arrival from the future of Galvatron, his incredible origin, the Autobots’ crack commandos the Wreckers in action, Autobot Triple Changers, the zombification of Jazz, Magnus versus Galvatron, the return of Starscream and the debut of Kup, Hot Rod and Blurr! Phew! That’s really some list, and the action isn’t over yet.

The story picks up where the previous issue left off, with Galvatron having defeated Ultra Magnus, the last foe standing in his way. Little did he realise that while he was beating-up on poor Magnus, the three future Autobots were rigging up a little show for him back at his solar weapon.

The opening is narrated in film vernacular, with the set, the make-up, special effects, props and support cast. The make-up part is certainly interesting – we see Hot Rod spraying Skywarp in the colours of Starscream. The effects they deploy are evidently explosives, and the real Starscream (knocked out by Galvatron two issues previous) is dragged out of sight. Likewise, Cyclonus and Scourge and rendered unconscious by the fists of these Autobots. This, however, feels a little incongruent, as a few issues ago we saw Galvatron’s henchmen best a whole legion of Autobots and heard the boast that even 100 foes could not defeat them. Suddenly they are looking a bit ordinary. Perhaps the trio have been augmented for this mission by a higher power?!! See later, for who’s pulling their strings.

Galvatron returns, dragging a defeated and pathetic looking Magnus with him. Finding his deputies out cold and realising that Megatron and Soundwave are still unconscious, he figures it must be the work of Starscream. This of course is exactly what the future Autobots want him to think, but surely Galvatron should be asking himself how a lone Decepticon seeker could do this? After all he said 100 Autobots could not best Cyclonus and Scourge.

A quick recap of what’s at stake for Magnus (time is running out for him to get back to Cybertron) and he musters just enough energy to rugby tackle Galvatron. He is easily batted off, and Galvatron appears to contemplate destroying Magnus, regardless of any damaging effects to the timeline, when Jetfire, Brawn, Smokescreen and Tracks arrive for a last ditch attempt at stopping him. Earlier we’d seen Jetfire conceding that they (and he) are out of their depth against Galvatron. Poor Jetfire – he’s been a woeful stand-in commander. Though brave, his inexperience and hot headedness counted against him massively. He rushed into battle underprepared and was humiliated. It took their arch enemy Megatron to organise the ‘rabble’ so that they could capture Scourge, and then Jetfire was outsmarted by Galvatron at the prisoner exchange. Could it be though, that in realising he was wrong (in his approach and about Magnus) Jetfire is starting to learn the lessons and from defeat comes maturity?

Luckily for Jetfire and his three colleagues, Galvatron has no time to destroy them. Kup triggers the explosives and the solar weapon blows, burying all and sundry. Finally, when Galvatron emerges, mad as hell, he’s confronted by Starscream in all his arrogance. Galvatron lets rip, blowing Starscream to pieces! Now here’s the fascinating bit. He concludes that as Starscream is essential to his becoming Galvatron in 2006, by rights he should now cease to exist. The fact he is still there, suggests to Galvatron that he probably created (or ended up) in a parallel universe when he time travelled, and therefore he cannot affect change in the 2006 he originated from. So, Galvatron gathers up his lieutenants and leaves. I love the parting narration that ‘he knows he has all the time in the world’. Very apt.

A couple of things puzzle me though. Why would Galvatron expect to return to the dimension where he started, rather than arrive 20 years into the future of his current reality? And why assume Starscream was dead for good? Transformers can be blown to bits and repaired. In fact I think Skywarp even makes reappears in a later story. The disintegration ray Galvatron hit Starscream with in the Movie was of course far more conclusive! Again, in telling us that Screamer is destined to die at Galvatron’s hands, here’s Target: 2006 offering us a nugget from the Movie plot and whetting the appetites of the fans still further.

Any readers who are sorry to see the back of Galvatron can take ample consolation from the New Leaders fact file on their favourite villain on page 14 which describes him as ‘invulnerable to injury and even less subject to emotion or decency’ (not that he suffered from these things much as Megatron of course!). The Grim Grams page also has some decent hints as to upcoming stories, with the Predacons due to debut, the Swoop/Divebomb rivalry and a suggestion that we’ll get to see where Prime, Shockwave and the others were displaced to.

With Galvatron now having exited the stage, there is the question of whether final instalment of Target: 2006 will be something of a damp squib. As we’ll see however, Mr Furman is not done with twists and turns.

Issue #88 immediately wows with a fantastic cover by Geoff Senior featuring the exciting new Autobot Triple Changers – Broadside, Springer and Sandstorm – ready for action. ‘Volcano erupts without Magnus, but maybe it doesn’t matter’ reads the cover blurb. It certainly looks like we’re in for an epic conclusion.

And then the next surprise… our narrator for opening part of the issue is none other than Unicron himself! Now that is truly epic! I love how his speech bubbles have an uneven red border, making them feel echoing and menacing. Unicron surveys the wreckage of his “puppet’s” solar weapon and he is content. We cut to Galvatron in 2006 writhing in pain, being taught another lesson by his master. He had underestimated Galvatron, not realising until it was too late, that his creation had fled into the past to plot against him. But Unicron had enlisted Hot Rod, Kup and Blurr as his agents – exercising a subliminal control over their minds and sending them after Galvatron and co. to thwart their plan. Later, he is able to return the trio to their place of origin, removing all knowledge of what they’ve done. Thus, everyone is reintegrated into their proper place in the Transformers: The Movie storyline.

Much later of course, once Simon Furman had got hold of the reins of Marvel’s American Transformers comic (the parent continuity) he decided to part ways with the Movie timeline altogether and have Unicron attack in 1990. There’s no real explanation for the timeline divergence, but is it possible Unicron used his three Autobot agents to send a message to his 1986 counterpart, advising that Unicron of the location of Cybertron? This could explain how he arrived fifteen or sixteen years early. But most likely the explanation was that the Movie took place in one of many possible futures.

Anyway, going back to the story… after putting Starscream into cold storage (where he’ll stay for another year) the future Autobots also returned to 2006 and Unicron indulged himself by planting a thought in Smokescreen’s mind, that the site of Galvatron’s weapon would make an excellent location for the first Autobot City on Earth! One assumes that’s exactly what happens, circa 2003. The thing is, if Galvatron’s plan had worked, it’s difficult to see how he could have buried the weapon beneath the city without it being detected by the Autobots during the city’s construction. It’s a minor nit-pick and not to detract from what is overall a great storyline.

Just as Ultra Magnus has finally earned the trust and respect of the earth based Autobots, its time for him to return to Cybertron (via a portal) as Operation: Volcano is under way. Magnus’ parting wish, that he should one day fight side-by-side with Optimus Prime is a mouth-watering prospect, and happily one that will come to pass in issue #103.

On Cybertron, Emirate Xaaron stands before twenty-two Autobot resistance leaders, or rather facsimile constructs. Kickback watches from a vantage point and returns to base to report that they have an unprecedented opportunity to wipe out the Autobot high command. Soon enough, Dirge, Ramjet and Thrust, the Insecticons, Triple Changers and a never-before-seen nasty opportunist type called Macabre are on the march. The latter is particularly keen to slay Xaaron rather than follow the plan to capture him alive, as he sees Xaaron as his ticket to the big leagues. It’s almost something Starscream would do.

However, the plan rapidly falls apart when, on Earth, Laserbeak succeeds in freeing Megatron from the wreckage of Galvatron’s weapon, and the Decepticon leader issues a summons for the Insecticons and coneheads to reinforce him on Earth. None of them dare disobey and so they break off their ambush. That is, all apart from Macabre, who continues, determined to take out Xaaron.

And so, the final twist in the tale… as Impactor breaks the news to Xaaron that Volcano has failed to erupt, Macabre opens fire from the side lines using a huge blaster. Impactor throws Xaaron clear and takes the blast himself. He passes the mantle of the Wreckers’ leadership to Springer before dying a heroes’ death. The Autobots cut down Macabre with multiple blasts. Once again, characters who are not part of the toy line are doomed to die, such is the way of things in TF! Still, for a throwaway character, Impactor made a hell of an impression on the fans and would return (albeit as a zombie) a couple of years later, and then in his full glory in the 2010 IDW story ‘Last Stand of the Wreckers’.

At last, Optimus Prime is back (and we have missed him) but once again the Autobots are counting the cost of a Decepticon victory. Jazz, Grapple and Trailbreaker are the latest casualties, while the others bear the psychological scars. Having once again survived a brush with destruction, Prime is certain they can pull together and prevail.

Thus, ends Target: 2006, a Transformers epic that spanned two worlds and two eras, tying into the amazing Transformers: The Movie. Like the movie itself it has stood the test of time and rightly deserves to be called a classic.

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Target: 2006 (Parts 7 & 8)

As Simon Furman’s future epic builds to its crescendo, there’s further humiliation for the leaderless Autobots, Starscream switches sides and Galvatron and Ultra Magnus do battle.

I’ve lost track of the amount of money I’ve spent on comics over the years. As a schoolboy in the 1980s, cycling to my newsagent to pick up the latest issue of Marvel UK’s flagship title, The Transformers, was a weekly ritual. I certainly parted with quite a lot of 30ps back in the day.

Re-reading those stories three and a half decades later, I’m often struck by how well they endure – and Target: 2006 is a real case in point. These issues are every bit as good now as they were then, and I’ve had literally decades of enjoyment from them. Not a bad return for my money I reckon.

The first thing you notice about Transformers #85 (cover date 1st Nov ’86) is Robin Smith’s cover and the strapline ‘Galvatron’s Autobot zombie’. It depicts events from the story with a mindless Jazz beating up on his comrades, Smokescreen and Tracks. Usually, the comic’s loyal readers would have a fair idea of what to expect, thanks to the Next Week/coming attractions teaser (much beloved of this reviewer) on the penultimate page of each issue. We’d been led to believe that this issue’s main event would be Starscream joining Team Galvatron, so the shocking fate of Jazz was, well that, shocking. Once again Simon Furman shows himself to be more than capable of weaving a tale that is full of unexpected twists.

Another unforeseen turn of events occurs at the start of the issue. The Decepticons’ original star-ship, long forgotten by writers and the fans, which was used to pursue the Ark four million years ago, makes a surprise reappearance. Not for long mind, as it is very quickly blown to smithereens as a demonstration of the destructive power of Galvatron’s solar weapon.

Simon must have felt on safe grounds to dispense with it, as Bob Budiansky, writing the master narrative in the US had never revisited the ship and it was a fair bet he wouldn’t in future. Despite being in Earth orbit for millions of years, the ship has been conveniently shielded from sensors. With its spectacular demise, Galvatron is content. Once the weapon has recharged, he will return to 2006 and use it against his actual intended target, his master Unicron.

First there are loose ends to tie up, namely recovering Scourge from Autobot captivity. For this task Galvatron has accepted the services of the treacherous opportunist Starscream, who joins him now. He’s clearly uncomfortable in the presence of Cyclonus who roughed Starscream up off camera a couple of issues ago, but Galvatron is much more cordial and welcoming. As Starscream jets away, eager to serve his new master, Galvatron and Cyclonus share a joke at his expense – thanks to them, in 2006 Starscream “has no future”!

As fans now know, Starscream is destined to be reduced to ash by Galvatron during the Transformers Movie. But in November 1986 the film was still a couple of weeks away from it’s release. Target: 2006 is doing a great job of building anticipation for the big screen event, that’s for sure.

As prominent as Galvatron has been in the story so far, we’ve seen significantly less of his fellow ‘new leader’ and counterpart Ultra Magnus. The mighty Autobot has been spending his time trying and failing to recover Optimus Prime from wherever he ended up. Now he’s finally about to get a break Hotrod, Kup and Blurr, the newest refugees from the future, arrive with the vital answers Magnus needs. It’s a favourite scene of mine – with Hot Rod kneeling in tribute to Magnus as a Matrix holder, only to get a whispered reminder from Kup that “he hasn’t got it yet” (another hint of future events there) and Kup’s brilliant description of Blurr as “fidgeting like there’s about nine different places he wants to be”. The Movie really illustrates that well.

Galvatron personally oversees the prisoner exchange, handing a battered and unconscious Jazz over to Jetfire, Smokescreen, Tracks and Brawn, while receiving Scourge whose arms and legs are manacled behind his back – it sure doesn’t look comfortable. The Autobots under Jetfire have repeatedly underestimated Galvatron and now do so again. The Decepticon produces a remote control and activates Jazz, who immediately launches a savage attack on his comrades, who of course are completely taken by surprise and unwilling to use deadly force. The result is that all four are quickly defeated.

Megatron, meanwhile, has used the opportunity of Galvatron’s absence to get close solar weapon. He gets mugged by Cyclonus who starts throttling him, but when Soundwave uses the butt of his concussion blaster to clonk Cyclonus over the head, it provides the distraction Megatron needs to punch his lights out. This is about right I think – for all his Unicron enhanced power, Cyclonus should not be in the same league as Megatron in power terms, and of course in much later issues he’s quite a bit weaker. At this moment in the comic he’s still able to strangle Megatron, which is a pretty major statement.

Also punching above his weight is Starscream. He ambushes Megatron and Soundwave, cutting them down with two sudden and powerful blasts. He’s about to finish Megatron off when Galvatron arrives and punches Starscream’s lights out. Phew! It’s all happening in this instalment.

But while all of this has been going on, Magnus has been learning from Kup that when a Transformer time-jumps, they lock on to beings of a comparable mass in their target year and displace them to a limbo between dimensions. The mystery of Prime, Prowl and Ratchet’s disappearance is finally solved. Kup is about to explain more when Magnus high-tails it away to confront Galvatron – and so the issue ends with the mouth-watering prospect of the new leaders doing battle. It’s been eagerly awaited!

Onwards to Part 8 of Target: 2006, published in #86 of Transformers UK. The cover’s strapline declares, ‘it’s crunch time’ and that certainly sums up the situation. Geoff Senior’s splash page of Galvatron riding atop of Magnus is breathtakingly brilliant and is the iconic image that encapsulates Target: 2006 more than any other. I also love how much Magnus in truck mode so closely resembles Optimus Prime (no surprise as the Magnus toy is a remake and enhancement of Optimus) but as the stand-in leader it’s fitting.

Furman opens with a recap of Galvatron’s triumphs – the assembly of the solar weapon and the fall of his enemies. The mindless Jazz standing among the bodies of his comrades is such a powerful image, as is the acid injury to Trailbreaker. Grapple, you imagine, would have recovered and been back on his feet quite quickly if Ratchet had been there.

Magnus thunders down the highway, sending cars swerving and crashing as Galvatron hangs on to him for dear life (or perhaps sheer fury). Magnus cuts through the divider and heads on to an overpass that is in mid construction. At the last moment he slams on the brakes and sends Galvatron flying off the bridge. He plummets to the ground and his impact with concrete can almost be felt by the reader! Senior is doing a fantastic job of capturing the drama.

Of course, 11 pages of fighting would be difficult to sustain, and would probably be a fast read. So, I’m grateful to Furman for the flashback which explains the difference between Magnus’ arrival at the end of the previous issue and their presence on the freeway.

We learn that Magnus had confronted Galvatron in order force him to return to the future. Critically, he cannot allow Galvatron to die in case this should prevent the return of Optimus Prime, so he’s already fighting with a handicap. Galvatron, as we saw, had reacted with fury at Magnus’ imposition and had opened fire, leaving a hole in his weapon. He had leapt on to Magnus and been kicked away, crashing into the solar laser and breaking off more components.  Though Magnus had given a fair account of himself, it was clear that Galvatron is the tougher opponent (and certainly the more unhinged).

Magnus had received an internal communication from Kup, asking him to buy some time by getting Galvatron clear of the solar weapon. He had transformed and begun to drive off only for Galvatron to dig his fingers into Magnus’ steel skin and thus the events which opened the story came to pass.

Back to present, and Galvatron recovers. In an instant he disintegrates the motorway floor under the daydreaming Magnus and causes him to fall to the ground also. He lands smack back in the firing line of Galvatron’s cannon mode. Magnus leapfrogs the blast but is knocked aside. He throws a petrol tanker in Galvatron’s direction, which the Decepticon destroys and engulfs both Transformers in a terrible inferno. Further explosions follow until finally a victor emerges from the conflagration… and it is Galvatron!

The end? Well not quite. Magnus is down but not yet out, though it certainly looks like Galvatron is the conqueror at the end of this issue. To be fair, it would have made a lousy cliff hanger to have the good guy win. And so, the tension continues into the penultimate instalment next issue. Target: 2006 has been amazing so far and is building to its stunning conclusion.

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Target: 2006 (Parts 5 & 6)

Simon Furman’s masterpiece Target: 2006 enters its second half with revelations about the origins of Galvatron and more arrivals from the future.

The Devil You Know. It’s the sub-title of part 5 Target: 2006 – Simon Furman’s epic Transformers the Movie tie-in, published in October 1986 by Marvel – which contains a double meaning. I’ll come to that shortly.

Things have been pretty eventful in the story so far. Optimus Prime, Prowl and Ratchet disappeared in a flash of anti-mater as three future Decepticons arrived from 2006. Galvatron, Cyclonus and Scourge wasted no time in making their presence felt. They buried Megatron and Soundwave under rocks and put the Constructicons to work building a powerful solar weapon. Meanwhile, on the Cybertron the Autobots about to spring a carefully orchestrated trap on the planet’s Decepticon rulers, when the centrepiece of Operation Volcano (Ultra Magnus) is compelled to travel to Earth to investigate the disappearance of Prime and the Creation Matrix. He faces a race against time to get back!

I might add, we’ve also seen the Autobots handed one of their worst ever defeats, by Galvatron, and when we last saw them Ironhide was busy freeing Megatron from his rocky tomb. Robin Smith’s cover (captioned: Scourge is scrapped… and not by an Autobot!) teases the main slice of action for this instalment, hinting at the expected Autobot-Megatron team up. It’s been a hell of a first half to Target: 2006 and things are about to get even more exciting!

It begins with Starscream punching free from a capsule within the Ark. When we last saw him, he was rendered inoperative by Omega Supreme – along with Rumble, Frenzy, Skywarp, Buzzsaw and Thundercracker. All are undergoing repairs in cocoons. Starscream wonders whether the Autobots’ “contemptible compassion” extends to restoring those they have defeated. We learn that, of the others, only Frenzy and Thundercracker are on the way to recovery – the rest are too badly broken. Starscream gravitates cautiously towards the sound of voices raised in anger. He cannot believe his eyes – Megatron has teamed up with the Autobots!

Geoff Senior does a fine job of conveying the shock on Starscream’s face, and the defiance of Megatron (not easy for robot faces) but Starscream’s posture is a little weird, looking like he’s squatting to use a loo! I don’t mean to disparage the art though, as it’s of a generally high standard and with some outstanding moments (Scourge spearing Grapple with a sheet of steel being one).

The row between Megatron and Jetfire, with Ironhide stepping-in to calm things serves as a good way of recapping the previous indignities heaped on both sides. (I particularly enjoy the sight of Megatron seizing Ironhide by the throat after the latter frees him – it’s such a typical Megatron reflex). Jetfire continues his poor run of judgement, once again allowing emotion to cloud his view. He’s on the brink of calling off this alliance before it gets going. Thankfully wise-old-hand Ironhide reminds both camps of their shared enemy and Megatron has a workable plan that they can get behind. His words carry the day and others vote in favour.

That said, what were they thinking reviving Starscream? Sure, they could use his raw power but the last thing you need when the chips are down is a potential traitor in the camp. And having gone to the effort, nobody seems to notice Starscream sneaking off – having decided that a being powerful enough to unite sworn enemies is worthy of an alliance.

We’re reminded that Magnus is still around, and still under a time pressure to get back for Volcano, when Hound visits him to give an update on developments. The scene feels a little padded but does further illustrate the bond between the two of them. Hound owes his life to Magnus, and having seen his bravery in battle, he’s loyal to Magnus even though Jetfire and the others distrust him. Oddly, Magnus seems to have grown since last time (or Hound has shrunk!). He’s now at least twice the size the smaller Autobot and his head is comparable to Hound’s torso in one panel. Magnus is horrified to learn that the Autobots are working with Megatron – a case of ‘better the devil they know’ explains Hound, in a nod to the title of the story. Magnus suggests Megatron and Galvatron are as “insidiously evil” as one another (big hint there).

Next comes the meat in the sandwich of the issue. At the Portland Iron and Steel foundry, Scourge arrives in search of supplies. There is no question he would be happier hunting Autobots than ferrying stocks of metal – and he may get his wish! Sensing enemy Transformers hidden behind a nearby wall, Scourge reacts with lightning speed. A blast from his acid ray penetrates the concrete and fries Trailbreaker, but it soon becomes apparent that the place is crawling with Autobots.

How they knew where to find him is never explained, but it quickly becomes apparent to Scourge that this is an organised ambushed. A well-aimed laser blast reduces him to fighting with his bare hands and making use the materials around him ninja style. Even with these odds Scourge is still surprisingly adept and (as previously mentioned) impales Grapple with a sheet of metal. Senior’s art is fantastic and dramatic here. Scourge’s communications have been jammed (though unsaid, we know this will be Soundwave’s doing) and trapped inside, he can’t utilise the weaponry of his jet form. One thing for it – get outside. Scourge smashes his way through a wall and into the open, only for his escape to be cut short by a blast from the one and only Megatron. And so it becomes clear, the identity of the tactical genius who has organised the Autobot ‘rabble’.

The issue’s finale focuses on a one-page scene between the captive Jazz and his tormentor Galvatron. Whereas earlier Starscream Jazz could not believe his eyes, Jazz cannot believe his ears. He had awoken from his injuries to be told of the Autobots’ failed attempt to rescue him. Galvatron had delivered the news with relish and Jazz had accused Galvatron of being “just like Megatron”. Galvatron laughs, not “like” Megatron, He “IS” Megatron! The devil we know.

Anyone reading now will say ‘well of course Megatron is Galvatron’ but remember when this issue was published it was still about two months before The Movie arrived in UK cinemas. Even so, the clues were there for readers to work it out. Those captured Decepticons Starscream, Thundercracker, Frenzy and co. get an early return to duty in this story, contrary to the US continuity where they are only retrieved by the Constructicons in UK#175 during an attack on the Ark.

And so, to part 6 subtitled ‘Trios’. I really can’t praise this instalment highly enough. It’s simply an 11-page masterpiece, and still a joy to read three and a half decades later. Why? Well has everything really – six new characters making their comics debut (always exciting for fans), the big reveal about Galvatron’s origins, our first look at Unicron courtesy of Phil Gascoine cover and Senior’s interior art (both amazing). And the issue offers tantalising glimpses of the eagerly awaited (at the time) Transformers Movie. Issue 84’s Transformation page sums it up succinctly as: “Six new characters and the origin of Galvatron… in one issue! This is the one you’ve been waiting for!” It certainly is.

The story begins in the most attention-grabbing way, with Impactor taking a punch to the chin. His attackers are three ‘Decepticon’ triple changers, who look to be a handful for even the fearless leader of the Wreckers. We know from the teaser in the previous issue, that Springer, Sandstorm and Broadside are Impactor’s assailants, but we also know they are part of the Autobot toy range. I remember wondering at the time whether the trio would be Decepticons who switch sides, but surely if that’s the case there’s not room in the story for yet another major sub-plot?

However, as we discover, there is if you’ll pardon the pun ‘more than meets the eye’ about the situation. After rough-handling Impactor for several minutes, they break off and Springer hands him a communications cube. Xaaron’s face appears on it, looking rather pleased with himself. He announces that Impactor has just ‘met’ the Autobot triple changers, who will be filling in for Ultra Magnus should he fail to make it back for Operation: Volcano. The disguises were for Impactor’s benefit and the rough treatment was the quickest way to convince him that they are up to the task. It’s great to see the dynamic between the two, and you can also see how the wily Xaaron has survived this long, knowing how to stay a step ahead of friend and foe. Impactor’s reaction, sheer frustration and not knowing whether to thank Xaaron or tear his head off, says it all!

Other points from this great little scene… Springer demonstrates his leaping ability to great effect (landing in front of Impactor and sending him sprawling). We also see Sandstorm and Broadside, transforming into their helicopter and plane modes. This is perfectly consistent with their toys, but makes less sense when you think about it, as why would Cybertron Autobots have Earth modes? I hate to suggest it as I’m fan of Senior’s work, but perhaps it was a laziness on his part, to skip having to design Cybertronic alt modes, or maybe an oversight? Likewise, I feel like the inhibitor claw placed on Impactor’s back and which stops him transforming, deprives readers of seeing his other mode.

If Impactor was having one of his worst days, on Earth, all Galvatron’s days are good ones, we’re told (particularly since he crushed the Autobots so comprehensively in part 3). Jazz, his captive, has just learned that Galvatron is an upgraded version of Megatron, and now he mocks him, hoping to learn more. Galvatron for some reckless reason is only too happy to oblige (you can almost hear Doc Brown screaming warnings in the background about messing with the space-time continuum!).

Galvatron describes an epic battle between himself as Megatron and his oldest foe Optimus Prime. They had fought to a standstill on the spot where Galvatron’s weapon now resides. The fight will of course become very, very well known to anyone watching the Movie (and let’s face it, most of us have seen that film A LOT of times!) but from the panels here, it looks like Megatron comes off worse. There’s no inkling that Optimus will be fatally injured and therefore that major plot is preserved for the filmgoers. At the time it confirmed my suspicions that Prime has the edge on Megatron in a straight fight.

We see Starscream, still treacherous as ever in 2006, casting Megatron into space, where he encounters the living planet Unicron. Again, we’re so used to seeing Unicron now that it’s easy to forget what a huge moment this is. I recall thinking that he looked like the Death Star and it totally made sense that a being powerful enough to be the master of Galvatron would have to be immense – and they don’t come bigger than planet-sized. It didn’t occur to me at the time that he might be able to transform!

Galvatron tells Jazz that he was given a simple choice, ‘serve Unicron or die’, and of course he chose the former. He was reconstructed as Galvatron, but his every indiscretion was instantly punished. We learn that he fled to Earth’s past with Cyclonus and Scourge to build a weapon of unimaginable power. He’s just about to tell Jazz that it will be dormant under Autobot City and trigger the moment they return to the future, destroy the city and Unicron – which suggests he doesn’t intend to let Jazz live to tell the tale – when Cyclonus interrupts. He informs Galvatron that Scourge is missing and that he found Starscream nearby, hoping to join the winning side. He had information to trade, which Cyclonus beat out of him – Megatron is free and has teamed up with the Autobots! Jazz breaks out into laughter – it’s Megatron versus Megatron – and Galvatron, infuriated renders the Autobot very quickly unconscious.

This raises a question of course, why Galvatron has no memories of his earlier self-teaming up with the Autobots. Could it be that he’s from an alternate future and not descended from this Megatron? Perhaps it’s best to not worry about these things too much and simply enjoy the story.

And so, to the Decepticon coal mine base, where Shockwave has returned and found it deserted save for the recently revived Frenzy and Thundercracker. They have questions – but as the scene flicks between Hot Road, Kup and Blurr in 2006 preparing to time travel – they don’t get the opportunity for answers, as the Decepticon trio are engulfed in the same antimatter that consumed Prime, Prowl and Ratchet. (So, this explains for readers what we already suspected, that future visitors displace persons in the present). They vanish making way for the future Autobots to arrive in spectacular fashion. Their mission, we learn is to stop Galvatron. Who sent them? The cryptic clue of Simon Furman’s closing narration hints at the answer – a ‘haunting, malevolent laugh’ that stirs their subconscious (big hint here) and echoes off the coalmine, reverberating off the surface of Cybertron and reaching Galvatron, producing a sudden chill that owes nothing to the climate. Unicron?

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Target: 2006 (Parts 3 & 4)

Galvatron inflicts a humiliating defeat on the leaderless Autobots, after they are deserted by Ultra Magnus in their hour of need. While on Cybertron, the Wreckers question their involvement in Operation: Volcano.

Defeat – an ‘ugly word that leaves a nasty taste in the mouth’. So says Ironhide, our narrator for part 3 of Target: 2006. The issue starts with the big red Autobot shifting boulders in the aftermath of momentous events, which we are about to hear about courtesy of flashbacks.

It’s October 1986 and Simon Furman’s 11-part time-and-galaxy-spanning epic Target: 2006 is in full swing. Previous instalments have shown us glimpses of the god given power of Galvatron, Cyclonus and Scourge, and in this issue, we see them in combat with the era’s Autobots. Trouble is that this is just what Galvatron wants. Having captured Jazz, he taunted the Autobots to “come and get” their comrade, goading them into a hasty attack that would allow him to inflict a crushing defeat on them, and so it proved.

Jeff Anderson is the artist for Part 3 and again demonstrates his technique of applying a coloured border to differentiate between past and present events, which works perfectly here.

Ironhide’s flashback begins with Jetfire telling him to focus as they are about to arm up and set off after Galvatron. Jazz’s life is at stake and they have no time to lose. Quite why Jetfire is in charge is unclear. Prowl, Jazz and Ratchet were the established deputies to Optimus Prime and all are unavailable, so it might be that Jetfire is filling the void by virtue of his status as one of the more powerful Autobots, or maybe his emotions are running high and others are falling in behind his driving force.

Hound sounds a note of caution about Galvatron’s power. It’s clear they need the strength of Ultra Magnus, and Jetfire reluctantly agrees to extend him an invite. For some reason, Jetfire has taken against him, even though Magnus saved Hound from Cyclonus; his arrival so soon after Prime’s departure is a little close for comfort.

There’s an uncomfortable moment when Magnus is forced to decline to help because his time-limited mission to locate Optimus Prime takes priority. Magnus’ fact file (in TFUK #81) tells us his only failing is “once he has accepted a certain task, his singled-minded purposes sometimes blinds him to other things” which sounds like it refers to this moment.

The battle itself starts badly for the Autobots. They are subjected to heavy aerial bombardment and Jetfire seems to be considerably weaker than Cyclonus when the two clashed in the air. Scourge dodges enemy fire with before landing and inviting the Autobots to attack him. With the henchmen seemingly under control, Jetfire takes Ironhide, Tracks and Smokescreen with him to take down Galvatron, four versus one. This is incredibly foolhardy and overconfident. Four Autobots wouldn’t be anywhere near enough to challenge Megatron, and from what they’ve seen of Galvatron so far he is in that league – plus they know he’s protected by the Constructicons.

This is where Galvatron demonstrates his dominance so utterly. He points out the Constructicons, Cyclonus and Scourge all stood down at the side lines and invites the Autobots to do their worst. They unleash enough firepower to level a small city, only for Galvatron to soak it all up and laugh throughout. Then beat the four of them to a pulp! All of which brings us back to the beginning where it’s revealed that Ironhide is digging up Megatron and Soundwave!

The epilogue shows a fist breaking out from confinement in the Ark. We’re not shown who but it’s likely to be one of the Decepticons captured after their defeat by Omega Supreme. Are they being reactivated to join an alliance? The answers would have to wait, as in TFUK #81 the focus switched to Cybertron, providing a week’s interlude from the main events.

Ron Smith takes over art duties for Part 4, which explains more about Operation: Volcano and introduces several new characters, among them Whirl, Topspin, Twin Twist, the Decepticon triple changers, Rack n Ruin and Fang. Generally speaking, a character that is part of the Hasbro toy line can be expected survive whilst the made-for-comics characters will usually meet a grisly end (in the finest Star Trek red shirt tradition).

The Wreckers’ now familiar battle cry ‘Wreck and Rule!’ is heard for the first time in the comic. It chills the oil of the Decepticon killers who hear it, we’re told. Impactor and his men bearing down on them.

Shrapnel is the first victim – speared through the brain module by Impactor’s harpoon. His electrical emissions running wild, he can be used as a weapon against Octane. Whirl draws Decepticon fire, allowing Rack n Ruin to get close to pummel Thrust. Topspin, the glory seeker, takes on too many foes, but is saved by Twintwist and Roadbuster who emerge from below ground to evaporate Dirge and Ramjet. This is brutal stuff!

Of course, going back to my point about toy line characters, it’s pretty obvious that the slain Decepticons are not properly dead, and sure enough it soon becomes apparent that these are Facsimile Constructs – fake Transformers. These doubles are being used by the Wreckers to practice for Operation: Volcano, which is now less than five days away.

The team is anxious. They know if Ultra Magnus does not return from Earth in time, they will be overrun by Decepticon reinforcements, making the mission a suicide. They agree to pull the plug and Impactor will deliver the news to Emirate Xaaron, while the rest take five.

All told this is probably my least favourite instalment of Target: 2006 because it feels like a distraction from the main story. But I can see why Furman thought a full issue’s story was needed to properly introduce the Wreckers, Impactor and the Volcano aspect of the plot. One of the fun, quirky aspects of the story is Maccadam’s Old Oil House, the rowdy place black market oil bar, which Roadbuster, Twin Twist and Whirl frequent.

It’s interesting because it’s a neutral space where Autobot, Decepticon and neutrals can coexist (if they stay out of trouble). It’s also one of the rare times we see Transformers engaged in social activities. Could Maccadam’s be a place where Autobot and Decepticon double agents exchange information or enemies can come together as friends, albeit briefly? In this case, our three Wreckers are there to drown their sorrows. As Whirl wryly observes, he’s seen “cheerier” Decepticon badges than the other two.

Suddenly, a gigantic Decepticon bully called Fang, enters – he’s so big he practically cracks the doorframe – and he decides to pick on the Transformer with the piano alt mode who is supplying the bar music. Fang attacks the poor fellow with his sink plunger for a fist before giving him a good kick.

Twin Twist, enraged, wants to get involved. Roadbuster tells him to leave it, saying “it’s not out fight” in echoes of their earlier judgement on Operation Volcano. Instead with a ‘Wreck and Rule’ cry, Twin Twist sucker-punches Fang courtesy of a strike to the knees, that severs his lower leg and sends his upper torso crashing down. Fang winds up as a pile of metal debris. He looked like he would have put up more of a fight.

However, the incident is catalyst enough to persuade the Wreckers to change their mind about Volcano. So much so, that when Impactor – who has been outsmarted into reconsidering the mission by the wily, experienced politician Xaaron – asks for volunteers he gets a full show of hands. The Wreckers return to practice, taking it from the top…

In closing: The Wreckers make a strong impression on their team debut and are destined to be fan favourites. These ‘return to Cybertron’ stories are a good way for writers to get the extended toy range into the comic, for example the Jump Starters who had been out for well over a year and I hadn’t expected to see. Also Whirl and Roadbuster and the long overdue Decepticon Triple Changers.

How has the Autobot resistance got the resources to build so many working facsimiles of their enemies? You’d imagine they’d be better off investing more Ultra Magnus or Omega Supreme warriors. Next issue its back to main plot (horay!) as the Autobots form an unholy alliance with their worst enemy Megatron – a case of better the devil you know!

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